Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049

Book chapter

Tyrer, B. 2021. Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049. in: Lacanian Perspectives on Blade Runner 2049 Cham Palgrave Macmillan. pp. 13-39
Chapter titleDo Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049
AuthorsTyrer, B.
Abstract

This essay explores the role of the unconscious in both Daniel Frampton’s filmosophy (where it is unacknowledged) and in Blade Runner 2049 (where it is in question). Reading the “filmind” of 2049 as a “replicant film” or “replicant filmind”, the chapter examines the relationship between “posthuman” thinking in both Frampton and 2049, and relating it to the nonhuman thinking of the Lacanian unconscious—wherein the truth of the subject is to be found.

Middlesex University ThemeCreativity, Culture & Enterprise
Page range13-39
Book titleLacanian Perspectives on Blade Runner 2049
PublisherPalgrave Macmillan
Place of publicationCham
SeriesThe Palgrave Lacan Series
ISBN
Hardcover9783030567538
Electronic9783030567545
Publication dates
Online19 Dec 2020
PrintJan 2021
Publication process dates
Deposited12 Jun 2023
Output statusPublished
Digital Object Identifier (DOI)https://doi.org/10.1007/978-3-030-56754-5_2
LanguageEnglish
JournalLacanian Perspectives on Blade Runner 2049
Permalink -

https://repository.mdx.ac.uk/item/8q5x5

Log in to edit
File access - Request a copy

Restricted files

Accepted author manuscript

  • 61
    total views
  • 1
    total downloads
  • 2
    views this month
  • 0
    downloads this month

