Dr Benjamin Dwyer

NameDr Benjamin Dwyer
Job titleProfessor in Music
Research institute
Primary appointmentSchool of Arts
Email addressbenjamin8@mdx.ac.uk
ORCIDhttps://orcid.org/0000-0003-3616-7091
Contact categoryAcademic staff (past)

Research outputs

Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism

Dwyer, B. 2022. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. The Musical Times. 163 (1960), pp. 59-72.

Eleven reflections on Beckett, music and silence [CD Booklet essay]

Dwyer, B. 2020. Eleven reflections on Beckett, music and silence [CD Booklet essay]. Dublin, Ireland Diatribe Records.

what is the word [CD]

Dwyer, B. 2020. what is the word [CD].

Hommage à Ligeti

Dwyer, B. 2020. Hommage à Ligeti. The Contemporary Music Centre.

KnowingUnknowing

Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.

Joycean aesthetics and mythic imagination in the music of Frank Corcoran

Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.

HAG

Dwyer, B. 2019. HAG. The Contemporary Music Centre.

six residua (after Beckett)

Dwyer, B. 2019. six residua (after Beckett). The Contemporary Music Centre.

what is the word

Dwyer, B. 2019. what is the word.

what is the word (triptych with interludes)

Dwyer, B. 2019. what is the word (triptych with interludes). The Contemporary Music Centre.

five disjecta (after Beckett)

Dwyer, B. 2019. five disjecta (after Beckett). The Contemporary Music Centre.

The stain upon the silence

Dwyer, B. 2019. The stain upon the silence. Farpoint Records.

KnowingUnknowing

Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.

Innocence and Experience [Review article]

Dwyer, B. 2018. Innocence and Experience [Review article]. The Musical Times. 159 (1943), pp. 109-118.

Sheela-na-gigs and an ‘Aesthetics of Damage’

Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.

KnowingUnknowing and the Corporeal

Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.

Umbilical—the story of Oedipus, the story of Jocasta…

Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.

Britten and the guitar: critical perspectives for performers

Dwyer, B. 2016. Britten and the guitar: critical perspectives for performers. Dublin Carysfort Press.

Barry Guy’s Time Passing...

Dwyer, B. 2016. Barry Guy’s Time Passing... Music & Literature.

Knowing/Unknowing

Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016

Writing through an instrument: Benjamin Dwyer [Interview]

Dwyer, B. and Rudeloff, W. 2015. Writing through an instrument: Benjamin Dwyer [Interview]. Chamber Music Notes - The LCMS Magazine 2015/2016.

Gierador

Dwyer, B. and Griffith, D. 2015. Gierador.

Imagines

Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin, Ireland New Dublin Press.

Nocturnal, after Benjamin Britten

Dwyer, B. 2015. Nocturnal, after Benjamin Britten. The Contemporary Music Centre.

The Blue Shroud project and the development of an innovative free-improvisation approach on classical guitar

Dwyer, B. 2014. The Blue Shroud project and the development of an innovative free-improvisation approach on classical guitar. Karkow Radio Hall, Krakow, Poland 18 - 21 Nov 2014

Different voices: Irish music and music in Ireland

Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.

Transcendence Interrupted: Composing 'Scenes from Crow'

Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017

Dios los cría...

Dwyer, B. 2014. Dios los cría... Music & Literature.

Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran

Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.

SacrumProfanum

Dwyer, B., Griffith, D., Campanello, K. and Creasy, J. 2013. SacrumProfanum.

imagines obesae et aspectui ingratae

Dwyer, B. 2013. imagines obesae et aspectui ingratae. The Contemporary Music Centre.

'Within it lie ancient melodies': Dowland’s musical rhetoric and Britten's 'Songs from the Chinese'

Dwyer, B. 2012. 'Within it lie ancient melodies': Dowland’s musical rhetoric and Britten's 'Songs from the Chinese'. The Musical Times. 153 (1919), pp. 87-102.

Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola

Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti: of Foreign Lands and Strange Sounds Woodbridge Boydell Press. pp. 19-50

Constellations: the life and music of John Buckley

Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.

Constellations – the life and music of John Buckley

Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.

Umbilical

Dwyer, B. 2011. Umbilical.

From the Celtic to the abstract: shifting perspectives in the music of John Buckley

Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-22.

Scenes from Crow

Dwyer, B. 2009. Scenes from Crow. The Contemporary Music Centre.

'O Master of Secret Configurations': reflections on the Adorno/Berg correspondence [Review article]

Dwyer, B. 2007. 'O Master of Secret Configurations': reflections on the Adorno/Berg correspondence [Review article]. The Musical Times. 148 (1899), pp. 89-102. https://doi.org/10.2307/25434461
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