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Latest research outputs

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Modernism(s) reborn? British chamber music in analysis
Dromey, C. 2014. Modernism(s) reborn? British chamber music in analysis. 16th Annual conference of the Modernist Studies Association (MSA 16): Confluence and Division. Pittsburgh, USA 06 - 09 Nov 2014

Conference paper

A Century of Pierrot Ensembles, 1912-2012
Dromey, C. 2013. A Century of Pierrot Ensembles, 1912-2012. Music Colloquia. King’s College London 16 Oct 2013

Conference item

Benjamin Britten’s 'Pierrot' Ensembles
Dromey, C. 2010. Benjamin Britten’s 'Pierrot' Ensembles. in: Riley, M. (ed.) British Music and Modernism, 1895-1960 Farnham Ashgate. pp. 219-247

Book chapter

Prospects for Neomodernism in the Music of Matthew Taylor and Peter Fribbins
Dromey, C. 2013. Prospects for Neomodernism in the Music of Matthew Taylor and Peter Fribbins. International Journal for Contemporary Composition. 7, pp. 1-19.

Article

Schoenberg, Zemlinsky, and the String Sextet
Dromey, C. 2006. Schoenberg, Zemlinsky, and the String Sextet. Zemlinsky Lost and Found, conference organised by Dr Mine Dogantan Dack, Dr Peter Fribbins and Dr Christopher Dromey. Middlesex University, London, UK 11 Oct 2006

Conference paper

Zemlinsky’s Surface Structures: Maiblumen blühten überall and the String Sextet Genre
Dromey, C. 2007. Zemlinsky’s Surface Structures: Maiblumen blühten überall and the String Sextet Genre. in: Frith, M. (ed.) Zemlinsky Studies Middlesex University Press. pp. 77-89

Book chapter

Three Pedagogic Innovations to Improve Learning on the BA Music and Arts Management Programme
Dromey, C., Anastasiades, M. and Yiangou, C. 2007. Three Pedagogic Innovations to Improve Learning on the BA Music and Arts Management Programme. Conference co-presented by the School of Health and Social Science and the Centre for Learning and Quality Enhancement (CLQE) “On Formative Assessment”. Middlesex University, London, UK 12 Nov 2007

Conference paper

The Pierrot Ensembles
Dromey, C. 2010. The Pierrot Ensembles. PhD thesis King's College, London

PhD thesis

Folto Giardino I
Impett, J. 2016. Folto Giardino I. Tempo Reale.

Composition

'That's me in the spotlight': audiences and musicians on screen
Osborne, R. 2016. 'That's me in the spotlight': audiences and musicians on screen. in: Tsioulakis, I. and Hytönen-Ng, E. (ed.) Musicians and their Audiences: Performance, Speech and Mediation Abingdon Routledge. pp. 134-150

Book chapter

Recorder Concerto for recorder and ensemble
Inglis, B. 2015. Recorder Concerto for recorder and ensemble. Chipping Norton, UK Composers Edition.

Composition

A Christmas alleluia: for SATB choir and organ
Inglis, B. 2015. A Christmas alleluia: for SATB choir and organ. Composers Edition.

Composition

Simon Jones, Black culture, White Youth: the Reggae Tradition from JA to UK
Jones, S. 2011. Simon Jones, Black culture, White Youth: the Reggae Tradition from JA to UK. in: Duncombe, S. and Tremblay, M. (ed.) White Riot: Punk Rock and the Politics of Race London, New York Verso. pp. 216-220

Book chapter

The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe
Inglis, B. 2016. The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe. in: Campos, L. and Schopf, F. (ed.) Music On Stage: Volume 2 Cambridge Scholars.

Book chapter

Musik und Symbolische Kreativitat, 1990
Jones, S. 1993. Musik und Symbolische Kreativitat, 1990. in: Dvorak, J., Stagl, G. and Jochum, M. (ed.) Literatur, Lekture, Literaritat: Akustiches, Visuelles, Literarisches Vienna OBV. pp. 38-40

Book chapter

Rocking the house: sound system cultures and the politics of space
Jones, S. 1995. Rocking the house: sound system cultures and the politics of space. Journal of Popular Music Studies. 7, pp. 1-24.

