what is the word [CD]

Digital or visual media

Dwyer, B. 2020. what is the word [CD].
Title of workwhat is the word [CD]
CreatorsDwyer, B.
ContributorsLovett, C., Guy, B. and Homburger, M.
Description

'what is the word' is a CD recording released by Diatribe Records featuring three compositions by Benjamin Dwyer, all of which have been inspired by Samuel Beckett. The performers on the recording are Benjamin Dwyer (guitar), Barry Guy (double bass), Maya Homburger (Baroque violin) and Conor Lovett (narrator). The works included are:
1) six residua (after Beckett), for solo violin
2) what is the word - triptych with interludes, for narrator, guitar, violin and double bass.
3) five disjecta (after Beckett), for solo guitar

Output mediaCompact Disc (CD) + Digital Album
Publisher or commissioning bodyDiatribe Records
First publicly available date
Online29 Feb 2020
Print06 Apr 2020
Publication process dates
Deposited27 May 2020
Output statusPublished
Web address (URL)https://shop.diatribe.ie/album/what-is-the-word
LanguageEnglish
Media typeAudio
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https://repository.mdx.ac.uk/item/88x22

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six residua (after Beckett)
Dwyer, B. 2019. six residua (after Beckett). Contemporary Music Centre Ireland.
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Dwyer, B. 2020. Hommage à Ligeti. Contemporary Music Centre Ireland.
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Dwyer, B. 2019. what is the word (triptych with interludes). Contemporary Music Centre Ireland.
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Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.
Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism
Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. in: Dwyer, B. and Marx, W. (ed.) New Perspectives on György Ligeti University of Rochester Press.
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.
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Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.
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Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017
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Dwyer, B. 2019. The stain upon the silence. Farpoint Records.
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Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.
Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.
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Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.
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Dwyer, B. 2016. Barry Guy’s Time Passing... Music & Literature.
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Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.
Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola
Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti – Of Foreign Lands and Strange Sounds Woodbridge Boydell & Brewer. pp. 19-50
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Dwyer, B. 2014. Dios los cría... Music & Literature.
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Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.
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Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.
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Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin New Dublin Press.
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Dwyer, B. 2011. Umbilical.
Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola
Dwyer, B. 2011. Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti: of foreign sands and strange sounds Woodbridge, Suffolk Boydell Press. pp. 19-50
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Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.
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Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese
Dwyer, B. 2012. Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese. The Musical Times. 153 (1919), pp. 87-102.
From the Celtic to the abstract: shifting perspectives in the music of John Buckley
Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.