The gold disc: one million pop fans can’t be wrong

Book chapter

Osborne, R. 2021. The gold disc: one million pop fans can’t be wrong. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 39-55
Chapter titleThe gold disc: one million pop fans can’t be wrong
AuthorsOsborne, R.
Abstract

This chapter looks at sales awards in the music industries. It addresses some of the standards and variables relating gold discs, silver discs, platinum discs and diamond discs. It looks at the history of these trophies and examines the rules by which they can be acquired. It looks at the record company accounting that the sales awards tend to obscure. It addresses the continuing use of these awards in the digital age. It looks at the musical culture that they endorse, examining their impact upon artistic creation and audience reception.

Research GroupMusic group
Page range39-55
Book titleMusic by numbers: the use and abuse of statistics in the music industries
EditorsOsborne, R. and Laing, D.
PublisherIntellect
Place of publicationBristol, UK
ISBN
Hardcover9781789382532
Electronic9781789382556
Electronic9781789382549
Paperback9781789387520
Publication dates
Online02 Dec 2020
Print05 Feb 2021
Publication process dates
Deposited11 May 2020
Accepted2020
Output statusPublished
Accepted author manuscript
Copyright Statement

This is an Accepted Manuscript of a chapter published by Intellect in 'Music by numbers: the use and abuse of statistics in the music industries', the final published version is available at: https://www.intellectbooks.com/music-by-numbers

Web address (URL)https://www.intellectbooks.com/music-by-numbers
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/88yv2

Log in to edit

Download files

Accepted author manuscript
Richard_Osborne_TheGoldDisc.pdf
Richard Osborne 'The Gold Disc'.docx

  • 70
    total views
  • 56
    total downloads
  • 1
    views this month
  • 2
    downloads this month

Export as

Related outputs

UK music before and after Covid-19
Osborne, R. 2023. UK music before and after Covid-19. International Journal of Cultural Policy. https://doi.org/10.1080/10286632.2023.2214151
Copyright, royalties and industrial decline
Osborne, R. 2021. Copyright, royalties and industrial decline. in: Harrison, A. and Rigg, T. (ed.) The Present and Future of Music Law Bloomsbury Academic. pp. 27-45
Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates
Osborne, R. 2023. Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates. Popular Music. https://doi.org/10.1017/S0261143023000508
Rights reversion and contract adjustment
Osborne, R. and Sun, H. 2023. Rights reversion and contract adjustment. Intellectual Property Office.
Owning the masters: a history of sound recording copyright
Osborne, R. 2022. Owning the masters: a history of sound recording copyright. New York, London and Dublin Bloomsbury Academic.
Music creators' earnings in the digital era
Osborne, R., Hesmondhalgh, D., Sun, H. and Barr, K. 2021. Music creators' earnings in the digital era. Intellectual Property Office.
Introduction
Osborne, R. 2021. Introduction. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 1-17
Live music vs. recorded music
Osborne, R. 2021. Live music vs. recorded music. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol Intellect. pp. 127-147
'I am a one in ten': success ratios in the recording industry
Osborne, R. 2021. 'I am a one in ten': success ratios in the recording industry. in: Osborne, R. and Laing, D. (ed.) Music by Numbers: The Use and Abuse of Statistics in the Music Industries Bristol, UK Intellect. pp. 56-71
At the sign of the swingin’ symbol: the manipulation of the UK Singles Chart
Osborne, R. 2021. At the sign of the swingin’ symbol: the manipulation of the UK Singles Chart. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 20-28
Vinyl, Vinyl everywhere: The analog record in the digital world
Osborne, R. 2018. Vinyl, Vinyl everywhere: The analog record in the digital world. in: Wolf, M. (ed.) The Routledge Companion to Media Technology and Obsolescence Routledge. pp. 200-214
Moby, Minstrelsy and Melville
Osborne, R. 2018. Moby, Minstrelsy and Melville. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 169-182
Introduction: Mute Records
Osborne, R. and Beaven, Z. 2018. Introduction: Mute Records. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 1-14
Six types of silence
Osborne, R. 2018. Six types of silence. in: Bennett, S. and Bates, E. (ed.) Critical Approaches to the Production of Music and Sound New York Bloomsbury Academic. pp. 211-228
Success ratios, new music and sound recording copyright
Osborne, R. 2017. Success ratios, new music and sound recording copyright. Popular Music. 36 (3), pp. 393-409. https://doi.org/10.1017/S0261143017000319
Is equitable remuneration equitable? Performers' rights in the UK
Osborne, R. 2017. Is equitable remuneration equitable? Performers' rights in the UK. Popular Music and Society. 40 (5), pp. 573-591. https://doi.org/10.1080/03007766.2017.1348660
'That's me in the spotlight': audiences and musicians on screen
Osborne, R. 2016. 'That's me in the spotlight': audiences and musicians on screen. in: Tsioulakis, I. and Hytönen-Ng, E. (ed.) Musicians and their Audiences: Performance, Speech and Mediation Abingdon Routledge. pp. 134-150
Music on the blockchain
O'Dair, M., Beaven, Z., Neilson, D., Osborne, R. and Pacifico, P. 2016. Music on the blockchain. Middlesex University.
A great friggin' swindle? Sex Pistols, school kids and 1979
Osborne, R. 2015. A great friggin' swindle? Sex Pistols, school kids and 1979. Popular Music and Society. 38 (4), pp. 432-449. https://doi.org/10.1080/03007766.2015.1034496
The gold disc: one million pop fans can't be wrong?
Osborne, R. 2014. The gold disc: one million pop fans can't be wrong? in: Sarafian, V. and Findlay, R. (ed.) L’état de l’industrie musicale = The state of the music industry Toulouse Presses de l'Université Toulouse 1 Capitole.
Audio books: the literary origins of grooves, labels and sleeves
Osborne, R. 2014. Audio books: the literary origins of grooves, labels and sleeves. in: Carroll, R. and Hansen, A. (ed.) LitPop: Writing and Popular Music Farnham Ashgate. pp. 201-215
Vinyl: a history of the analogue record
Osborne, R. 2012. Vinyl: a history of the analogue record. Farnham Ashgate.
I curse your preoccupation with your record collection: The Fall on vinyl 1978-83
Osborne, R. 2010. I curse your preoccupation with your record collection: The Fall on vinyl 1978-83. in: Goddard, M. and Halligan, B. (ed.) Mark E. Smith and The Fall: art, music and politics Farnham, UK Ashgate. pp. 67-75
India on film, 1939-1947
Osborne, R. 2011. India on film, 1939-1947. in: Grieveson, L. and MacCabe, C. (ed.) Film and the end of empire London Palgrave Macmillan. pp. 118-149
Colonial film: moving images of the British Empire
Osborne, R. 2011. Colonial film: moving images of the British Empire. [Author].