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Latest research outputs
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Dances and Laments: Chamber Music by Peter Fribbins
Dromey, C. 2014. Dances and Laments: Chamber Music by Peter Fribbins. Guild.Other
Peter Fribbins: Chamber and Orchestral Works
Dromey, C. 2011. Peter Fribbins: Chamber and Orchestral Works. Guild.Other
Peter Fribbins: Chamber Music for Strings
Dromey, C. 2010. Peter Fribbins: Chamber Music for Strings. Guild.Other
The 'Pierrot' Ensemble in London: The Birth of a Genre?
Dromey, C. 2005. The 'Pierrot' Ensemble in London: The Birth of a Genre? Society for Music Analysis TAGS conference. University of East Anglia 23 Apr 2005Conference paper
The Pierrot Ensembles, 1912-2012
Dromey, C. 2013. The Pierrot Ensembles, 1912-2012. Concerts and Colloquia series. Middlesex University 24 Jan 2013Conference paper
Modernism(s) reborn? British chamber music in analysis
Dromey, C. 2014. Modernism(s) reborn? British chamber music in analysis. 16th Annual conference of the Modernist Studies Association (MSA 16): Confluence and Division. Pittsburgh, USA 06 - 09 Nov 2014Conference paper
A Century of Pierrot Ensembles, 1912-2012
Dromey, C. 2013. A Century of Pierrot Ensembles, 1912-2012. Music Colloquia. King’s College London 16 Oct 2013Conference item
Benjamin Britten’s 'Pierrot' Ensembles
Dromey, C. 2010. Benjamin Britten’s 'Pierrot' Ensembles. in: Riley, M. (ed.) British Music and Modernism, 1895-1960 Farnham Ashgate. pp. 219-247Book chapter
Prospects for Neomodernism in the Music of Matthew Taylor and Peter Fribbins
Dromey, C. 2013. Prospects for Neomodernism in the Music of Matthew Taylor and Peter Fribbins. International Journal for Contemporary Composition. 7, pp. 1-19.Article
Schoenberg, Zemlinsky, and the String Sextet
Dromey, C. 2006. Schoenberg, Zemlinsky, and the String Sextet. Zemlinsky Lost and Found, conference organised by Dr Mine Dogantan Dack, Dr Peter Fribbins and Dr Christopher Dromey. Middlesex University, London, UK 11 Oct 2006Conference paper
Zemlinsky’s Surface Structures: Maiblumen blühten überall and the String Sextet Genre
Dromey, C. 2007. Zemlinsky’s Surface Structures: Maiblumen blühten überall and the String Sextet Genre. in: Frith, M. (ed.) Zemlinsky Studies Middlesex University Press. pp. 77-89Book chapter
Three Pedagogic Innovations to Improve Learning on the BA Music and Arts Management Programme
Dromey, C., Anastasiades, M. and Yiangou, C. 2007. Three Pedagogic Innovations to Improve Learning on the BA Music and Arts Management Programme. Conference co-presented by the School of Health and Social Science and the Centre for Learning and Quality Enhancement (CLQE) “On Formative Assessment”. Middlesex University, London, UK 12 Nov 2007Conference paper
The Pierrot Ensembles
Dromey, C. 2010. The Pierrot Ensembles. PhD thesis King's College, London MusicPhD thesis
A Christmas alleluia: for SATB choir and organ
Inglis, B. 2015. A Christmas alleluia: for SATB choir and organ. Composers Edition.Composition
Simon Jones, Black culture, White Youth: the Reggae Tradition from JA to UK
Jones, S. 2011. Simon Jones, Black culture, White Youth: the Reggae Tradition from JA to UK. in: Duncombe, S. and Tremblay, M. (ed.) White Riot: Punk Rock and the Politics of Race London, New York Verso. pp. 216-220Book chapter
The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe
Inglis, B. 2016. The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe. in: Campos, L. and Schopf, F. (ed.) Music On Stage: Volume 2 Cambridge Scholars.Book chapter
Musik und Symbolische Kreativitat, 1990
Jones, S. 1993. Musik und Symbolische Kreativitat, 1990. in: Dvorak, J., Stagl, G. and Jochum, M. (ed.) Literatur, Lekture, Literaritat: Akustiches, Visuelles, Literarisches Vienna OBV. pp. 38-40Book chapter
Rocking the house: sound system cultures and the politics of space
Jones, S. 1995. Rocking the house: sound system cultures and the politics of space. Journal of Popular Music Studies. 7, pp. 1-24.Article
Crossover culture: popular music and the politics of "race".
