Osborne, R.

I curse your preoccupation with your record collection: The Fall on vinyl 1978-83

Book chapter

Osborne, R. 2010. I curse your preoccupation with your record collection: The Fall on vinyl 1978-83. in: Goddard, M. and Halligan, B. (ed.) Mark E. Smith and The Fall: art, music and politics Farnham, UK Ashgate. pp. 67-75

ISBN
Chapter title	I curse your preoccupation with your record collection: The Fall on vinyl 1978-83
Authors	Osborne, R.
Abstract	This chapter is in a book that is based upon papers given at the conference Messing Up The Paintwork, Salford University, 9 May 2008, the first conference to be based on the work of the Manchester band, The Fall. My chapter is based on research that I have undertaken for my monograph on the vinyl record, which is then related to the output of the band.
Page range	67-75
Book title	Mark E. Smith and The Fall: art, music and politics
Editors	Goddard, M. and Halligan, B.
Publisher	Ashgate
Place of publication	Farnham, UK
Series	Ashgate Popular and Folk Music Series
Hardcover	9780754668626
Paperback	9780754668671
Electronic	9781315593951
Publication dates
Print	01 May 2010
Online	13 May 2016
Publication process dates
Deposited	02 Mar 2012
Output status	Published
Publisher's version	014_Chap_5_Osborne.pdf
Copyright Statement	Used by permission of the Publishers from ''I curse your preoccupation with your record collection': The Fall on vinyl 1978-83', in Mark E. Smith and The Fall: Art, Music and Politics ed. Michael Goddard and Benjamin Halligan (Farnham: Ashgate, 2010), pp. 123-132. Copyright © 2010
Web address (URL)	https://www.taylorfrancis.com/chapters/edit/10.4324/9781315593951-9/curse-preoccupation-record-collection-fall-vinyl-1978%E2%80%9383-richard-osborne?context=ubx&refId=e48190e2-00e2-495a-8291-fa41b30868c0
Digital Object Identifier (DOI)	https://doi.org/10.4324/9781315593951-9
Related Output
Is part of	https://www.routledge.com/9780754668626
Is part of	https://doi.org/10.4324/9781315593951
Language	English

Permalink -

https://repository.mdx.ac.uk/item/8383q

Log in to edit

Download files

Publisher's version

014_Chap_5_Osborne.pdf

58
total views
62
total downloads
1
views this month
3
downloads this month

Export as

Related outputs

Masters and slaves: black artists and the ownership of sound recording copyright

Osborne, R. 2024. Masters and slaves: black artists and the ownership of sound recording copyright. in: Arditi, D. and Nolan, R. (ed.) The Palgrave Handbook of Critical Music Industry Studies Cham, Switzerland Palgrave Macmillan. pp. 33-47

UK music before and after Covid-19

Osborne, R. 2023. UK music before and after Covid-19. International Journal of Cultural Policy. https://doi.org/10.1080/10286632.2023.2214151

Copyright, royalties and industrial decline

Osborne, R. 2021. Copyright, royalties and industrial decline. in: Harrison, A. and Rigg, T. (ed.) The Present and Future of Music Law Bloomsbury Academic. pp. 27-45

Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates

Osborne, R. 2023. Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates. Popular Music. 42 (3), pp. 246-266. https://doi.org/10.1017/S0261143023000508

Rights reversion and contract adjustment

Osborne, R. and Sun, H. 2023. Rights reversion and contract adjustment. Intellectual Property Office.

Owning the masters: a history of sound recording copyright

Osborne, R. 2022. Owning the masters: a history of sound recording copyright. New York, London and Dublin Bloomsbury Academic.

Music creators' earnings in the digital era

Osborne, R., Hesmondhalgh, D., Sun, H. and Barr, K. 2021. Music creators' earnings in the digital era. Intellectual Property Office.

The gold disc: one million pop fans can’t be wrong

Osborne, R. 2021. The gold disc: one million pop fans can’t be wrong. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 39-55

Introduction

Osborne, R. 2021. Introduction. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 1-17

Live music vs. recorded music

Osborne, R. 2021. Live music vs. recorded music. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol Intellect. pp. 127-147

'I am a one in ten': success ratios in the recording industry

Osborne, R. 2021. 'I am a one in ten': success ratios in the recording industry. in: Osborne, R. and Laing, D. (ed.) Music by Numbers: The Use and Abuse of Statistics in the Music Industries Bristol, UK Intellect. pp. 56-71

At the sign of the swingin’ symbol: the manipulation of the UK Singles Chart

Osborne, R. 2021. At the sign of the swingin’ symbol: the manipulation of the UK Singles Chart. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 20-28

Moby, Minstrelsy and Melville

Osborne, R. 2018. Moby, Minstrelsy and Melville. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 169-182

Introduction: Mute Records

Osborne, R. and Beaven, Z. 2018. Introduction: Mute Records. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 1-14

Six types of silence

Osborne, R. 2018. Six types of silence. in: Bennett, S. and Bates, E. (ed.) Critical Approaches to the Production of Music and Sound New York Bloomsbury Academic. pp. 211-228

Vinyl, Vinyl everywhere: The analog record in the digital world

Osborne, R. 2018. Vinyl, Vinyl everywhere: The analog record in the digital world. in: Wolf, M. (ed.) The Routledge Companion to Media Technology and Obsolescence Routledge. pp. 200-214

Is equitable remuneration equitable? Performers' rights in the UK

Osborne, R. 2017. Is equitable remuneration equitable? Performers' rights in the UK. Popular Music and Society. 40 (5), pp. 573-591. https://doi.org/10.1080/03007766.2017.1348660

Success ratios, new music and sound recording copyright

Osborne, R. 2017. Success ratios, new music and sound recording copyright. Popular Music. 36 (3), pp. 393-409. https://doi.org/10.1017/S0261143017000319

Music on the blockchain

O'Dair, M., Beaven, Z., Neilson, D., Osborne, R. and Pacifico, P. 2016. Music on the blockchain. Middlesex University.

'That's me in the spotlight': audiences and musicians on screen

Osborne, R. 2016. 'That's me in the spotlight': audiences and musicians on screen. in: Tsioulakis, I. and Hytönen-Ng, E. (ed.) Musicians and their Audiences: Performance, Speech and Mediation Abingdon Routledge. pp. 134-150

A great friggin' swindle? Sex Pistols, school kids and 1979

Osborne, R. 2015. A great friggin' swindle? Sex Pistols, school kids and 1979. Popular Music and Society. 38 (4), pp. 432-449. https://doi.org/10.1080/03007766.2015.1034496

The gold disc: one million pop fans can't be wrong?

Osborne, R. 2014. The gold disc: one million pop fans can't be wrong? in: Sarafian, V. and Findlay, R. (ed.) L’état de l’industrie musicale = The state of the music industry Toulouse Presses de l'Université Toulouse 1 Capitole.

Audio books: the literary origins of grooves, labels and sleeves

Osborne, R. 2014. Audio books: the literary origins of grooves, labels and sleeves. in: Carroll, R. and Hansen, A. (ed.) LitPop: Writing and Popular Music Farnham Ashgate. pp. 201-215