Dr Ben Tyrer
| Name | Dr Ben Tyrer |
|---|---|
| Job title | Lecturer in Film Theory |
| Research institute | |
| Primary appointment | School of Film |
| Email address | B.Tyrer@mdx.ac.uk |
| ORCID | https://orcid.org/0000-0002-9204-0098 |
| Contact category | Academic staff |
Biography
Biography Ben is an academic and author interested in the intersections of film, philosophy and psychoanalysis. Ben
joined Middlesex University in 2018, having previously worked at King's
College London, University of York, and University of Exeter.
Teaching
Ben teaches on the BA Film programme at Middlesex. His teaching interests include: Audio-visual storytelling World cinema history Screen praxis and political praxis Constructions of race, class and gender/sexuality on screen
Modules taught: FLM1110 Story and Aesthetics FLM2110 Screen and World FLM3110 Advanced Idea Development FLM1200 Screen Aesthetics FLM3001 Film Ideology and Aesthetics
Employment
Lecturer in Film Theory
Middlesex University
17 Sept 2018
Education and qualifications
Grants
Prizes and Awards
External activities
Research outputs
(Don't) look back: three Portraits of a Lady on Fire
Tyrer, B. 2025. (Don't) look back: three Portraits of a Lady on Fire. Film-Philosophy.Barbenheimer: mass appeal cinema and the evolution of the blockbuster
Mitchell, A., Backman Rogers, A., Harrington, E., Krämer, P., Radner, R., Sellier, G., Lake, K., Tyrer, B. and Bolton, L. 2024. Barbenheimer: mass appeal cinema and the evolution of the blockbuster. Australasian Journal of American Studies. 43 (1), pp. 119-150.Film-Philosophy, volume 28 issue 3: Catherine Malabou, plasticity and film
Tyrer, B. and Dalton, B. (ed.) 2024. Film-Philosophy, volume 28 issue 3: Catherine Malabou, plasticity and film. Edinburgh University Press.Introduction: Catherine Malabou, plasticity and film
Dalton, B. and Tyrer, B. 2024. Introduction: Catherine Malabou, plasticity and film. Film-Philosophy. 28 (3), pp. 413-427. https://doi.org/10.3366/film.2024.0278That obscure object of ontology: Lacan, La femme, lathouse and Her
Tyrer, B. 2023. That obscure object of ontology: Lacan, La femme, lathouse and Her. in: Bartelmus, M. and Danebrock, F. (ed.) Therapie der Dinge? Materialität und Psychoanalyse in Literatur, Film und bildender Kunst Transcript Verlag. pp. 235-247The shudder-image: psyche-soma, sex and knowledge in Hannibal
Tyrer, B. 2022. The shudder-image: psyche-soma, sex and knowledge in Hannibal. Screen. 63 (4), pp. 464-494. https://doi.org/10.1093/screen/hjac039Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049
Tyrer, B. 2021. Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049. in: Lacanian Perspectives on Blade Runner 2049 Cham Palgrave Macmillan. pp. 13-39‘Becoming Hannibal’: Identification and transformation in queer horror television
Tyrer, B. 2020. ‘Becoming Hannibal’: Identification and transformation in queer horror television. in: Elliott-Smith, D. and Browning, J.E. (ed.) New Queer Horror Film and Television University of Wales Press.Under Her Skin: on woman without body and body without Woman
Tyrer, B. 2019. Under Her Skin: on woman without body and body without Woman. in: Piotrowska, A. and Tyrer, B. (ed.) Femininity and Psychoanalysis: Cinema, Culture, Theory Routledge. pp. 138-159Femininity and psychoanalysis: Cinema, culture, theory
Piotrowska, A. and Tyrer, B. (ed.) 2019. Femininity and psychoanalysis: Cinema, culture, theory. Routledge.The reality of fantasy: VFX as fantasmatic supplement in game of thrones (2011-)
Tyrer, B. 2018. The reality of fantasy: VFX as fantasmatic supplement in game of thrones (2011-). in: Holliday, C. and Sergeant, A. (ed.) Fantasy/Animation: Connections Between Media, Mediums and Genres Routledge. pp. 91-106This tongue is not my own: Dogtooth, phobia and the paternal metaphor
Tyrer, B. 2017. This tongue is not my own: Dogtooth, phobia and the paternal metaphor. in: Kazakopoulou, T. and Fotiou, M. (ed.) Contemporary Greek Film Cultures from 1990 to the Present Peter Lang. pp. 101-129Out of the past: Lacan and film noir
