Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice

PhD thesis


Beale, S. 2018. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice. PhD thesis Middlesex University Theatre Arts
TypePhD thesis
TitleGagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice
AuthorsBeale, S.
Abstract

This thesis focuses on women performing comedy on the London music-hall stage after 1880, examining performers including Bessie Bellwood, Marie Lloyd, Marie Loftus, Maidie Scott, Vesta Victoria and Nellie Wallace. The work of these
women as comedy has been neglected in theatre and performance histories, and their influence on the evolution of popular forms and the development of twentieth and twenty-first century comic traditions has received little scholarly attention. I argue that performing comic material offered them unique opportunities to connect directly with popular audiences, resist censorship and to challenge gender stereotypes and common perceptions of and restrictions on women and women’s roles in Britain during the late-nineteenth and early twentieth centuries. As part of their performances they developed comic approaches and techniques that remain identifiable in contemporary comedy, engaging in a range of strategies, from playful and disruptive ironic representations of familiar female types, to deliberately transgressive acts of crossing the line of decency through the embodiment of comic innuendo. Their knowing interpretations of coded references in the written texts of the material performed and jokes shared with their audiences during performances frequently served as ironic socio-political commentary on their lives and experiences. Making use of a range of critical approaches from areas as diverse as performance history and historiography, contemporary approaches to gender and comedy, performance theory, humour theory and feminist literary theory, I engage in analysis of extensive archive material. Throughout the thesis I also draw direct
comparisons with the work of women who use comedy in late twentieth and twenty-first century forms, including stand-up comedy and performance art, to demonstrate a continuum of comic practice existing between these female music-hall
artists and their counterparts performing comedy today.

Research GroupTheatre Arts group
Department nameTheatre Arts
Institution nameMiddlesex University
Publication dates
Print15 Mar 2018
Publication process dates
Deposited15 Mar 2018
Accepted26 Feb 2018
Output statusPublished
Accepted author manuscript
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/878vy

Download files


Accepted author manuscript
  • 64
    total views
  • 397
    total downloads
  • 0
    views this month
  • 9
    downloads this month

Export as

Related outputs

Palestine Comedy Club: PalCom
Beale, S. 2023. Palestine Comedy Club: PalCom. Rich Mix, London, UK 13 - 15 Oct 2023
Palestine Comedy Club: PalCom/No Direction Home
Beale, S. 2023. Palestine Comedy Club: PalCom/No Direction Home. Soho Theatre, London, UK 09 - 09 Oct 2023
Palestinian stand-up comedy: Moments of collective resistance and joy
Beale, S. 2023. Palestinian stand-up comedy: Moments of collective resistance and joy. Theatre and Performance Research Association (TaPRA) Conference 2023. Leeds, UK 30 Aug - 01 Sep 2023
Palestinian stand-up comedy: Making and breaking myths under occupation
Beale, S. 2023. Palestinian stand-up comedy: Making and breaking myths under occupation. International Federation for Theatre Research Annual Conference 2023. Accra, Ghana 24 - 28 Jul 2023
Balad
Beale, S., Shehada, A., Shamas, H., al Batran, K., Monther, E., Swity, D. and Shyouki, R. 2022. Balad. al Qattan Foundation, Ramallah 25 Jul 2022
Funny and disturbing: women’s serio-comic performances on the Victorian music hall
Beale, S. 2022. Funny and disturbing: women’s serio-comic performances on the Victorian music hall. Comedy Studies. 13 (2), pp. 186-198. https://doi.org/10.1080/2040610X.2022.2091734
Showtime from the frontline
Beale, S., Thomas, M., Douglas, J., Shehada, A. and Abuallhaja, F. 2018. Showtime from the frontline.
Showtime from the frontline
Beale, S., Thomas, M., Douglas, J., Shehada, A. and Abualhaja, F. 2018. Showtime from the frontline. Bristol Old Vic, Bristol, UK 12 Feb 2018
Checkpoints, charity workers & K Pop: women’s comedy in occupied Palestine
Beale, S. 2018. Checkpoints, charity workers & K Pop: women’s comedy in occupied Palestine. Mixed Bill - Comedy and Power Conference. Sheffield Hallam University, UK 09 - 10 Nov 2018
The comedy and legacy of music-hall women 1880-1920: brazen impudence and boisterous vulgarity
Beale, S. 2020. The comedy and legacy of music-hall women 1880-1920: brazen impudence and boisterous vulgarity. Switzerland Palgrave MacMillian.
Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review]
Beale, S. 2019. Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review]. Women's History Review. 28 (6), pp. 1011-1012. https://doi.org/10.1080/09612025.2019.1650700
A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine
Beale, S. 2018. A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine. Teaching Artist Journal. 16 (3-4), pp. 91-99. https://doi.org/10.1080/15411796.2018.1530520
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017
A funny thing happened on the way to the checkpoint: teaching stand-up comedy in Palestine
Beale, S., Thomas, M., Douglas, J., Shehada, A. and Abualhaja, F. 2018. A funny thing happened on the way to the checkpoint: teaching stand-up comedy in Palestine.