Dance group
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Latest research outputs
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Close Distance
Woodhouse, A., Broadhead, C. and Sandiland, N. 2017. Close Distance. Wollaton Hall, Nottinghamshire 08 Mar - 01 May 2017Show or exhibition
Sighted: an overview
Broadhead, C. and Woodhouse, A. 2017. Sighted: an overview. Dance Research Aotearoa. 5 (1), pp. 59-70. https://doi.org/10.15663/dra.v5i1.63Article
Performing history: Wind Tossed (1936), natural movement and the hyper-historian
Salgado Llopis, M. 2018. Performing history: Wind Tossed (1936), natural movement and the hyper-historian. in: Main, L. (ed.) Transmissions in Dance: Contemporary Staging Practices London Palgrave Macmillan. pp. 61-83Book chapter
Liquid Gold is the Air
Chesher, R. and Lee, R. 2015. Liquid Gold is the Air.Digital or visual media
Under the Vaulted Sky
Lee, R. 2014. Under the Vaulted Sky. IF: Milton Keynes international Festival, Cathedral of Trees, Milton Keynes. 18 - 20 Jul 2014Performance
Between (2011): Intimacy and spectacle in tension ans dialogue
Woodhouse, A. and Broadhead, C. 2018. Between (2011): Intimacy and spectacle in tension ans dialogue. in: Brown, C. and Longely, A. (ed.) Undisciplining Dance in Nine Movements and Eight Stumbles Auckland Cambridge Scholars Publishing. pp. 138-150Book chapter
Transmissions in dance: contemporary staging practices
Main, L. (ed.) 2018. Transmissions in dance: contemporary staging practices. Palgrave Macmillan.Book
The Hum: Audio App and related Films
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum: Audio App and related Films.Portfolio
The Hum
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum. Brighton Festival, Brighton 06 - 28 May 2017Performance
Scratch nights and hash-tag chats: creative tools to enhance choreography in the higher dance education curriculum
Kelsey, L. and Uytterhoeven, L. 2017. Scratch nights and hash-tag chats: creative tools to enhance choreography in the higher dance education curriculum. Research in Dance Education. 18 (1), pp. 34-47. https://doi.org/10.1080/14647893.2016.1264381Article
Transactional space: feedback, critical thinking, and learning dance technique
Akinleye, A. and Payne, R. 2016. Transactional space: feedback, critical thinking, and learning dance technique. Journal of Dance Education. 16 (4), pp. 144-148. https://doi.org/10.1080/15290824.2016.1165821Article
Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture
Midgelow, V. 2015. Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. Leeds University, Leeds 21 - 22 May 2015Performance
Disappearing Acts
Sandiland, N. and Flexer, Y. 2016. Disappearing Acts. JW3 Arts Centre, London 09 May 2016Performance
Soft is fast: Simone Forti in the 1960s and after by Meredith Morse [Book review]
Main, L. 2017. Soft is fast: Simone Forti in the 1960s and after by Meredith Morse [Book review]. Studies in Theatre and Performance. 37 (2), pp. 289-290. https://doi.org/10.1080/14682761.2016.1215821Article
The body of the people: East German dance since 1945 by Jens Richard Giersdorf (review)
Kolb, A. 2016. The body of the people: East German dance since 1945 by Jens Richard Giersdorf (review). German Studies Review. 39 (2), pp. 416-419. https://doi.org/10.1353/gsr.2016.0071Article
Jenn Joy, The Choreographic [Book Review]
Kolb, A. 2016. Jenn Joy, The Choreographic [Book Review]. Dance Research. 34 (2), pp. 243-244. https://doi.org/10.3366/drs.2016.0161Article
Wigman’s witches: Reformism, Orientalism, Nazism
Kolb, A. 2016. Wigman’s witches: Reformism, Orientalism, Nazism. Dance Research Journal. 48 (2), pp. 26-43. https://doi.org/10.1017/S014976771600019XArticle
(Un)touched
Woodhouse, A. and Rackowe, N. 2016. (Un)touched. Lobby One Canada Square, Canary Wharf 09 Feb 2016Performance
Sighted at Saatchi for Collect 15
Woodhouse, A. and Broadhead, C. 2015. Sighted at Saatchi for Collect 15.Artefact
(Un)touched...research phase 2
Woodhouse, A. and Rackowe, N. 2015. (Un)touched...research phase 2. Inside Out Festival, G11, Oxo Tower Wharf, South Bank, London, UK 20 - 21 Oct 2015Show or exhibition