Article

Crossover culture: popular music and the politics of "race".
Jones, S. 1993. Crossover culture: popular music and the politics of "race". Stanford Humanities Review. 3 (2), pp. 103-117.

Article

Black culture, white youth: the reggae tradition from JA to UK
Jones, S. 1988. Black culture, white youth: the reggae tradition from JA to UK. Houndmills, Basingstoke Palgrave Macmillan.

Book

Wedding
Inglis, B. 2015. Wedding. Composers Edition.

Composition

Gray matters (the electroacoustic film music of Barry Gray)
Evans, F. 2014. Gray matters (the electroacoustic film music of Barry Gray). Music and Screen Media Conference. University of Liverpool, Liverpool, UK 25 - 26 Jun 2014

Conference paper

The punk & the princess
Evans, F. 1992. The punk & the princess.

Digital or visual media

A fistful of fingers
Evans, F. 1994. A fistful of fingers.

Digital or visual media

Pervirella
Evans, F. 1997. Pervirella.

Digital or visual media

Hitman
Evans, F. 1997. Hitman.

Digital or visual media

Sudden fury
Evans, F. 1998. Sudden fury.

Digital or visual media

The 3 kings
Evans, F. 1999. The 3 kings.

Digital or visual media

Martyr
Evans, F. 2006. Martyr.

Digital or visual media

Game over
Evans, F. 2014. Game over.

Digital or visual media

Barry Gray centenary concert
Evans, F. 2008. Barry Gray centenary concert. Royal Festival Hall, South Bank Centre, London

Show or exhibition

Listening perspectives: the composition & assessment of electroacoustic music
Evans, F. 2004. Listening perspectives: the composition & assessment of electroacoustic music. Leeds College of Music International Music & Technology Conference. Leeds College of Music, Leeds 2004

Conference paper

Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944)
Evans, F. 2005. Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944). 11th Bradford International Film Festival. Bradford, UK 2005

Conference paper

Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006)
Evans, F. 2006. Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006). Middlesex University Music Research Symposium. Middlesex University, London 2006 pp. 1-12

Conference paper

Incorporating spectral composition techniques in film
Evans, F. 2009. Incorporating spectral composition techniques in film. Film Music Conference. University of Leeds

Conference paper

Deus ex machina: psychodynamics of identity in sound streams
Evans, F. 2005. Deus ex machina: psychodynamics of identity in sound streams. 17th International Conference on systems research, Infomatics & cybernetics (The 7th Symposium on Systems Research in the Arts: Music, Environmental Design and the Choreography of Space). Baden-Baden, Germany 01 - 07 Aug 2005 International Institute for Advanced Studies in Systems Research and Cybernetics.

Conference paper

The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers
Evans, F. 2014. The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers. Music for Audio Visual Media. University of Leeds 04 - 06 Sep 2014 pp. 1-7

Conference paper

The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore
Dines, M. 2015. The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore. Musicological Annual. 50 (2), pp. 147-156. https://doi.org/10.4312/mz.50.2.147-156

Article

Surrender unto me: Punk Rock, Bhakti-rasa and the devotional aesthetic of Krishnacore
Dines, M. 2015. Surrender unto me: Punk Rock, Bhakti-rasa and the devotional aesthetic of Krishnacore. Keep It Simple, Make It Fast! Crossing Borders of Underground Music Scenes (KISMIF 2015). Faculty of Arts and Humanities, University of Porto, Portugal 15 - 17 Jul 2015

Conference item

Concerto for Violin & Orchestra - Dances, Elegies & Epitaphs
Fribbins, P. 2015. Concerto for Violin & Orchestra - Dances, Elegies & Epitaphs.

Portfolio

Fight Back: Punk, Politics and Resistance, The Subcultures Network (ed.) (2014) 1st ed., Manchester: Manchester University Press, 320 pp., ISBN: 9780719090295, h/bk, £75.00 [Book review]
Dines, M. 2015. Fight Back: Punk, Politics and Resistance, The Subcultures Network (ed.) (2014) 1st ed., Manchester: Manchester University Press, 320 pp., ISBN: 9780719090295, h/bk, £75.00 [Book review]. International Journal of Media & Cultural Politics. 11 (2), pp. 272-274. https://doi.org/10.1386/macp.11.2.267_5

Article

Gierador
Dwyer, B. and Griffith, D. 2015. Gierador.

Digital or visual media

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