SacrumProfanum

Portfolio


Dwyer, B., Griffith, D., Campanello, K. and Creasy, J. SacrumProfanum.

Portfolio items

imagines obesae et aspectui ingratae
Dwyer, B. 2013. imagines obesae et aspectui ingratae. Contemporary Music Centre Ireland.
HAG
Dwyer, B. 2019. HAG. Contemporary Music Centre Ireland.
Gierador
Dwyer, B. and Griffith, D. 2015. Gierador.
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.
Imagines
Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin New Dublin Press.
TitleSacrumProfanum
CreatorsDwyer, B., Griffith, D., Campanello, K. and Creasy, J.
ContributorsKnox, G., Armstrong, S. and Coulthard, E.
Description

SacrumProfanum is an hour-long multimedia work for amplified ensemble, tape, text and film that explores the enigmatic stone carvings found in Ireland known as Sheela-na-gigs. Benjamin Dwyer spent ten years traveling across Iereland (and parts of Britain) researching, photographing and sketching these mysterious figures. Responding artistically through the Sheela, Dwyer has created a multimedia work exploring themes such as feminism, colonialism, identity, religion, symbol, rite, sexuality and the disintegration of Gaelic culture. In a score that combines contemporary music interfacing with traditional Irish forms, instruments and sean-nós singing, SacrumProfanum explores these themes through raw, visceral and often abject music. The work includes a collaboration with the American filmmaker Dylan Griffith. In the film Gierador (with music by Dwyer) Griffith has created visual meditations on landscape, the female body (and its objectification), and rite while offering perceptive critiques of contemporary exploitations of Irish culture and abstract visual responses to the central themes. SacrumProfanum features internationally renowned performers: violist Garth Knox, flautist Emma Coulthard, early Irish harpist and sean-nós singer Siobhán Armstrong. Poet Jona Xhepa has written a specially commissioned poem. The composer also performs on harp and bowed guitar.

Output mediaCD
Research GroupMusic group
Collection date range03 Jan 2013 to end of 17 Mar 2019
Publication process dates
Deposited16 Nov 2020
Portfolio itemsimagines obesae et aspectui ingratae
HAG
Gierador
Sheela-na-gigs and an ‘Aesthetics of Damage’
Imagines
Web address (URL)https://www.benjamindwyer.com/
LanguageEnglish
Accepted author manuscript
File Access Level
Restricted
Accepted author manuscript
File Access Level
Restricted
Accepted author manuscript
File Access Level
Restricted
Accepted author manuscript
File Access Level
Restricted
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Dwyer, B. 2019. six residua (after Beckett). Contemporary Music Centre Ireland.
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Dwyer, B. 2020. Eleven reflections on Beckett, music and silence [CD Booklet essay]. Dublin, Ireland Diatribe Records.
imagines obesae et aspectui ingratae
Dwyer, B. 2013. imagines obesae et aspectui ingratae. Contemporary Music Centre Ireland.
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Dwyer, B. and Rudeloff, W. 2015. Writing through an instrument: Benjamin Dwyer [Interview]. Chamber Music Notes - The LCMS Magazine 2015/2016.
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Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.
Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism
Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. in: Dwyer, B. and Marx, W. (ed.) New Perspectives on György Ligeti University of Rochester Press.
KnowingUnknowing
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KnowingUnknowing and the Corporeal
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KnowingUnknowing
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Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017
The stain upon the silence
Dwyer, B. 2019. The stain upon the silence. Farpoint Records.
Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.
Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.
Britten and the guitar: critical perspectives for performers
Dwyer, B. 2016. Britten and the guitar: critical perspectives for performers. Dublin Carysfort Press.
Barry Guy’s Time Passing...
Dwyer, B. 2016. Barry Guy’s Time Passing... Music & Literature.
Knowing/Unknowing
Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016
Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review
Dwyer, B. 2007. Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review. The Musical Times. 148 (1899), pp. 89-102.
Constellations – the life and music of John Buckley
Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.
Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola
Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti – Of Foreign Lands and Strange Sounds Woodbridge Boydell & Brewer. pp. 19-50
Dios los cría...
Dwyer, B. 2014. Dios los cría... Music & Literature.
Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran
Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.
Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.
Imagines
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Umbilical
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Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola
Dwyer, B. 2011. Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti: of foreign sands and strange sounds Woodbridge, Suffolk Boydell Press. pp. 19-50
Constellations: the life and music of John Buckley
Dwyer, B. 2011. Constellations: the life and music of John Buckley. Carysfort Press.
Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese
Dwyer, B. 2012. Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese. The Musical Times. 153 (1919), pp. 87-102.
From the Celtic to the abstract: shifting perspectives in the music of John Buckley
Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.