Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism

Magazine

Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. The Musical Times Publications Limited.
TypeMagazine
TitleTeleology or transcendence? Perspectives on Ligeti’s collusion with automatism
AuthorsDwyer, B.
Research GroupMusic group
Publication or CollectionThe Musical Times
ISSN0027-4666
PublisherThe Musical Times Publications Limited
Publication dates
Print01 Mar 2019
Publication process dates
Deposited25 Sep 2018
Accepted01 Jan 2018
Output statusPublished
LanguageEnglish
Accepted author manuscript
File Access Level
Restricted
Permalink -

https://repository.mdx.ac.uk/item/87y28

Log in to edit
  • 117
    total views
  • 2
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Writing through an instrument: Benjamin Dwyer [Interview]
Dwyer, B. and Rudeloff, W. 2015. Writing through an instrument: Benjamin Dwyer [Interview]. Chamber Music Notes - The LCMS Magazine 2015/2016.
Nocturnal, after Benjamin Britten
Dwyer, B. 2015. Nocturnal, after Benjamin Britten. The Contemporary Music Centre.
Hommage à Ligeti
Dwyer, B. 2020. Hommage à Ligeti. The Contemporary Music Centre.
Scenes from Crow
Dwyer, B. 2009. Scenes from Crow. The Contemporary Music Centre.
Eleven reflections on Beckett, music and silence [CD Booklet essay]
Dwyer, B. 2020. Eleven reflections on Beckett, music and silence [CD Booklet essay]. Dublin, Ireland Diatribe Records.
what is the word [CD]
Dwyer, B. 2020. what is the word [CD].
Joycean aesthetics and mythic imagination in the music of Frank Corcoran
Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.
six residua (after Beckett)
Dwyer, B. 2019. six residua (after Beckett). The Contemporary Music Centre.
what is the word
Dwyer, B. 2019. what is the word.
five disjecta (after Beckett)
Dwyer, B. 2019. five disjecta (after Beckett). The Contemporary Music Centre.
HAG
Dwyer, B. 2019. HAG. The Contemporary Music Centre.
what is the word (triptych with interludes)
Dwyer, B. 2019. what is the word (triptych with interludes). The Contemporary Music Centre.
The stain upon the silence
Dwyer, B. 2019. The stain upon the silence. Farpoint Records.
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.
KnowingUnknowing and the Corporeal
Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.
KnowingUnknowing
Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.
Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017
Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.
Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald[Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald[Book Review]. The Musical Times. 159 (1943), pp. 109-118.
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.
Barry Guy’s Time Passing...
Dwyer, B. 2016. Barry Guy’s Time Passing... Music & Literature.
Knowing/Unknowing
Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016
Britten and the guitar: critical perspectives for performers
Dwyer, B. 2016. Britten and the guitar: critical perspectives for performers. Dublin Carysfort Press.
Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review
Dwyer, B. 2007. Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review. The Musical Times. 148 (1899), pp. 89-102.
Constellations – the life and music of John Buckley
Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.
Dios los cría...
Dwyer, B. 2014. Dios los cría... Music & Literature.
Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran
Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.
Gierador
Dwyer, B. and Griffith, D. 2015. Gierador.
Imagines
Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin, Ireland New Dublin Press.
The Blue Shroud project and the development of an innovative free-improvisation approach on classical guitar
Dwyer, B. 2014. The Blue Shroud project and the development of an innovative free-improvisation approach on classical guitar. Karkow Radio Hall, Krakow, Poland 18 - 21 Nov 2014
Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.
Umbilical
Dwyer, B. 2011. Umbilical.
Constellations: the life and music of John Buckley
Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.
SacrumProfanum
Dwyer, B., Griffith, D., Campanello, K. and Creasy, J. 2013. SacrumProfanum.
imagines obesae et aspectui ingratae
Dwyer, B. 2013. imagines obesae et aspectui ingratae. The Contemporary Music Centre.
Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese
Dwyer, B. 2012. Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese. The Musical Times. 153 (1919), pp. 87-102.
Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola
Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti: of Foreign Lands and Strange Sounds Woodbridge Boydell Press. pp. 19-50
From the Celtic to the abstract: shifting perspectives in the music of John Buckley
Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.