Mr Jonathan Impett


NameMr Jonathan Impett
Job titleAssociate Professor in Music
Research institute
Primary appointmentSchool of Arts
ORCIDhttps://orcid.org/0000-0002-6525-2095
Contact categoryAcademic staff (past)

Research outputs

Sound work: composition as critical technical practice

Impett, J. (ed.) 2021. Sound work: composition as critical technical practice. Leuven Leuven University Press.

Dissociation and interference in composers’ stories about music: the renewal of musical discourse

Impett, J. 2021. Dissociation and interference in composers’ stories about music: the renewal of musical discourse. in: Impett, J. (ed.) Sound works: Composition as critical technical practice Leuven, Belgium Leuven University Press. pp. 117-136

Music, discourse and intuitive technology

Impett, J. 2021. Music, discourse and intuitive technology. AI and Society. 0, p. 1. https://doi.org/10.1007/s00146-020-01126-4

Three states of wax

Impett, J. 2020. Three states of wax.

Apollo e Marsyas

Impett, J. 2019. Apollo e Marsyas.

Routledge handbook to Luigi Nono and musical thought

Impett, J. 2018. Routledge handbook to Luigi Nono and musical thought. London Routledge.

Folto Giardino II

Impett, J. 2018. Folto Giardino II.

After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]

Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.

The contemporary musician and the production of knowledge: practice, research, and responsibility

Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238

Artistic research in music: discipline and resistance: artists and researchers at the Orpheus Institute

Impett, J. (ed.) 2017. Artistic research in music: discipline and resistance: artists and researchers at the Orpheus Institute. Leuven, Belgium Leuven University Press.

Folto giardino: hybrid cross-pollination of score, performance, installation and technology

Impett, J. 2017. Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal. 27, pp. 54-56. https://doi.org/10.1162/LMJ_a_01015

Spoken

Impett, J. 2017. Spoken. Attacca Amsterdam.

Prado Florido (after Guerrero) [Score / CD]

Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.

Notation as technology

Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016

Folto Giardino I

Impett, J. 2016. Folto Giardino I. Tempo Reale.

Presence and resonance (four compositions 2014-2019)

Impett, J. 2014. Presence and resonance (four compositions 2014-2019).

Making a mark: the psychology of composition

Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666

Interaction, simulation, and invention

Impett, J. 2013. Interaction, simulation, and invention. in: Carayannis, E. (ed.) Encyclopedia of creativity, invention, innovation and entrepreneurship Springer.

Speak - active sound-space and the performer

Impett, J. 2013. Speak - active sound-space and the performer. in: Re-new digital arts forum 2013: conference proceedings Copenhagen issuu. pp. 128-133

"Speak" for metatrumpet and active sound-space

Impett, J. 2013. "Speak" for metatrumpet and active sound-space.

The perception of potential: interference, dimensionality and knowledge

Impett, J. and Impett, L. 2013. The perception of potential: interference, dimensionality and knowledge. in: Liò, P., Miglino, O., Nicosia, G., Nolfi, S. and Pavone, M. (ed.) Advances in Artificial Life ECAL 2013. Proceedings of the twelfth European Conference on the Synthesis and Simulation of Living Systems The MIT Press. pp. 1126-1131

What are we making? The work-without-content in live computer music

Impett, J. 2011. What are we making? The work-without-content in live computer music. in: Adkins, M. and Isaacs, B. (ed.) International Computer Music Conference Proceedings International Computer Music Association.

Let's dance architecture: improvisation, technology and form

Impett, J. 2010. Let's dance architecture: improvisation, technology and form. Leonardo Music Journal. 20, pp. 85-88. https://doi.org/10.1162/LMJ_a_00017

Making a mark: the psychology of composition

Impett, J. 2008. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) Oxford handbook of music psychology Oxford Oxford University Press (OUP). pp. 403-412
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