From the Celtic to the abstract: shifting perspectives in the music of John Buckley

Article

Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.
TypeArticle
TitleFrom the Celtic to the abstract: shifting perspectives in the music of John Buckley
AuthorsDwyer, B.
Abstract

‘From the Celtic to the Abstract: Shifting Perspectives in the Music of John Buckley’ surveys the trajectory of the Irish composer's development in compositional aesthetics. Buckey's early works such as Taller than Roman Spears (1977), Oileáin (1979), Boireann (1983) and I am Wind on Sea (1987) embrace a Celticism in their mythical sources and, in some cases, their absorption of traditional Irish materials in varying degress of sublimation. The essay overviews Buckely's movement away from these early influences to disclose his increasing fascination with abstract schemata profoundly influenced by French musical aesthetics.

PublisherThe Musical Times
JournalThe Musical Times
ISSN0027-4666
Publication dates
Print2010
Publication process dates
Deposited23 Jun 2015
Output statusPublished
Accepted author manuscript
Copyright Statement

Attached full text is an author accepted manuscript version of an article published in The Musical Times. Permission granted on 17/07/2015, by the Editor to make the accepted manuscript version available in the Middlesex University Research Repository.

Web address (URL)http://themusicaltimes.blogspot.co.uk/p/index-2010.html
LanguageEnglish
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