Out of the past: Lacan and film noir

Authored Book


Tyrer, B. 2016. Out of the past: Lacan and film noir. Cham Palgrave Macmillan.
TypeAuthored Book
TitleOut of the past: Lacan and film noir
AuthorsTyrer, B.
Abstract

Out of the Past presents a new reading of film noir through psychoanalytic theory. In a field now dominated by Deleuzian and phenomenological approaches to film-philosophy, this book argues that, far from having passed, the time for Lacan in Film Studies is only just beginning. This work is, however, an act of mourning. For a lost past of the cinema. For a longstanding critical tradition. For film noir. It is about the loss of an idea, and how we came to have it in the first place. It asks how we can talk about film noir when, in fact, film noir doesn’t exist. The answer starts with Lacan and a refusal to relinquish psychoanalysis. Lacanian theories of retroactivity and ontology can be read together with film history, genre and narrative to show the ways in which theory and history, past and present, cinema and psychoanalysis are fundamentally knotted together.

KeywordsFilm Studies; psychoanalysis; Double Indemnity; The Maltese Falcon; Film Theory; Slavoj Zizek; Hollywood; John Huston
Sustainable Development Goals10 Reduced inequalities
Middlesex University ThemeCreativity, Culture & Enterprise
SeriesThe Palgrave Lacan Series
ISBN
Hardcover9783319309415
Paperback9783319809236
Electronic9783319309422
ISSN2946-4196
Electronic2946-420X
PublisherPalgrave Macmillan
Place of publicationCham
Publication dates
Print09 Aug 2016
Online17 Aug 2016
Publication process dates
Deposited12 Jun 2023
Output statusPublished
Digital Object Identifier (DOI)https://doi.org/10.1007/978-3-319-30942-2
Related Output
Has partIntroduction: into the past/out of the past
Has partFilm noir as point de capiton: retroactive temporality and symbolic structure
Has partFirst interlude: a contingent irruption
Has partFilm noir doesn’t exist: impossibility, definition and the point of failure
Has partThe boundaries and meaning of noir: suture, metaphor and the historical imaginary
Has partSecond interlude: a knotting (SRI)
Has partThe idea of noir: fiction, signifier, genre
Has partThe moment of concluding
LanguageEnglish
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