Tyrer, B. 2016. Out of the past: Lacan and film noir. Cham Palgrave Macmillan.Trauma without a subject: On Malabou, psychoanalysis and Amour
Tyrer, B. 2016. Trauma without a subject: On Malabou, psychoanalysis and Amour. in: Piotrowska, A. and Tyrer, B. (ed.) Psychoanalysis and the Unrepresentable: From Culture to the Clinic Routledge. pp. 20-38Psychoanalysis and the unrepresentable: From culture to the clinic
Piotrowska, A. and Tyrer, B. (ed.) 2016. Psychoanalysis and the unrepresentable: From culture to the clinic. Routledge.Mark Osteen, Nightmare Alley: Film Noir and the American Dream (Baltimore: Johns Hopkins University Press, 2012, $34.95). Pp. 336. ISBN 978 1 4214 0780 7 [Book review]
Tyrer, B. 2015. Mark Osteen, Nightmare Alley: Film Noir and the American Dream (Baltimore: Johns Hopkins University Press, 2012, $34.95). Pp. 336. ISBN 978 1 4214 0780 7 [Book review]. Journal of American Studies. 49 (4), pp. 934-935. https://doi.org/10.1017/s0021875815001528An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction
Tyrer, B. 2014. An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction. in: Piotrowska, A. (ed.) Embodied Encounters: New Approaches to Cinema and Psychoanalysis Routledge. pp. 131-146Film Noir as Point de Capiton: Double indemnity, structure and temporality
Tyrer, B. 2013. Film Noir as Point de Capiton: Double indemnity, structure and temporality. Film-Philosophy. 17 (1), pp. 96-114. https://doi.org/10.3366/film.2013.0006Film Noir doesn't exist: A Lacanian topology
Tyrer, B. 2013. Film Noir doesn't exist: A Lacanian topology. in: Henderson, D. (ed.) Psychoanalysis, Culture and Society Cambridge Scholars Publishing. pp. 127-143Digression and return: Aesthetics and politics in Agnès Varda’s Les Glaneurs et la glaneuse (2000)
Tyrer, B. 2009. Digression and return: Aesthetics and politics in Agnès Varda’s Les Glaneurs et la glaneuse (2000). Studies in French Cinema. 9 (2), pp. 161-176. https://doi.org/10.1386/sfc.9.2.161_1Introduction: into the past/out of the past
Tyrer, B. 2016. Introduction: into the past/out of the past. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 1-28Film noir as point de capiton: retroactive temporality and symbolic structure
Tyrer, B. 2016. Film noir as point de capiton: retroactive temporality and symbolic structure. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 31-76Film noir doesn’t exist: impossibility, definition and the point of failure
Tyrer, B. 2016. Film noir doesn’t exist: impossibility, definition and the point of failure. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 91-140First interlude: a contingent irruption
Tyrer, B. 2016. First interlude: a contingent irruption. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 79-90The boundaries and meaning of noir: suture, metaphor and the historical imaginary
Tyrer, B. 2016. The boundaries and meaning of noir: suture, metaphor and the historical imaginary. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 143-193Second interlude: a knotting (SRI)
Tyrer, B. 2016. Second interlude: a knotting (SRI). in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 197-208The idea of noir: fiction, signifier, genre
Tyrer, B. 2016. The idea of noir: fiction, signifier, genre. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 209-251The moment of concluding
Tyrer, B. 2016. The moment of concluding. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 253-267Introduction
Piotrowska, A. and Tyrer, B. 2019. Introduction. in: Piotrowska, A. and Tyrer, B. (ed.) Femininity and Psychoanalysis: Cinema, Culture, Theory Routledge. pp. 1-7Introduction: Representing the unrepresentable
Piotrowska, A. and Tyrer, B. 2016. Introduction: Representing the unrepresentable. in: Piotrowska, A. and Tyrer, B. (ed.) Psychoanalysis and the Unrepresentable: From Culture to the Clinic Routledge. pp. 1-41898
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