Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism

Book chapter

Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. in: Dwyer, B. and Marx, W. (ed.) New Perspectives on György Ligeti University of Rochester Press.
Chapter titleTeleology or transcendence? Perspectives on Ligeti’s collusion with automatism
AuthorsDwyer, B.
Research GroupMusic group
Book titleNew Perspectives on György Ligeti
EditorsDwyer, B. and Marx, W.
PublisherUniversity of Rochester Press
Publication dates
Print01 Mar 2019
Publication process dates
Deposited25 Sep 2018
Accepted01 Jan 2018
Output statusIn press
Accepted author manuscript
File Access Level
Restricted
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/87y28

Log in to edit
  • 56
    total views
  • 0
    total downloads
  • 3
    views this month
  • 0
    downloads this month

Export as

Related outputs

six residua (after Beckett)
Dwyer, B. 2019. six residua (after Beckett). Contemporary Music Centre Ireland.
Eleven reflections on Beckett, music and silence [CD Booklet essay]
Dwyer, B. 2020. Eleven reflections on Beckett, music and silence [CD Booklet essay]. Dublin, Ireland Diatribe Records.
imagines obesae et aspectui ingratae
Dwyer, B. 2013. imagines obesae et aspectui ingratae. Contemporary Music Centre Ireland.
Writing through an instrument: Benjamin Dwyer [Interview]
Dwyer, B. and Rudeloff, W. 2015. Writing through an instrument: Benjamin Dwyer [Interview]. Chamber Music Notes - The LCMS Magazine 2015/2016.
Gierador
Dwyer, B. and Griffith, D. 2015. Gierador.
five disjecta (after Beckett)
Dwyer, B. 2019. five disjecta (after Beckett). Contemporary Music Centre Ireland.
Nocturnal, after Benjamin Britten
Dwyer, B. 2015. Nocturnal, after Benjamin Britten. Contemporary Music Centre Ireland.
what is the word [CD]
Dwyer, B. 2020. what is the word [CD].
Hommage à Ligeti
Dwyer, B. 2020. Hommage à Ligeti. Contemporary Music Centre Ireland.
Scenes from Crow
Dwyer, B. 2009. Scenes from Crow. Contemporary Music Centre Ireland.
HAG
Dwyer, B. 2019. HAG. Contemporary Music Centre Ireland.
what is the word (triptych with interludes)
Dwyer, B. 2019. what is the word (triptych with interludes). Contemporary Music Centre Ireland.
Joycean aesthetics and mythic imagination in the music of Frank Corcoran
Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.
KnowingUnknowing and the Corporeal
Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.
KnowingUnknowing
Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.
Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017
The stain upon the silence
Dwyer, B. 2019. The stain upon the silence. Farpoint Records.
Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.
Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.
Britten and the guitar: critical perspectives for performers
Dwyer, B. 2016. Britten and the guitar: critical perspectives for performers. Dublin Carysfort Press.
Barry Guy’s Time Passing...
Dwyer, B. 2016. Barry Guy’s Time Passing... Music & Literature.
Knowing/Unknowing
Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016
Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review
Dwyer, B. 2007. Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review. The Musical Times. 148 (1899), pp. 89-102.
Constellations – the life and music of John Buckley
Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.
Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola
Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti – Of Foreign Lands and Strange Sounds Woodbridge Boydell & Brewer. pp. 19-50
Dios los cría...
Dwyer, B. 2014. Dios los cría... Music & Literature.
Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran
Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.
Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.
Imagines
Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin New Dublin Press.
Umbilical
Dwyer, B. 2011. Umbilical.
Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola
Dwyer, B. 2011. Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti: of foreign sands and strange sounds Woodbridge, Suffolk Boydell Press. pp. 19-50
Constellations: the life and music of John Buckley
Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.
SacrumProfanum
Dwyer, B., Griffith, D., Campanello, K. and Creasy, J. 2013. SacrumProfanum.
Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese
Dwyer, B. 2012. Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese. The Musical Times. 153 (1919), pp. 87-102.
From the Celtic to the abstract: shifting perspectives in the music of John Buckley
Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.