Dance group
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Latest research outputs
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Schuhplattler
Kolb, A. 2016. Schuhplattler. in: Hartmann, A. and Woitas, M. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 548Book chapter
Hexentanz
Kolb, A. 2016. Hexentanz. in: Hartmann, A. and Woitas, M. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 272-273Book chapter
Ausdruckstanz
Kolb, A. 2016. Ausdruckstanz. in: Woitas, M. and Hartmann, A. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 33-36Book chapter
Mary Wigman
Kolb, A. 2016. Mary Wigman. in: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 682-684Book chapter
Wiesenthal, Grete (1885–1970)
Kolb, A. 2016. Wiesenthal, Grete (1885–1970). in: The Routledge Encyclopedia of Modernism Taylor and Francis.Book chapter
Collaboration, democracy and the total artwork
Kolb, A. 2015. Collaboration, democracy and the total artwork. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 51-74Book chapter
Creative Articulations Process (CAP)
Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1Article
Home (a replacing)
Midgelow, V. and Williams, T. 2014. Home (a replacing).Digital or visual media
Closer to the body: reflections on skript and extracts from collected writings
Bacon, J. and Midgelow, V. 2014. Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices. 5 (1), pp. 73-94. https://doi.org/10.1386/chor.5.1.73_1Article
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Hansen, P. and Callison, D. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123Book chapter
Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices
Melrose, S., Sachsenmaier, S. and Butcher, R. 2013. Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. Performance Studies International Conference (PSi 19). Stanford, CA, United States 26 - 30 Jun 2013Conference paper
Creative articulations process: a rhizomatic practice
Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Choreographic Practices 5(1), 1 April 2014 Intellect.Portfolio
Robert Cohan teaching: body of knowledge
Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.Design
Voice (a retracing)
Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).Digital or visual media
ArtsCross Beijing 2012: light and water
Bannerman, C., Beijing Dance Academy (BDA), ResCen Research Centre, Middlesex University (ResCen) and School of Dance, Taipei National University of the Arts (TNUA) 2012. ArtsCross Beijing 2012: light and water. Beijing, China 2012Performance
Curation, and direction of ArtsCross (a large scale international exchange project)
Bannerman, C. Curation, and direction of ArtsCross (a large scale international exchange project). ResCen, the Centre for Research into Creation in the Performing Arts.Other
Curation and direction of DansCross (a large international collaborative dance project)
Bannerman, C. Curation and direction of DansCross (a large international collaborative dance project). ResCen, the Centre for Research into Creation in the Performing Arts.Other
Between
Woodhouse, A. and Broadhead, C. 2011. Between. Trinity Laban Bonnie Bird stage 24 Jan 2011Show or exhibition
Sighted
Woodhouse, A. and Broadhead, C. 2009. Sighted. The Place, London 2009Show or exhibition
Skript: a micro installation
Midgelow, V. 2013. Skript: a micro installation.Artefact
After Kaprow: The silent room; and, Book of journeys
Butcher, R. 2012. After Kaprow: The silent room; and, Book of journeys. The Place, London 15 - 17 Nov 2012Performance
Allan Kaprow's 18 happening in 6 parts
Butcher, R. 2010. Allan Kaprow's 18 happening in 6 parts. London, UK 26 - 28 Nov 2010Performance
Lapped translated lines
Butcher, R. 2010. Lapped translated lines. London, UK 23 Sep - 03 Oct 2010Performance
Invitus invitam
Brandstrup, K. 2010. Invitus invitam. London, UK Oct 2010Performance
Eidolon 1 & 2
Brandstrup, K. 2010. Eidolon 1 & 2. Copenhagen, Denmark May 2010Performance
Goldberg - the Brandstrup-Rojo project
Brandstrup, K. 2009. Goldberg - the Brandstrup-Rojo project. London, UK 21 Sep 2009Performance
Rushes: fragments of a lost story
Brandstrup, K. 2008. Rushes: fragments of a lost story. London, UK 23 Apr - 14 May 2008Performance
TooMortal [Too mortal]
Jeyasingh, S. 2012. TooMortal [Too mortal].Performance
Classic cut
Jeyasingh, S. 2012. Classic cut.Performance
Counterpoint
Jeyasingh, S. 2010. Counterpoint.Performance
Decentring bodies: postfeminist corporealities in dance
Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.Book chapter
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2004. Threshold: Fleshfold.Performance
Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2005. Threshold: Fleshfold.Performance
Voice (a retracing): an emerging lexicon
Midgelow, V. and Williams, T. 2012. Voice (a retracing): an emerging lexicon. Journal of Artistic Research.Article
Nomadism and ethics in/as improvised movement practices
Midgelow, V. 2012. Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation. 8 (1).Article
Sensualities: experiencing/dancing/writing
Midgelow, V. 2013. Sensualities: experiencing/dancing/writing. New Writing: The International Journal for the Practice and Theory of Creative Writing. 10 (1), pp. 3-17. https://doi.org/10.1080/14790726.2012.693098Article
Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009
Wang, C., Bannerman, C., Xu, R., Pan, L., Mu, Y., Jin, H., Tong, Y., Qing, Q., Liu, C., Zhang, P., Claid, E., Hutera, D., O'Shea, J., Rae, P., Mezur, K., Inata, N., Wang, M., Liu, Y., Wang, Z., Wang, Y., Zhao, Z., Guo, T., Jiang, Q., Liu, J. and Beijing Dance Academy 2011. Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy.Article
Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility)
Melrose, S. 2007. Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). E-science institute workshop: digital representations in the performing arts. Edinburgh 18 Jul 2007Conference keynote
Postmodernism and performance.
Melrose, S. 2011. Postmodernism and performance. in: Sim, S. (ed.) The Routledge companion to postmodernism. London and New York Routledge. pp. 194-203Book chapter
Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission
Melrose, S. 2012. Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. in: Andrews, R., Borg, E., Boyd Davis, S., Domingo, M. and England, J. (ed.) The Sage handbook of digital dissertations and theses London SAGE Publications. pp. 298-314Book chapter
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