Mr Jonathan Impett
| Name | Mr Jonathan Impett |
|---|---|
| Job title | Associate Professor in Music |
| Research institute | |
| Primary appointment | School of Arts |
| ORCID | https://orcid.org/0000-0002-6525-2095 |
| Contact category | Academic staff (past) |
Research outputs
Sound work: composition as critical technical practice
Impett, J. (ed.) 2021. Sound work: composition as critical technical practice. Leuven Leuven University Press.Dissociation and interference in composers’ stories about music: the renewal of musical discourse
Impett, J. 2021. Dissociation and interference in composers’ stories about music: the renewal of musical discourse. in: Impett, J. (ed.) Sound works: Composition as critical technical practice Leuven, Belgium Leuven University Press. pp. 117-136Music, discourse and intuitive technology
Impett, J. 2021. Music, discourse and intuitive technology. AI and Society. 0, p. 1. https://doi.org/10.1007/s00146-020-01126-4Three states of wax
Impett, J. 2020. Three states of wax.Apollo e Marsyas
Impett, J. 2019. Apollo e Marsyas.Routledge handbook to Luigi Nono and musical thought
Impett, J. 2018. Routledge handbook to Luigi Nono and musical thought. London Routledge.Folto Giardino II
Impett, J. 2018. Folto Giardino II.After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238Artistic research in music: discipline and resistance: artists and researchers at the Orpheus Institute
Impett, J. (ed.) 2017. Artistic research in music: discipline and resistance: artists and researchers at the Orpheus Institute. Leuven, Belgium Leuven University Press.Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Impett, J. 2017. Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal. 27, pp. 54-56. https://doi.org/10.1162/LMJ_a_01015Spoken
Impett, J. 2017. Spoken. Attacca Amsterdam.Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.Notation as technology
Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016Folto Giardino I
Impett, J. 2016. Folto Giardino I. Tempo Reale.Presence and resonance (four compositions 2014-2019)
Impett, J. 2014. Presence and resonance (four compositions 2014-2019).Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666Interaction, simulation, and invention
Impett, J. 2013. Interaction, simulation, and invention. in: Carayannis, E. (ed.) Encyclopedia of creativity, invention, innovation and entrepreneurship Springer.Speak - active sound-space and the performer
Impett, J. 2013. Speak - active sound-space and the performer. in: Re-new digital arts forum 2013: conference proceedings Copenhagen issuu. pp. 128-133"Speak" for metatrumpet and active sound-space
Impett, J. 2013. "Speak" for metatrumpet and active sound-space.The perception of potential: interference, dimensionality and knowledge
Impett, J. and Impett, L. 2013. The perception of potential: interference, dimensionality and knowledge. in: Liò, P., Miglino, O., Nicosia, G., Nolfi, S. and Pavone, M. (ed.) Advances in Artificial Life ECAL 2013. Proceedings of the twelfth European Conference on the Synthesis and Simulation of Living Systems The MIT Press. pp. 1126-1131What are we making? The work-without-content in live computer music
Impett, J. 2011. What are we making? The work-without-content in live computer music. in: Adkins, M. and Isaacs, B. (ed.) International Computer Music Conference Proceedings International Computer Music Association.Let's dance architecture: improvisation, technology and form
Impett, J. 2010. Let's dance architecture: improvisation, technology and form. Leonardo Music Journal. 20, pp. 85-88. https://doi.org/10.1162/LMJ_a_00017Making a mark: the psychology of composition
Impett, J. 2008. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) Oxford handbook of music psychology Oxford Oxford University Press (OUP). pp. 403-412113
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