From the Celtic to the abstract: shifting perspectives in the music of John Buckley
Article
Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.
Type | Article |
---|---|
Title | From the Celtic to the abstract: shifting perspectives in the music of John Buckley |
Authors | Dwyer, B. |
Abstract | ‘From the Celtic to the Abstract: Shifting Perspectives in the Music of John Buckley’ surveys the trajectory of the Irish composer's development in compositional aesthetics. Buckey's early works such as Taller than Roman Spears (1977), Oileáin (1979), Boireann (1983) and I am Wind on Sea (1987) embrace a Celticism in their mythical sources and, in some cases, their absorption of traditional Irish materials in varying degress of sublimation. The essay overviews Buckely's movement away from these early influences to disclose his increasing fascination with abstract schemata profoundly influenced by French musical aesthetics. |
Publisher | The Musical Times |
Journal | The Musical Times |
ISSN | 0027-4666 |
Publication dates | |
2010 | |
Publication process dates | |
Deposited | 23 Jun 2015 |
Output status | Published |
Accepted author manuscript | |
Copyright Statement | Attached full text is an author accepted manuscript version of an article published in The Musical Times. Permission granted on 17/07/2015, by the Editor to make the accepted manuscript version available in the Middlesex University Research Repository. |
Web address (URL) | http://themusicaltimes.blogspot.co.uk/p/index-2010.html |
Language | English |
https://repository.mdx.ac.uk/item/85q22
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