Performing Arts
| Title | Performing Arts |
|---|---|
| Alternative | ACI - PA |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Conversations heard in passing [Longlisted play script]
Thompson, C. 2018. Conversations heard in passing [Longlisted play script]. Theatre503 Playwriting Competition.Other
Rosemary Butcher: after Kaprow – a visual journey
Butcher, R. and Sachsenmaier, S. 2018. Rosemary Butcher: after Kaprow – a visual journey. in: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (ed.) Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance Abingdon Routledge. pp. 72-77Book chapter
Success ratios, new music and sound recording copyright
Osborne, R. 2017. Success ratios, new music and sound recording copyright. Popular Music. 36 (3), pp. 393-409. https://doi.org/10.1017/S0261143017000319Article
Living Stones
Inglis, B., Keen, G. and Scobie, C. 2017. Living Stones.Digital or visual media
Is equitable remuneration equitable? Performers' rights in the UK
Osborne, R. 2017. Is equitable remuneration equitable? Performers' rights in the UK. Popular Music and Society. 40 (5), pp. 573-591. https://doi.org/10.1080/03007766.2017.1348660Article
Arnold Schoenberg’s Pierrot lunaire: man, music, legacy
Dromey, C. 2016. Arnold Schoenberg’s Pierrot lunaire: man, music, legacy. 57th Little Missenden Festival: Post-interval talk. Little Missenden, United Kinkdom 07 - 10 Oct 2016Conference item
A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo
Dromey, C. 2017. A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo. Musical Modernism and the Commedia dell'arte. City, University of London, United Kingdom Jun 2017Conference paper
Lines in the Landscape Residency 2017 - Sidney Nolan Trust
Bacon, T. 2017. Lines in the Landscape Residency 2017 - Sidney Nolan Trust. United Kingdom Sidney Nolan Trust.Blog
On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece
Vesty, R. and de la Fe, A. 2017. On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece. Research in Drama Education: The Journal of Applied Theatre and Performance. 22 (1), pp. 166-171. https://doi.org/10.1080/13569783.2016.1262252Article
'That's me in the spotlight': audiences and musicians on screen
Osborne, R. 2016. 'That's me in the spotlight': audiences and musicians on screen. in: Tsioulakis, I. and Hytönen-Ng, E. (ed.) Musicians and their Audiences: Performance, Speech and Mediation Abingdon Routledge. pp. 134-150Book chapter
Can absolute pitch be learned by adults?
Leak, S. 2017. Can absolute pitch be learned by adults? University of Cambridge.Discussion paper
Dances, elegies and epitaphs: the music of Peter Fribbins
Fribbins, P. and Royal Scottish National Orchestra 2017. Dances, elegies and epitaphs: the music of Peter Fribbins.Digital or visual media
Silent transformations in choreography—Making over time: Rosemary Butcher’s practice of 'Looking Back and Ahead'
Sachsenmaier, S. 2017. Silent transformations in choreography—Making over time: Rosemary Butcher’s practice of 'Looking Back and Ahead'. in: Main, L. (ed.) Transmissions in Dance: Contemporary Staging Practices Palgrave Macmillan. pp. 163-188Book chapter
Guest editors' introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Guest editors' introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. iv-107. https://doi.org/10.3167/cont.2017.050102Article
A new kind of learning: somatics, dance improvisation and transdisciplinarity
Midgelow, V. 2017. A new kind of learning: somatics, dance improvisation and transdisciplinarity. in: Gibbs, P. (ed.) Transdisciplinary Higher Education: A Theoretical Basis Revealed in Practice Springer. pp. 121-135Book chapter
Experiencing a multiplicity of self/s
Bacon, T. 2016. Experiencing a multiplicity of self/s. PhD thesis University of Bristol Department of TheatrePhD thesis
Improvisation as Paradigm for Phenomenologies
Midgelow, V. 2018. Improvisation as Paradigm for Phenomenologies. in: Fraleigh, S. (ed.) Back to the Dance Itself: Phenomenologies of the Body in Performance University of Illinois Press. pp. 59-77Book chapter
The Oxford handbook of improvisation in dance
Midgelow, V. (ed.) 2019. The Oxford handbook of improvisation in dance. Oxford and New York Oxford University Press (OUP).Book
Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture
Midgelow, V. 2015. Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. Leeds University, Leeds 21 - 22 May 2015Performance
Britten and the guitar: critical perspectives for performers
Dwyer, B. 2016. Britten and the guitar: critical perspectives for performers. Dublin Carysfort Press.Book
Music on the blockchain
O'Dair, M., Beaven, Z., Neilson, D., Osborne, R. and Pacifico, P. 2016. Music on the blockchain. Middlesex University.Working paper
Barry Guy’s Time Passing...
