Performing Arts
| Title | Performing Arts |
|---|---|
| Alternative | ACI - PA |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.Book
Imagines
Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin New Dublin Press.Book
CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015)
Bacon, T. 2015. CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015).Portfolio
PERCEPTION:Lab
Bacon, T. 2015. PERCEPTION:Lab. Mobius Inc., Boston USA 20 Jun 2015Public installation
Student choice in the curriculum: an investigation into existing practices in theatre and drama
de Senna, P. 2014. Student choice in the curriculum: an investigation into existing practices in theatre and drama. York, UK Higher Education Academy.Project report
Two launch pads
de Senna, P. 2015. Two launch pads. in: Svich, C. (ed.) Innovation in five acts: strategies for theatre and performance Theatre Communications Group.Book chapter
‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners
de Senna, P., Bowditch, C. and Bower, D. 2015. ‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 221-235Book chapter
This blasted translation: or location, dislocation, relocation
de Senna, P. 2009. This blasted translation: or location, dislocation, relocation. Journal of Adaptation in Film & Performance. 2 (3), pp. 255-265. https://doi.org/10.1386/jafp.2.3.255/1Article
Making marks and memories – the body in recorded time
Butcher, R. and Sachsenmaier, S. 2015. Making marks and memories – the body in recorded time. Memory Sentiment Body Space Object Symposium. Coventry 15 May 2015Conference keynote
Between stage and literature: romantic ballet’s narrative strategies.
Bernkopf, A. 2011. Between stage and literature: romantic ballet’s narrative strategies. Working with stories: Narrative as a Meeting Place for Theory Analysis and Practice.Article
Dancing narratives: an analytical approach to the narrative of the ballet fantastique
Bernkopf, A. 2008. Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel. 14.Article
Site under construction: taking ‘reading performance’ literally
Bernkopf, A. 2007. Site under construction: taking ‘reading performance’ literally. 2007 Society of Dance History Scholars Conference: Re-Thinking Theory and Practice/Repenser pratique et theorie. Paris, France 21 - 24 Jun 2007 Society of Dance Historians. pp. 253-256Conference paper
Dramaturgy of desire: an analytical approach to dance narratives
Bernkopf, A. 2006. Dramaturgy of desire: an analytical approach to dance narratives. Choreologica. 2 (1), pp. 41-60.Article
Forlane for piano solo (part of ‘Le Tombeau de Rachmaninov’)
Fribbins, P. 2015. Forlane for piano solo (part of ‘Le Tombeau de Rachmaninov’).Composition
Concerto for Violin & Orchestra
Fribbins, P. 2015. Concerto for Violin & Orchestra.Composition
Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice
Sachsenmaier, S. 2014. Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice. PSi20 Avant-Garde, Tradition, Community. Shanghai, China 04 - 08 Jul 2014Conference paper
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123Book chapter
Some fleshy thinking: improvisation, experience, perception
Midgelow, V. 2015. Some fleshy thinking: improvisation, experience, perception. in: George-Graves, N. (ed.) The Oxford Handbook of Dance and Theater New York Oxford University Press (OUP). pp. 109-122Book chapter
Collaboration, democracy and the total artwork
Kolb, A. 2015. Collaboration, democracy and the total artwork. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 51-74Book chapter
Creative Articulations Process (CAP)
Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1Article
Working with and supporting early career academics. A provocation
Hussein, N. 2014. Working with and supporting early career academics. A provocation. The Standing Conference of University Drama Departments' annual conference. Aberystwyth University.Conference item
Performance as a gesture of resistance in Laila Soliman’s No Time for Art
Hussein, N. 2015. Performance as a gesture of resistance in Laila Soliman’s No Time for Art. Theatre and Stratification. International Federation for Theatre Research’s world congress. The University of Warwick 28 Jul - 01 Aug 2014Conference paper
Here… there… and the question of belonging
Hussein, N. 2015. Here… there… and the question of belonging. Arab Women Artists Now (AWAN) Festival.. Rich Mix, London. 07 Mar 2015Conference item
Here, there, and the question of belonging in a time of revolution
Hussein, N. 2015. Here, there, and the question of belonging in a time of revolution. Contested Exchanged: Space, Place and the Performance of Democracy. Artaud Performance Centre. Brunel University, London. 28 Mar 2015Conference item
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. New Anarchist Research Group Monthly Meeting. Torriano Meeting House, London 25 Apr 2015Conference paper
My City, My Revolution
Hussein, N., Papadelli, V., Goely, M. and Picknett, M. 2015. My City, My Revolution. Rich Mix theatre, London 23 Jan 2015Performance
Home (a replacing)
Midgelow, V. and Williams, T. 2014. Home (a replacing).Digital or visual media
Closer to the body: reflections on skript and extracts from collected writings
Bacon, J. and Midgelow, V. 2014. Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices. 5 (1), pp. 73-94. https://doi.org/10.1386/chor.5.1.73_1Article
The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore
Dines, M. 2015. The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore. Musicological Annual. 50 (2), pp. 147-156. https://doi.org/10.4312/mz.50.2.147-156Article
The gold disc: one million pop fans can't be wrong?