Export as

Related outputs

(Don't) look back: three Portraits of a Lady on Fire
Tyrer, B. 2025. (Don't) look back: three Portraits of a Lady on Fire. Film-Philosophy.
Barbenheimer: mass appeal cinema and the evolution of the blockbuster
Mitchell, A., Backman Rogers, A., Harrington, E., Krämer, P., Radner, R., Sellier, G., Lake, K., Tyrer, B. and Bolton, L. 2024. Barbenheimer: mass appeal cinema and the evolution of the blockbuster. Australasian Journal of American Studies. 43 (1), pp. 119-150.
Introduction: Catherine Malabou, plasticity and film
Dalton, B. and Tyrer, B. 2024. Introduction: Catherine Malabou, plasticity and film. Film-Philosophy. 28 (3), pp. 413-427. https://doi.org/10.3366/film.2024.0278
That obscure object of ontology: Lacan, La femme, lathouse and Her
Tyrer, B. 2023. That obscure object of ontology: Lacan, La femme, lathouse and Her. in: Bartelmus, M. and Danebrock, F. (ed.) Therapie der Dinge? Materialität und Psychoanalyse in Literatur, Film und bildender Kunst Transcript Verlag. pp. 235-247
The shudder-image: psyche-soma, sex and knowledge in Hannibal
Tyrer, B. 2022. The shudder-image: psyche-soma, sex and knowledge in Hannibal. Screen. 63 (4), pp. 464-494. https://doi.org/10.1093/screen/hjac039
‘Becoming Hannibal’: Identification and transformation in queer horror television
Tyrer, B. 2020. ‘Becoming Hannibal’: Identification and transformation in queer horror television. in: Elliott-Smith, D. and Browning, J.E. (ed.) New Queer Horror Film and Television University of Wales Press.
Under Her Skin: on woman without body and body without Woman
Tyrer, B. 2019. Under Her Skin: on woman without body and body without Woman. in: Piotrowska, A. and Tyrer, B. (ed.) Femininity and Psychoanalysis: Cinema, Culture, Theory Routledge. pp. 138-159
Introduction
Piotrowska, A. and Tyrer, B. 2019. Introduction. in: Piotrowska, A. and Tyrer, B. (ed.) Femininity and Psychoanalysis: Cinema, Culture, Theory Routledge. pp. 1-7
The reality of fantasy: VFX as fantasmatic supplement in game of thrones (2011-)
Tyrer, B. 2018. The reality of fantasy: VFX as fantasmatic supplement in game of thrones (2011-). in: Holliday, C. and Sergeant, A. (ed.) Fantasy/Animation: Connections Between Media, Mediums and Genres Routledge. pp. 91-106
This tongue is not my own: Dogtooth, phobia and the paternal metaphor
Tyrer, B. 2017. This tongue is not my own: Dogtooth, phobia and the paternal metaphor. in: Kazakopoulou, T. and Fotiou, M. (ed.) Contemporary Greek Film Cultures from 1990 to the Present Peter Lang. pp. 101-129
First interlude: a contingent irruption
Tyrer, B. 2016. First interlude: a contingent irruption. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 79-90
Film noir doesn’t exist: impossibility, definition and the point of failure
Tyrer, B. 2016. Film noir doesn’t exist: impossibility, definition and the point of failure. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 91-140
Introduction: into the past/out of the past
Tyrer, B. 2016. Introduction: into the past/out of the past. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 1-28
The boundaries and meaning of noir: suture, metaphor and the historical imaginary
Tyrer, B. 2016. The boundaries and meaning of noir: suture, metaphor and the historical imaginary. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 143-193
Second interlude: a knotting (SRI)
Tyrer, B. 2016. Second interlude: a knotting (SRI). in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 197-208
The moment of concluding
Tyrer, B. 2016. The moment of concluding. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 253-267
The idea of noir: fiction, signifier, genre
Tyrer, B. 2016. The idea of noir: fiction, signifier, genre. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 209-251
Film noir as point de capiton: retroactive temporality and symbolic structure
Tyrer, B. 2016. Film noir as point de capiton: retroactive temporality and symbolic structure. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 31-76
Trauma without a subject: On Malabou, psychoanalysis and Amour
Tyrer, B. 2016. Trauma without a subject: On Malabou, psychoanalysis and Amour. in: Piotrowska, A. and Tyrer, B. (ed.) Psychoanalysis and the Unrepresentable: From Culture to the Clinic Routledge. pp. 20-38
Out of the past: Lacan and film noir
Tyrer, B. 2016. Out of the past: Lacan and film noir. Cham Palgrave Macmillan.
Introduction: Representing the unrepresentable
Piotrowska, A. and Tyrer, B. 2016. Introduction: Representing the unrepresentable. in: Piotrowska, A. and Tyrer, B. (ed.) Psychoanalysis and the Unrepresentable: From Culture to the Clinic Routledge. pp. 1-4
Mark Osteen, Nightmare Alley: Film Noir and the American Dream (Baltimore: Johns Hopkins University Press, 2012, $34.95). Pp. 336. ISBN 978 1 4214 0780 7 [Book review]
Tyrer, B. 2015. Mark Osteen, Nightmare Alley: Film Noir and the American Dream (Baltimore: Johns Hopkins University Press, 2012, $34.95). Pp. 336. ISBN 978 1 4214 0780 7 [Book review]. Journal of American Studies. 49 (4), pp. 934-935. https://doi.org/10.1017/s0021875815001528
An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction
Tyrer, B. 2014. An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction. in: Piotrowska, A. (ed.) Embodied Encounters: New Approaches to Cinema and Psychoanalysis Routledge. pp. 131-146
Film Noir doesn't exist: A Lacanian topology
Tyrer, B. 2013. Film Noir doesn't exist: A Lacanian topology. in: Henderson, D. (ed.) Psychoanalysis, Culture and Society Cambridge Scholars Publishing. pp. 127-143
Film Noir as Point de Capiton: Double indemnity, structure and temporality
Tyrer, B. 2013. Film Noir as Point de Capiton: Double indemnity, structure and temporality. Film-Philosophy. 17 (1), pp. 96-114. https://doi.org/10.3366/film.2013.0006
Digression and return: Aesthetics and politics in Agnès Varda’s Les Glaneurs et la glaneuse (2000)
Tyrer, B. 2009. Digression and return: Aesthetics and politics in Agnès Varda’s Les Glaneurs et la glaneuse (2000). Studies in French Cinema. 9 (2), pp. 161-176. https://doi.org/10.1386/sfc.9.2.161_1