Dwyer, B. 2016. Barry Guy’s Time Passing... Music & Literature.Article
Space and words for dancers
Vesty, R. 2015. Space and words for dancers.Design
Sand and Vision
Vesty, R. and Hamilton, J. 2016. Sand and Vision. Carthago, Brussels, Belgium 01 - 03 Apr 2016Performance
Gjendin ridge
Vesty, R., de la Fe, A., Söör, P. and Camiloti, M. 2015. Gjendin ridge. Ravensfield Theatre, Middlesex University, UK 23 - 24 Oct 2015Performance
Gwineverra, Tom and the enemy of man
Vesty, R., Hanne, B. and Burns, L. 2015. Gwineverra, Tom and the enemy of man. Goldsmith's University, UK 23 Jul 2015Performance
A piece for two (lovers)
Vesty, R. and de la Fe, A. 2015. A piece for two (lovers). Boilerhouse Theatre, RHUL, UK 20 - 21 Feb 2015Performance
The container
Vesty, R. and Söör, P. 2014. The container. Chisenhale Dance Space, London 11 Oct 2014Performance
Imagina(c)tion - The Feldenkrais Method® and Action Theater™ improvisation in conversation about the integration of imagination and action
Vesty, R. 2015. Imagina(c)tion - The Feldenkrais Method® and Action Theater™ improvisation in conversation about the integration of imagination and action. re)storing performance - The Feldenkrais Method and Creative Practice. Bath Spa University, Bath, UK 27 Jun 2016Conference paper
Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech
Vesty, R. 2019. Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 366-382Book chapter
Knowing/Unknowing
Dwyer, B. and Kindred, H. 2016. Knowing/Unknowing. Middlesex University London Mar 2016Performance
Dancing to another tune: classical music in nightclubs and other non-traditional venues
Haferkorn, J. 2018. Dancing to another tune: classical music in nightclubs and other non-traditional venues. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 148-171Book chapter
Fragile learning: the influence of anxiety. By David Mathew [Book Review]
Dines, M. 2016. Fragile learning: the influence of anxiety. By David Mathew [Book Review]. British Journal of Educational Studies. 64 (3), pp. 405-407. https://doi.org/10.1080/00071005.2016.1173918Article
(Un)touched
Woodhouse, A. and Rackowe, N. 2016. (Un)touched. Lobby One Canada Square, Canary Wharf 09 Feb 2016Performance
Sighted at Saatchi for Collect 15
Woodhouse, A. and Broadhead, C. 2015. Sighted at Saatchi for Collect 15.Artefact
(Un)touched...research phase 2
Woodhouse, A. and Rackowe, N. 2015. (Un)touched...research phase 2. Inside Out Festival, G11, Oxo Tower Wharf, South Bank, London, UK 20 - 21 Oct 2015Show or exhibition
(Un)touched phase 1
Woodhouse, A. and Rackowe, N. 2014. (Un)touched phase 1. Lakeside Gallery, Nottingham 26 - 30 Jul 2014Show or exhibition
Sighted (2009) collaboration, boundaries, performance, and audience
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) collaboration, boundaries, performance, and audience. Beyond Jewellery: Performing the Body Symposium. Birmingham City University, United Kingdom 17 Mar 2016Conference paper
Sighted (2009) Audience as Performer
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) Audience as Performer. Audience, Experience, Desire: interactivity and participation in contemporary performance & the cultural industries. University of Exeter, United Kingdom 29 - 30 Jan 2016Conference paper
Ensaio.Hamlet: adaptation as rehearsal as essay
de Senna, P. 2017. Ensaio.Hamlet: adaptation as rehearsal as essay. in: Reilly, K. (ed.) Contemporary Approaches to Adaptation in Theatre Palgrave Macmillan UK. pp. 331-347Book chapter
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