what is the word

Portfolio

Dwyer, B. 2019. what is the word.

Portfolio items

what is the word (triptych with interludes)
Dwyer, B. 2019. what is the word (triptych with interludes). The Contemporary Music Centre.
five disjecta (after Beckett)
Dwyer, B. 2019. five disjecta (after Beckett). The Contemporary Music Centre.
six residua (after Beckett)
Dwyer, B. 2019. six residua (after Beckett). The Contemporary Music Centre.
what is the word [CD]
Dwyer, B. 2020. what is the word [CD].
Eleven reflections on Beckett, music and silence [CD Booklet essay]
Dwyer, B. 2020. Eleven reflections on Beckett, music and silence [CD Booklet essay]. Dublin, Ireland Diatribe Records.
Title of workwhat is the word
CreatorsDwyer, B.
ContributorsHomburger, M., Guy, B. and Lovett, C.
Description

what is the word is a CD recording of three pieces of music composed through an engagement with the late aesthetics of Samuel Beckett. They are 'six residua (after Beckett)'; 'what is the word (triptych with interludes); and 'five disjecta (after Beckett)'. The CD features Benjamin Dwyer (guitar); Maya Homburger (violin); Barry Guy (double bass); and Conor Lovett (actor). The CD also includes an essay entitles 'eleven reflections on Beckett, music and silence'.

Output mediaCD
Research GroupMusic group
EventSundays@Noon: Beckett into Music
Collection date range03 Feb 2019 to end of 06 Apr 2020
First publicly available date
Print03 Feb 2019
Publication process dates
Deposited13 Nov 2020
Portfolio itemswhat is the word (triptych with interludes)
five disjecta (after Beckett)
six residua (after Beckett)
what is the word [CD]
Eleven reflections on Beckett, music and silence [CD Booklet essay]
Web address (URL)https://diatribe.ie/product/what-is-the-word/
Related Output
Has parthttps://diatribe.ie/product/what-is-the-word/
Has parthttps://www.cmc.ie/events/2019/feb/sundays-noon-beckett-music-featuring-works-benjamin-dwyer-and-barry-guy
Has parthttps://www.cmc.ie/music/what-word
Has parthttps://www.cmc.ie/music/five-disjecta-after-beckett
Has parthttps://www.cmc.ie/music/six-residua-after-beckett
Is supplemented byhttps://www.cmc.ie/composers/benjamin-dwyer
Is supplemented byhttps://www.benjamindwyer.com/
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/892q8

Log in to edit

Restricted files

Publisher's version

  • 37
    total views
  • 0
    total downloads
  • 8
    views this month
  • 0
    downloads this month

Export as

Related outputs

Writing through an instrument: Benjamin Dwyer [Interview]
Dwyer, B. and Rudeloff, W. 2015. Writing through an instrument: Benjamin Dwyer [Interview]. Chamber Music Notes - The LCMS Magazine 2015/2016.
Nocturnal, after Benjamin Britten
Dwyer, B. 2015. Nocturnal, after Benjamin Britten. The Contemporary Music Centre.
Hommage à Ligeti
Dwyer, B. 2020. Hommage à Ligeti. The Contemporary Music Centre.
Scenes from Crow
Dwyer, B. 2009. Scenes from Crow. The Contemporary Music Centre.
Eleven reflections on Beckett, music and silence [CD Booklet essay]
Dwyer, B. 2020. Eleven reflections on Beckett, music and silence [CD Booklet essay]. Dublin, Ireland Diatribe Records.
what is the word [CD]
Dwyer, B. 2020. what is the word [CD].
Joycean aesthetics and mythic imagination in the music of Frank Corcoran
Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.
six residua (after Beckett)
Dwyer, B. 2019. six residua (after Beckett). The Contemporary Music Centre.
five disjecta (after Beckett)
Dwyer, B. 2019. five disjecta (after Beckett). The Contemporary Music Centre.
HAG
Dwyer, B. 2019. HAG. The Contemporary Music Centre.
what is the word (triptych with interludes)
Dwyer, B. 2019. what is the word (triptych with interludes). The Contemporary Music Centre.
The stain upon the silence
Dwyer, B. 2019. The stain upon the silence. Farpoint Records.
Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism
Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. The Musical Times Publications Limited.
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.
KnowingUnknowing and the Corporeal
Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.
KnowingUnknowing
Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.
Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017
Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.
Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.
Britten and the guitar: critical perspectives for performers
Dwyer, B. 2016. Britten and the guitar: critical perspectives for performers. Dublin Carysfort Press.
Barry Guy’s Time Passing...
Dwyer, B. 2016. Barry Guy’s Time Passing... Music & Literature.
Knowing/Unknowing
Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016
Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review
Dwyer, B. 2007. Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review. The Musical Times. 148 (1899), pp. 89-102.
Constellations – the life and music of John Buckley
Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.
Dios los cría...
Dwyer, B. 2014. Dios los cría... Music & Literature.
Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran
Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.
Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.
Gierador
Dwyer, B. and Griffith, D. 2015. Gierador.
Imagines
Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin, Ireland New Dublin Press.
Umbilical
Dwyer, B. 2011. Umbilical.
Constellations: the life and music of John Buckley
Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.
SacrumProfanum
Dwyer, B., Griffith, D., Campanello, K. and Creasy, J. 2013. SacrumProfanum.
imagines obesae et aspectui ingratae
Dwyer, B. 2013. imagines obesae et aspectui ingratae. The Contemporary Music Centre.
Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese
Dwyer, B. 2012. Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese. The Musical Times. 153 (1919), pp. 87-102.
Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola
Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti: of Foreign Lands and Strange Sounds Woodbridge Boydell Press. pp. 19-50
From the Celtic to the abstract: shifting perspectives in the music of John Buckley
Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.