Introduction: Representing the unrepresentable

Introduction


Piotrowska, A. and Tyrer, B. 2016. Introduction: Representing the unrepresentable. in: Piotrowska, A. and Tyrer, B. (ed.) Psychoanalysis and the Unrepresentable: From Culture to the Clinic Routledge. pp. 1-4
TypeIntroduction
Chapter titleIntroduction: Representing the unrepresentable
AuthorsPiotrowska, A. and Tyrer, B.
Middlesex University ThemeHealth & Wellbeing
Page range1-4
Book titlePsychoanalysis and the Unrepresentable: From Culture to the Clinic
EditorsPiotrowska, A. and Tyrer, B.
PublisherRoutledge
ISBN
Hardcover9781138954977
Paperback9781138954984
Electronic9781315666655
Copyright Year2017
Publication dates
Online30 Sep 2016
Print20 Sep 2016
Publication process dates
Deposited12 Jun 2023
Output statusPublished
Web address (URL)https://www.routledge.com/9781138954977
Digital Object Identifier (DOI)https://doi.org/10.4324/9781315666655-8
Scopus EID2-s2.0-85027101127
Related Output
Is part ofPsychoanalysis and the unrepresentable: From culture to the clinic
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/8q5y2

  • 57
    total views
  • 1
    total downloads
  • 4
    views this month
  • 0
    downloads this month

Export as

Related outputs

(Don't) look back: three Portraits of a Lady on Fire
Tyrer, B. 2025. (Don't) look back: three Portraits of a Lady on Fire. Film-Philosophy.
Introduction: Catherine Malabou, plasticity and film
Tyrer, B. and Dalton, B. 2024. Introduction: Catherine Malabou, plasticity and film. Film-Philosophy. 28 (3).
An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction
Tyrer, B. 2014. An atheist's guide to feminine jouissance: On Black Swan and the other satisfaction. in: Piotrowska, A. (ed.) Embodied Encounters: New Approaches to Cinema and Psychoanalysis Routledge. pp. 131-146
This tongue is not my own: Dogtooth, phobia and the paternal metaphor
Tyrer, B. 2017. This tongue is not my own: Dogtooth, phobia and the paternal metaphor. in: Kazakopoulou, T. and Fotiou, M. (ed.) Contemporary Greek Film Cultures from 1990 to the Present Peter Lang. pp. 101-129
The reality of fantasy: VFX as fantasmatic supplement in game of thrones (2011-)
Tyrer, B. 2018. The reality of fantasy: VFX as fantasmatic supplement in game of thrones (2011-). in: Fantasy/Animation: Connections Between Media, Mediums and Genres Routledge. pp. 91-106
That obscure object of ontology: Lacan, La femme, lathouse and Her
Tyrer, B. 2023. That obscure object of ontology: Lacan, La femme, lathouse and Her. in: Bartelmus, M. and Danebrock, F. (ed.) Therapie der Dinge? Materialität und Psychoanalyse in Literatur, Film und bildender Kunst Transcript Verlag. pp. 235-247
The shudder-image: psyche-soma, sex and knowledge in Hannibal
Tyrer, B. 2022. The shudder-image: psyche-soma, sex and knowledge in Hannibal. Screen. 63 (4), pp. 464-494. https://doi.org/10.1093/screen/hjac039
Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049
Tyrer, B. 2021. Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049. in: Lacanian Perspectives on Blade Runner 2049 Cham Palgrave Macmillan. pp. 13-39
‘Becoming Hannibal’: Identification and transformation in queer horror television
Tyrer, B. 2020. ‘Becoming Hannibal’: Identification and transformation in queer horror television. in: Elliott-Smith, D. and Browning, J.E. (ed.) New Queer Horror Film and Television University of Wales Press.
Under Her Skin: on woman without body and body without Woman
Tyrer, B. 2019. Under Her Skin: on woman without body and body without Woman. in: Piotrowska, A. and Tyrer, B. (ed.) Femininity and Psychoanalysis: Cinema, Culture, Theory Routledge. pp. 138-159
Introduction
Piotrowska, A. and Tyrer, B. 2019. Introduction. in: Piotrowska, A. and Tyrer, B. (ed.) Femininity and Psychoanalysis: Cinema, Culture, Theory Routledge. pp. 1-7
First interlude: a contingent irruption
Tyrer, B. 2016. First interlude: a contingent irruption. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 79-90
Film noir doesn’t exist: impossibility, definition and the point of failure
Tyrer, B. 2016. Film noir doesn’t exist: impossibility, definition and the point of failure. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 91-140
Introduction: into the past/out of the past
Tyrer, B. 2016. Introduction: into the past/out of the past. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 1-28
The boundaries and meaning of noir: suture, metaphor and the historical imaginary
Tyrer, B. 2016. The boundaries and meaning of noir: suture, metaphor and the historical imaginary. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 143-193
Second interlude: a knotting (SRI)
Tyrer, B. 2016. Second interlude: a knotting (SRI). in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 197-208
The moment of concluding
Tyrer, B. 2016. The moment of concluding. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 253-267
The idea of noir: fiction, signifier, genre
Tyrer, B. 2016. The idea of noir: fiction, signifier, genre. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 209-251
Film noir as point de capiton: retroactive temporality and symbolic structure
Tyrer, B. 2016. Film noir as point de capiton: retroactive temporality and symbolic structure. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 31-76
Trauma without a subject: On Malabou, psychoanalysis and Amour
Tyrer, B. 2016. Trauma without a subject: On Malabou, psychoanalysis and Amour. in: Piotrowska, A. and Tyrer, B. (ed.) Psychoanalysis and the Unrepresentable: From Culture to the Clinic Routledge. pp. 20-38
Out of the past: Lacan and film noir
Tyrer, B. 2016. Out of the past: Lacan and film noir. Cham Palgrave Macmillan.
Mark Osteen, Nightmare Alley: Film Noir and the American Dream (Baltimore: Johns Hopkins University Press, 2012, $34.95). Pp. 336. ISBN 978 1 4214 0780 7 [Book review]
Tyrer, B. 2015. Mark Osteen, Nightmare Alley: Film Noir and the American Dream (Baltimore: Johns Hopkins University Press, 2012, $34.95). Pp. 336. ISBN 978 1 4214 0780 7 [Book review]. Journal of American Studies. 49 (4), pp. 934-935. https://doi.org/10.1017/s0021875815001528
Film Noir doesn't exist: A Lacanian topology
Tyrer, B. 2013. Film Noir doesn't exist: A Lacanian topology. in: Henderson, D. (ed.) Psychoanalysis, Culture and Society Cambridge Scholars Publishing. pp. 127-143
Film Noir as Point de Capiton: Double indemnity, structure and temporality
Tyrer, B. 2013. Film Noir as Point de Capiton: Double indemnity, structure and temporality. Film-Philosophy. 17 (1), pp. 96-114. https://doi.org/10.3366/film.2013.0006
Digression and return: Aesthetics and politics in Agnès Varda’s Les Glaneurs et la glaneuse (2000)
Tyrer, B. 2009. Digression and return: Aesthetics and politics in Agnès Varda’s Les Glaneurs et la glaneuse (2000). Studies in French Cinema. 9 (2), pp. 161-176. https://doi.org/10.1386/sfc.9.2.161_1