SacrumProfanum

Portfolio


Dwyer, B., Griffith, D., Campanello, K. and Creasy, J. 2013. SacrumProfanum.

Portfolio items

imagines obesae et aspectui ingratae
Dwyer, B. 2013. imagines obesae et aspectui ingratae. Contemporary Music Centre Ireland.
HAG
Dwyer, B. 2019. HAG. Contemporary Music Centre Ireland.
Gierador
Dwyer, B. and Griffith, D. 2015. Gierador.
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.
Imagines
Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin New Dublin Press.
TitleSacrumProfanum
CreatorsDwyer, B., Griffith, D., Campanello, K. and Creasy, J.
ContributorsKnox, G., Armstrong, S. and Coulthard, E.
Description

SacrumProfanum is an hour-long multimedia work for amplified ensemble, tape, text and film that explores the enigmatic stone carvings found in Ireland known as Sheela-na-gigs. Benjamin Dwyer spent ten years traveling across Iereland (and parts of Britain) researching, photographing and sketching these mysterious figures. Responding artistically through the Sheela, Dwyer has created a multimedia work exploring themes such as feminism, colonialism, identity, religion, symbol, rite, sexuality and the disintegration of Gaelic culture. In a score that combines contemporary music interfacing with traditional Irish forms, instruments and sean-nós singing, SacrumProfanum explores these themes through raw, visceral and often abject music. The work includes a collaboration with the American filmmaker Dylan Griffith. In the film Gierador (with music by Dwyer) Griffith has created visual meditations on landscape, the female body (and its objectification), and rite while offering perceptive critiques of contemporary exploitations of Irish culture and abstract visual responses to the central themes. SacrumProfanum features internationally renowned performers: violist Garth Knox, flautist Emma Coulthard, early Irish harpist and sean-nós singer Siobhán Armstrong. Poet Jona Xhepa has written a specially commissioned poem. The composer also performs on harp and bowed guitar.

Output mediaCD
Research GroupMusic group
Collection date range03 Jan 2013 to end of 17 Mar 2019
Publication process dates
Deposited16 Nov 2020
Portfolio itemsimagines obesae et aspectui ingratae
HAG
Gierador
Sheela-na-gigs and an ‘Aesthetics of Damage’
Imagines
Web address (URL)https://www.benjamindwyer.com/
LanguageEnglish
Accepted author manuscript
File Access Level
Restricted
Accepted author manuscript
File Access Level
Restricted
Accepted author manuscript
File Access Level
Restricted
Accepted author manuscript
File Access Level
Restricted
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KnowingUnknowing
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Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.
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Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola
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Constellations: the life and music of John Buckley
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Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese
Dwyer, B. 2012. Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese. The Musical Times. 153 (1919), pp. 87-102.
From the Celtic to the abstract: shifting perspectives in the music of John Buckley
Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.