Dr Benjamin Dwyer


NameDr Benjamin Dwyer
Job titleProfessor in Music
Research institute
Primary appointmentSchool of Arts
ORCIDhttps://orcid.org/0000-0003-3616-7091
Contact categoryAcademic staff (past)

Research outputs

SacrumProfanum

Dwyer, B., Griffith, D., Campanello, K. and Creasy, J. 2013. SacrumProfanum.

Eleven reflections on Beckett, music and silence [CD Booklet essay]

Dwyer, B. 2020. Eleven reflections on Beckett, music and silence [CD Booklet essay]. Dublin, Ireland Diatribe Records.

what is the word [CD]

Dwyer, B. 2020. what is the word [CD].

Hommage à Ligeti

Dwyer, B. 2020. Hommage à Ligeti. Contemporary Music Centre Ireland.

KnowingUnknowing

Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.

Joycean aesthetics and mythic imagination in the music of Frank Corcoran

Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.

HAG

Dwyer, B. 2019. HAG. Contemporary Music Centre Ireland.

Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism

Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. in: Dwyer, B. and Marx, W. (ed.) New Perspectives on György Ligeti University of Rochester Press.

six residua (after Beckett)

Dwyer, B. 2019. six residua (after Beckett). Contemporary Music Centre Ireland.

what is the word (triptych with interludes)

Dwyer, B. 2019. what is the word (triptych with interludes). Contemporary Music Centre Ireland.

five disjecta (after Beckett)

Dwyer, B. 2019. five disjecta (after Beckett). Contemporary Music Centre Ireland.

The stain upon the silence

Dwyer, B. 2019. The stain upon the silence. Farpoint Records.

KnowingUnknowing

Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.

Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]

Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.

Sheela-na-gigs and an ‘Aesthetics of Damage’

Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.

KnowingUnknowing and the Corporeal

Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.

Umbilical—the story of Oedipus, the story of Jocasta…

Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.

Britten and the guitar: critical perspectives for performers

Dwyer, B. 2016. Britten and the guitar: critical perspectives for performers. Dublin Carysfort Press.

Barry Guy’s Time Passing...

Dwyer, B. 2016. Barry Guy’s Time Passing... Music & Literature.

Knowing/Unknowing

Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016

Writing through an instrument: Benjamin Dwyer [Interview]

Dwyer, B. and Rudeloff, W. 2015. Writing through an instrument: Benjamin Dwyer [Interview]. Chamber Music Notes - The LCMS Magazine 2015/2016.

Gierador

Dwyer, B. and Griffith, D. 2015. Gierador.

Imagines

Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin New Dublin Press.

Nocturnal, after Benjamin Britten

Dwyer, B. 2015. Nocturnal, after Benjamin Britten. Contemporary Music Centre Ireland.

Different voices: Irish music and music in Ireland

Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.

Transcendence Interrupted: Composing 'Scenes from Crow'

Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017

Dios los cría...

Dwyer, B. 2014. Dios los cría... Music & Literature.

Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran

Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.

imagines obesae et aspectui ingratae

Dwyer, B. 2013. imagines obesae et aspectui ingratae. Contemporary Music Centre Ireland.

Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese

Dwyer, B. 2012. Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese. The Musical Times. 153 (1919), pp. 87-102.

Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola

Dwyer, B. 2011. Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti: of foreign sands and strange sounds Woodbridge, Suffolk Boydell Press. pp. 19-50

Constellations: the life and music of John Buckley

Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.

Constellations – the life and music of John Buckley

Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.

Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola

Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti – Of Foreign Lands and Strange Sounds Woodbridge Boydell & Brewer. pp. 19-50

Umbilical

Dwyer, B. 2011. Umbilical.

From the Celtic to the abstract: shifting perspectives in the music of John Buckley

Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.

Scenes from Crow

Dwyer, B. 2009. Scenes from Crow. Contemporary Music Centre Ireland.

Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review

Dwyer, B. 2007. Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review. The Musical Times. 148 (1899), pp. 89-102.
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