Dissociation and interference in composers’ stories about music: the renewal of musical discourse
Book chapter
Impett, J. 2021. Dissociation and interference in composers’ stories about music: the renewal of musical discourse. in: Impett, J. (ed.) Sound works: Composition as critical technical practice Leuven, Belgium Leuven University Press.
Chapter title | Dissociation and interference in composers’ stories about music: the renewal of musical discourse |
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Authors | Impett, J. |
Abstract | A generation ago, Philip Agre responded to a discourse-gap in his own area of artificial intelligence (AI) with an approach he termed Critical Technical Practice (CTP) (Agre 1997a). I will show how composition (in the broad sense described above) has much in common with the computational design Agre was discussing, and that the CTP he proposed might provide important indications for the development of more common, constructive and critical discourse in and around the creation of music. |
Research Group | Music group |
Book title | Sound works: Composition as critical technical practice |
Editors | Impett, J. |
Publisher | Leuven University Press |
Place of publication | Leuven, Belgium |
Series | Orpheus Institute Series |
ISBN | |
Hardcover | 9789462702585 |
Electronic | 9789461663665 |
Publication dates | |
30 Nov 2021 | |
Online | 30 Nov 2021 |
Publication process dates | |
Deposited | 06 Jan 2021 |
Accepted | 01 May 2020 |
Output status | In press |
Web address (URL) | https://lup.be/products/129486?_pos=1&_sid=c64baaab3&_ss=r |
Language | English |
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