Is equitable remuneration equitable? Performers' rights in the UK

Article


Osborne, R. 2017. Is equitable remuneration equitable? Performers' rights in the UK. Popular Music and Society. 40 (5), pp. 573-591. https://doi.org/10.1080/03007766.2017.1348660
TypeArticle
TitleIs equitable remuneration equitable? Performers' rights in the UK
AuthorsOsborne, R.
Abstract

British musicians receive “equitable remuneration” when their recordings are played in public or are broadcast. Performers’ rights are weaker than those of songwriters, however. This is largely because songwriters are the first owners of their copyrights, whereas performers rarely own the copyright in their sound recordings. This article concerns the remuneration of musicians’ labor. It looks at the legislative evolution of performers’ rights in the UK and addresses the influence that songwriters, record companies, and the Musicians’ Union have had on this area of copyright law. It argues that performers will only achieve legislative parity with songwriters if the ownership and conceptualization of sound recording copyright are reconfigured. This copyright should be awarded to performers for their creative labor, rather than to record companies for their financial and administrative endeavors.

PublisherTaylor & Francis (Routledge)
JournalPopular Music and Society
ISSN0300-7766
Electronic1740-1712
Publication dates
Online19 Jul 2017
Print20 Oct 2017
Publication process dates
Deposited14 Feb 2018
Accepted26 Jun 2017
Output statusPublished
Accepted author manuscript
Copyright Statement

This is an Accepted Manuscript of an article published by Taylor & Francis in Popular Music and Society on 19/07/2017, available online: http://www.tandfonline.com/10.1080/03007766.2017.1348660

Additional information

Special Edition: Popular Music and Labor

Digital Object Identifier (DOI)https://doi.org/10.1080/03007766.2017.1348660
Web of Science identifierWOS:000417606400006
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/87730

Download files

  • 54
    total views
  • 102
    total downloads
  • 1
    views this month
  • 8
    downloads this month

Export as

Related outputs

UK music before and after Covid-19
Osborne, R. 2023. UK music before and after Covid-19. International Journal of Cultural Policy. https://doi.org/10.1080/10286632.2023.2214151
Copyright, royalties and industrial decline
Osborne, R. 2021. Copyright, royalties and industrial decline. in: Harrison, A. and Rigg, T. (ed.) The Present and Future of Music Law Bloomsbury Academic. pp. 27-45
Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates
Osborne, R. 2023. Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates. Popular Music. https://doi.org/10.1017/S0261143023000508
Rights reversion and contract adjustment
Osborne, R. and Sun, H. 2023. Rights reversion and contract adjustment. Intellectual Property Office.
Owning the masters: a history of sound recording copyright
Osborne, R. 2022. Owning the masters: a history of sound recording copyright. New York, London and Dublin Bloomsbury Academic.
Music creators' earnings in the digital era
Osborne, R., Hesmondhalgh, D., Sun, H. and Barr, K. 2021. Music creators' earnings in the digital era. Intellectual Property Office.
Introduction
Osborne, R. 2021. Introduction. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 1-17
Live music vs. recorded music
Osborne, R. 2021. Live music vs. recorded music. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol Intellect. pp. 127-147
'I am a one in ten': success ratios in the recording industry
Osborne, R. 2021. 'I am a one in ten': success ratios in the recording industry. in: Osborne, R. and Laing, D. (ed.) Music by Numbers: The Use and Abuse of Statistics in the Music Industries Bristol, UK Intellect. pp. 56-71
The gold disc: one million pop fans can’t be wrong
Osborne, R. 2021. The gold disc: one million pop fans can’t be wrong. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 39-55
At the sign of the swingin’ symbol: the manipulation of the UK Singles Chart
Osborne, R. 2021. At the sign of the swingin’ symbol: the manipulation of the UK Singles Chart. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 20-28
Vinyl, Vinyl everywhere: The analog record in the digital world
Osborne, R. 2018. Vinyl, Vinyl everywhere: The analog record in the digital world. in: Wolf, M. (ed.) The Routledge Companion to Media Technology and Obsolescence Routledge. pp. 200-214
Moby, Minstrelsy and Melville
Osborne, R. 2018. Moby, Minstrelsy and Melville. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 169-182
Introduction: Mute Records
Osborne, R. and Beaven, Z. 2018. Introduction: Mute Records. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 1-14
Six types of silence
Osborne, R. 2018. Six types of silence. in: Bennett, S. and Bates, E. (ed.) Critical Approaches to the Production of Music and Sound New York Bloomsbury Academic. pp. 211-228
Success ratios, new music and sound recording copyright
Osborne, R. 2017. Success ratios, new music and sound recording copyright. Popular Music. 36 (3), pp. 393-409. https://doi.org/10.1017/S0261143017000319
'That's me in the spotlight': audiences and musicians on screen
Osborne, R. 2016. 'That's me in the spotlight': audiences and musicians on screen. in: Tsioulakis, I. and Hytönen-Ng, E. (ed.) Musicians and their Audiences: Performance, Speech and Mediation Abingdon Routledge. pp. 134-150
Music on the blockchain
O'Dair, M., Beaven, Z., Neilson, D., Osborne, R. and Pacifico, P. 2016. Music on the blockchain. Middlesex University.
A great friggin' swindle? Sex Pistols, school kids and 1979
Osborne, R. 2015. A great friggin' swindle? Sex Pistols, school kids and 1979. Popular Music and Society. 38 (4), pp. 432-449. https://doi.org/10.1080/03007766.2015.1034496
The gold disc: one million pop fans can't be wrong?
Osborne, R. 2014. The gold disc: one million pop fans can't be wrong? in: Sarafian, V. and Findlay, R. (ed.) L’état de l’industrie musicale = The state of the music industry Toulouse Presses de l'Université Toulouse 1 Capitole.
Audio books: the literary origins of grooves, labels and sleeves
Osborne, R. 2014. Audio books: the literary origins of grooves, labels and sleeves. in: Carroll, R. and Hansen, A. (ed.) LitPop: Writing and Popular Music Farnham Ashgate. pp. 201-215
Vinyl: a history of the analogue record
Osborne, R. 2012. Vinyl: a history of the analogue record. Farnham Ashgate.
I curse your preoccupation with your record collection: The Fall on vinyl 1978-83
Osborne, R. 2010. I curse your preoccupation with your record collection: The Fall on vinyl 1978-83. in: Goddard, M. and Halligan, B. (ed.) Mark E. Smith and The Fall: art, music and politics Farnham, UK Ashgate. pp. 67-75
India on film, 1939-1947
Osborne, R. 2011. India on film, 1939-1947. in: Grieveson, L. and MacCabe, C. (ed.) Film and the end of empire London Palgrave Macmillan. pp. 118-149
Colonial film: moving images of the British Empire
Osborne, R. 2011. Colonial film: moving images of the British Empire. [Author].