Jones, S. 1993. Crossover culture: popular music and the politics of "race". Stanford Humanities Review. 3 (2), pp. 103-117.Article
Black culture, white youth: the reggae tradition from JA to UK
Jones, S. 1988. Black culture, white youth: the reggae tradition from JA to UK. Houndmills, Basingstoke Palgrave Macmillan.Book
Wedding
Inglis, B. 2015. Wedding. Composers Edition.Composition
A great friggin' swindle? Sex Pistols, school kids and 1979
Osborne, R. 2015. A great friggin' swindle? Sex Pistols, school kids and 1979. Popular Music and Society. 38 (4), pp. 432-449. https://doi.org/10.1080/03007766.2015.1034496Article
Gray matters (the electroacoustic film music of Barry Gray)
Evans, F. 2014. Gray matters (the electroacoustic film music of Barry Gray). Music and Screen Media Conference. University of Liverpool, Liverpool, UK 25 - 26 Jun 2014Conference paper
The punk & the princess
Evans, F. 1992. The punk & the princess.Digital or visual media
A fistful of fingers
Evans, F. 1994. A fistful of fingers.Digital or visual media
Pervirella
Evans, F. 1997. Pervirella.Digital or visual media
Hitman
Evans, F. 1997. Hitman.Digital or visual media
Sudden fury
Evans, F. 1998. Sudden fury.Digital or visual media
The 3 kings
Evans, F. 1999. The 3 kings.Digital or visual media
Martyr
Evans, F. 2006. Martyr.Digital or visual media
Game over
Evans, F. 2014. Game over.Digital or visual media
Barry Gray centenary concert
Evans, F. 2008. Barry Gray centenary concert. Royal Festival Hall, South Bank Centre, LondonShow or exhibition
Listening perspectives: the composition & assessment of electroacoustic music
Evans, F. 2004. Listening perspectives: the composition & assessment of electroacoustic music. Leeds College of Music International Music & Technology Conference. Leeds College of Music, Leeds 2004Conference paper
Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944)
Evans, F. 2005. Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944). 11th Bradford International Film Festival. Bradford, UK 2005Conference paper
Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006)
Evans, F. 2006. Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006). Middlesex University Music Research Symposium. Middlesex University, London 2006 pp. 1-12Conference paper
Incorporating spectral composition techniques in film
Evans, F. 2009. Incorporating spectral composition techniques in film. Film Music Conference. University of LeedsConference paper
Deus ex machina: psychodynamics of identity in sound streams
Evans, F. 2005. Deus ex machina: psychodynamics of identity in sound streams. 17th International Conference on systems research, Infomatics & cybernetics (The 7th Symposium on Systems Research in the Arts: Music, Environmental Design and the Choreography of Space). Baden-Baden, Germany 01 - 07 Aug 2005 International Institute for Advanced Studies in Systems Research and Cybernetics.Conference paper
The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers
Evans, F. 2014. The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers. Music for Audio Visual Media. University of Leeds 04 - 06 Sep 2014 pp. 1-7Conference paper
The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore
Dines, M. 2015. The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore. Musicological Annual. 50 (2), pp. 147-156. https://doi.org/10.4312/mz.50.2.147-156Article
Concerto for Violin & Orchestra - Dances, Elegies & Epitaphs
Fribbins, P. and Royal Scottish National Orchestra 2015. Concerto for Violin & Orchestra - Dances, Elegies & Epitaphs.Portfolio
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