Dr Richard Osborne
| Name | Dr Richard Osborne |
|---|---|
| Job title | Associate Professor in Music and Creative Industries |
| Research institute | |
| Primary appointment | School of Arts |
| Email address | R.Osborne@mdx.ac.uk |
| ORCID | https://orcid.org/0000-0003-4111-8980 |
| Contact category | Academic staff |
Education and qualifications
Grants
Prizes and Awards
Research outputs
Masters and slaves: black artists and the ownership of sound recording copyright
Osborne, R. 2024. Masters and slaves: black artists and the ownership of sound recording copyright. in: Arditi, D. and Nolan, R. (ed.) The Palgrave Handbook of Critical Music Industry Studies Cham, Switzerland Palgrave Macmillan. pp. 33-47Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates
Osborne, R. 2023. Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates. Popular Music. https://doi.org/10.1017/S0261143023000508UK music before and after Covid-19
Osborne, R. 2023. UK music before and after Covid-19. International Journal of Cultural Policy. https://doi.org/10.1080/10286632.2023.2214151Rights reversion and contract adjustment
Osborne, R. and Sun, H. 2023. Rights reversion and contract adjustment. Intellectual Property Office.Owning the masters: a history of sound recording copyright
Osborne, R. 2022. Owning the masters: a history of sound recording copyright. New York, London and Dublin Bloomsbury Academic.Music creators' earnings in the digital era
Osborne, R., Hesmondhalgh, D., Sun, H. and Barr, K. 2021. Music creators' earnings in the digital era. Intellectual Property Office.Copyright, royalties and industrial decline
Osborne, R. 2021. Copyright, royalties and industrial decline. in: Harrison, A. and Rigg, T. (ed.) The Present and Future of Music Law Bloomsbury Academic. pp. 27-45Introduction
Osborne, R. 2021. Introduction. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 1-17Music by numbers: the uses and abuses of statistics in the music industries
Osborne, R. and Laing, D. (ed.) 2021. Music by numbers: the uses and abuses of statistics in the music industries. Bristol, UK Intellect.Live music vs. recorded music
Osborne, R. 2021. Live music vs. recorded music. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol Intellect. pp. 127-147'I am a one in ten': success ratios in the recording industry
Osborne, R. 2021. 'I am a one in ten': success ratios in the recording industry. in: Osborne, R. and Laing, D. (ed.) Music by Numbers: The Use and Abuse of Statistics in the Music Industries Bristol, UK Intellect. pp. 56-71The gold disc: one million pop fans can’t be wrong
Osborne, R. 2021. The gold disc: one million pop fans can’t be wrong. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 39-55At the sign of the swingin’ symbol: the manipulation of the UK Singles Chart
Osborne, R. 2021. At the sign of the swingin’ symbol: the manipulation of the UK Singles Chart. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 20-28Moby, Minstrelsy and Melville
Osborne, R. 2018. Moby, Minstrelsy and Melville. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 169-182Introduction: Mute Records
Osborne, R. and Beaven, Z. 2018. Introduction: Mute Records. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 1-14Mute records: artists, business, history
Beaven, Z., O'Dair, M. and Osborne, R. (ed.) 2018. Mute records: artists, business, history. New York and London Bloomsbury Academic.Vinyl, Vinyl everywhere: The analog record in the digital world
Osborne, R. 2018. Vinyl, Vinyl everywhere: The analog record in the digital world. in: Wolf, M. (ed.) The Routledge Companion to Media Technology and Obsolescence Routledge. pp. 200-214Six types of silence
Osborne, R. 2018. Six types of silence. in: Bennett, S. and Bates, E. (ed.) Critical Approaches to the Production of Music and Sound New York Bloomsbury Academic. pp. 211-228Success ratios, new music and sound recording copyright
Osborne, R. 2017. Success ratios, new music and sound recording copyright. Popular Music. 36 (3), pp. 393-409. https://doi.org/10.1017/S0261143017000319Is equitable remuneration equitable? Performers' rights in the UK
Osborne, R. 2017. Is equitable remuneration equitable? Performers' rights in the UK. Popular Music and Society. 40 (5), pp. 573-591. https://doi.org/10.1080/03007766.2017.1348660'That's me in the spotlight': audiences and musicians on screen
Osborne, R. 2016. 'That's me in the spotlight': audiences and musicians on screen. in: Tsioulakis, I. and Hytönen-Ng, E. (ed.) Musicians and their Audiences: Performance, Speech and Mediation Abingdon Routledge. pp. 134-150Music on the blockchain
O'Dair, M., Beaven, Z., Neilson, D., Osborne, R. and Pacifico, P. 2016. Music on the blockchain. Middlesex University.A great friggin' swindle? Sex Pistols, school kids and 1979
Osborne, R. 2015. A great friggin' swindle? Sex Pistols, school kids and 1979. Popular Music and Society. 38 (4), pp. 432-449. https://doi.org/10.1080/03007766.2015.1034496Audio books: the literary origins of grooves, labels and sleeves
Osborne, R. 2014. Audio books: the literary origins of grooves, labels and sleeves. in: Carroll, R. and Hansen, A. (ed.) LitPop: Writing and Popular Music Farnham Ashgate. pp. 201-215The gold disc: one million pop fans can't be wrong?
Osborne, R. 2014. The gold disc: one million pop fans can't be wrong? in: Sarafian, V. and Findlay, R. (ed.) L’état de l’industrie musicale = The state of the music industry Toulouse Presses de l'Université Toulouse 1 Capitole.Colonial film: moving images of the British Empire
Osborne, R. 2011. Colonial film: moving images of the British Empire. [Author].Vinyl: a history of the analogue record
Osborne, R. 2012. Vinyl: a history of the analogue record. Farnham Ashgate.India on film, 1939-1947
Osborne, R. 2011. India on film, 1939-1947. in: Grieveson, L. and MacCabe, C. (ed.) Film and the end of empire London Palgrave Macmillan. pp. 118-149I curse your preoccupation with your record collection: The Fall on vinyl 1978-83
Osborne, R. 2010. I curse your preoccupation with your record collection: The Fall on vinyl 1978-83. in: Goddard, M. and Halligan, B. (ed.) Mark E. Smith and The Fall: art, music and politics Farnham, UK Ashgate. pp. 67-751945
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