Osborne, R. 2014. The gold disc: one million pop fans can't be wrong? in: Sarafian, V. and Findlay, R. (ed.) L’état de l’industrie musicale = The state of the music industry Toulouse Presses de l'Université Toulouse 1 Capitole.Book chapter
Audio books: the literary origins of grooves, labels and sleeves
Osborne, R. 2014. Audio books: the literary origins of grooves, labels and sleeves. in: Carroll, R. and Hansen, A. (ed.) LitPop: Writing and Popular Music Farnham Ashgate. pp. 201-215Book chapter
Surrender unto me: Punk Rock, Bhakti-rasa and the devotional aesthetic of Krishnacore
Dines, M. 2015. Surrender unto me: Punk Rock, Bhakti-rasa and the devotional aesthetic of Krishnacore. Keep It Simple, Make It Fast! Crossing Borders of Underground Music Scenes (KISMIF 2015). Faculty of Arts and Humanities, University of Porto, Portugal 15 - 17 Jul 2015Conference item
Fight Back: Punk, Politics and Resistance, The Subcultures Network (ed.) (2014) 1st ed., Manchester: Manchester University Press, 320 pp., ISBN: 9780719090295, h/bk, £75.00 [Book review]
Dines, M. 2015. Fight Back: Punk, Politics and Resistance, The Subcultures Network (ed.) (2014) 1st ed., Manchester: Manchester University Press, 320 pp., ISBN: 9780719090295, h/bk, £75.00 [Book review]. International Journal of Media & Cultural Politics. 11 (2), pp. 272-274. https://doi.org/10.1386/macp.11.2.267_5Article
Understanding small music venues: a report by the Music Venue Trust
Dines, M., Campanello, K., Smith, G., Hunter, M. and Parkinson, T. 2015. Understanding small music venues: a report by the Music Venue Trust. Music Venue Trust.Project report
One good day [Shortlisted play script]
Thompson, C. 2015. One good day [Shortlisted play script]. Theatre503 Playwriting Competition.Other
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Hansen, P. and Callison, D. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123Book chapter
Just in Time: Rosemary Butcher, making memories and marks
Melrose, S., Sachsenmaier, S. and Butcher, R. 2015. Just in Time: Rosemary Butcher, making memories and marks. Performance Research. 20 (6), pp. 87-94. https://doi.org/10.1080/13528165.2015.1111060Article
Collaborative performance-making in context
Colin, N. and Sachsenmaier, S. 2015. Collaborative performance-making in context. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 1-24Introduction
Productive misapprehensions: Artscross as a cross-cultural collaborative zone of contestation of contemporary dance practice
Sachsenmaier, S. 2015. Productive misapprehensions: Artscross as a cross-cultural collaborative zone of contestation of contemporary dance practice. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 280-302Book chapter
Collaboration in performance practice: Premises, workings and failures
Colin, N. and Sachsenmaier, S. (ed.) 2015. Collaboration in performance practice: Premises, workings and failures. London Palgrave Macmillan.Edited Book
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