(Un)touched phase 1
Woodhouse, A. and Rackowe, N. 2014. (Un)touched phase 1. Lakeside Gallery, Nottingham 26 - 30 Jul 2014Show or exhibition
Sighted (2009) collaboration, boundaries, performance, and audience
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) collaboration, boundaries, performance, and audience. Beyond Jewellery: Performing the Body Symposium. Birmingham City University, United Kingdom 17 Mar 2016Conference paper
Sighted (2009) Audience as Performer
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) Audience as Performer. Audience, Experience, Desire: interactivity and participation in contemporary performance & the cultural industries. University of Exeter, United Kingdom 29 - 30 Jan 2016Conference paper
Music and symbolic creativity
Jones, S. 1990. Music and symbolic creativity. in: Willis, P. (ed.) Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People Buckingham Oxford University Press (OUP). pp. 59-83Book chapter
(Un)touched
Woodhouse, A. and Rackowe, N. 2016. (Un)touched.Portfolio
Humphrey, Doris (1895-1958)
Main, L. 2018. Humphrey, Doris (1895-1958). in: Ross, S. (ed.) The Routledge Encyclopedia of Modernism Routledge.Book chapter
Light Steps promo
Akinleye, A. and Califano, A. 2014. Light Steps promo.Artefact
Untitled: women's work
Akinleye, A., Barry Lewis and Emil Charlaff 2014. Untitled: women's work.Digital or visual media
Orientation for communication: embodiment, and the language of dance
Akinleye, A. 2012. Orientation for communication: embodiment, and the language of dance. Empedocles: European Journal for the Philosophy of Communication. 4 (2), pp. 101-112. https://doi.org/10.1386/ejpc.4.2.101_1Article
Dancing the everyday: some very ordinary and private experiences
Kolb, A. 2015. Dancing the everyday: some very ordinary and private experiences. Theatre and Democracy (IFTR conference).Conference paper
Mary Wigman the witch
Kolb, A. 2015. Mary Wigman the witch. Cut & Paste: Dance Advocacy in the Age of Austerity. SDHS conference, AthensConference paper
Making marks and memories – the body in recorded time
Butcher, R. and Sachsenmaier, S. 2015. Making marks and memories – the body in recorded time. Memory Sentiment Body Space Object Symposium. Coventry 15 May 2015Conference keynote
Between stage and literature: romantic ballet’s narrative strategies.
Bernkopf, A. 2011. Between stage and literature: romantic ballet’s narrative strategies. Working with stories: Narrative as a Meeting Place for Theory Analysis and Practice.Article
Dancing narratives: an analytical approach to the narrative of the ballet fantastique
Bernkopf, A. 2008. Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel. 14.Article
Site under construction: taking ‘reading performance’ literally
Bernkopf, A. 2007. Site under construction: taking ‘reading performance’ literally. 2007 Society of Dance History Scholars Conference: Re-Thinking Theory and Practice/Repenser pratique et theorie. Paris, France 21 - 24 Jun 2007 Society of Dance Historians. pp. 253-256Conference paper
Dramaturgy of desire: an analytical approach to dance narratives
Bernkopf, A. 2006. Dramaturgy of desire: an analytical approach to dance narratives. Choreologica. 2 (1), pp. 41-60.Article
Creative choice – on whose authority
Main, L. 2013. Creative choice – on whose authority. Choreographic Practices. 4 (1), pp. 60-74. https://doi.org/10.1386/chor.4.1.59_1Article
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123Book chapter
Some fleshy thinking: improvisation, experience, perception
Midgelow, V. 2015. Some fleshy thinking: improvisation, experience, perception. in: George-Graves, N. (ed.) The Oxford Handbook of Dance and Theater New York Oxford University Press (OUP). pp. 109-122Book chapter
Dance and politics in China: interculturalism, hybridity, and the ArtsCross project
Kolb, A. 2017. Dance and politics in China: interculturalism, hybridity, and the ArtsCross project. in: Kowal, R., Siegmund, G. and Martin, R. (ed.) The Oxford Handbook of Dance and Politics Oxford University Press (OUP). pp. 347-370Book chapter
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