Sheela-na-gigs and an ‘Aesthetics of Damage’
Article
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.
Type | Article |
---|---|
Title | Sheela-na-gigs and an ‘Aesthetics of Damage’ |
Authors | Dwyer, B. |
Abstract | In this essay I discuss how the enigmatic stone carvings known as Sheela-na-gigs have impacted my music. These carvings are thought to date from the 11th century or before and are mostly found in Ireland and parts of Britain. The combination of their crudity (they expose exaggerated vulvas and are essentially abject visually), their sacred place in earlier Gaelic communities, and the way they have been treated by ensuing religious power in Ireland make them 'witnesses' to Ireland's colonial, religious and socio-cultural history and a useful feminist lens. This essay explores how sheela-na-gigs have impacted my own compositional aesthetics. |
Research Group | Music group |
Publisher | Enclave Review |
Journal | Enclave Review |
Publication dates | |
27 May 2018 | |
Online | 02 Aug 2018 |
Publication process dates | |
Deposited | 21 Sep 2018 |
Accepted | 10 Mar 2018 |
Output status | Published |
Accepted author manuscript | |
Copyright Statement | This is the author accepted manuscript of an article published in final form in the Enclave Review (http://enclavereview.org), Issue 16 (Winter / Spring 2018). Reproduced here with permission. |
Web address (URL) | http://enclavereview.org/sheela-na-gigs-and-an-aesthetics-of-damage/ |
Language | English |
https://repository.mdx.ac.uk/item/87y1q
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