School of Film
| Title | School of Film |
|---|---|
| Alternative | ACI - Film |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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A desire for immersion: the panorama to the Oculus Rift
Charlton, J. and Moar, M. 2015. A desire for immersion: the panorama to the Oculus Rift. 24th International Panorama Conference 2015. Namur, Belgium 09 - 12 Sep 2015 IPC.Conference paper
Photographic landscape work exhibited in 'Now for Tomorrow II', Nottingham Castle Museum and Art Gallery, Nottingham
Billingham, R. 2016. Photographic landscape work exhibited in 'Now for Tomorrow II', Nottingham Castle Museum and Art Gallery, Nottingham.Artefact
First interlude: a contingent irruption
Tyrer, B. 2016. First interlude: a contingent irruption. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 79-90Book chapter
Film noir doesn’t exist: impossibility, definition and the point of failure
Tyrer, B. 2016. Film noir doesn’t exist: impossibility, definition and the point of failure. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 91-140Book chapter
Introduction: into the past/out of the past
Tyrer, B. 2016. Introduction: into the past/out of the past. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 1-28Book chapter
The boundaries and meaning of noir: suture, metaphor and the historical imaginary
Tyrer, B. 2016. The boundaries and meaning of noir: suture, metaphor and the historical imaginary. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 143-193Book chapter
Second interlude: a knotting (SRI)
Tyrer, B. 2016. Second interlude: a knotting (SRI). in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 197-208Book chapter
The moment of concluding
Tyrer, B. 2016. The moment of concluding. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 253-267Book chapter
The idea of noir: fiction, signifier, genre
Tyrer, B. 2016. The idea of noir: fiction, signifier, genre. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 209-251Book chapter
Film noir as point de capiton: retroactive temporality and symbolic structure
Tyrer, B. 2016. Film noir as point de capiton: retroactive temporality and symbolic structure. in: Out of the past: Lacan and film noir Cham Palgrave Macmillan. pp. 31-76Book chapter
Trauma without a subject: On Malabou, psychoanalysis and Amour
Tyrer, B. 2016. Trauma without a subject: On Malabou, psychoanalysis and Amour. in: Piotrowska, A. and Tyrer, B. (ed.) Psychoanalysis and the Unrepresentable: From Culture to the Clinic Routledge. pp. 20-38Book chapter
Out of the past: Lacan and film noir
Tyrer, B. 2016. Out of the past: Lacan and film noir. Cham Palgrave Macmillan.Authored Book
Introduction: Representing the unrepresentable
Piotrowska, A. and Tyrer, B. 2016. Introduction: Representing the unrepresentable. in: Piotrowska, A. and Tyrer, B. (ed.) Psychoanalysis and the Unrepresentable: From Culture to the Clinic Routledge. pp. 1-4Introduction
Psychoanalysis and the unrepresentable: From culture to the clinic
Piotrowska, A. and Tyrer, B. (ed.) 2016. Psychoanalysis and the unrepresentable: From culture to the clinic. Routledge.Edited Book
Solo exhibition in 'The Nineties', Frieze Art Fare, London
Billingham, R. 2016. Solo exhibition in 'The Nineties', Frieze Art Fare, London. Frieze Art Fare, London, UK 06 - 09 Oct 2016Show or exhibition
[Presentation of the artist's own photographic practice]
Tanner, A. 2016. [Presentation of the artist's own photographic practice]. The Extraordinary Everyday: Film and Photography. ICA, The Mall, London. SW1Y 5AH. 24 Nov 2016Conference item
Reconciling Csikszentmihalyi’s broader flow theory: with meaning and value in digital games
Salisbury, J. and Tomlinson, P. 2016. Reconciling Csikszentmihalyi’s broader flow theory: with meaning and value in digital games. Transactions of the Digital Games Research Association (ToDIGRA). 2 (2), pp. 55-77. https://doi.org/10.26503/todigra.v2i2.34Article
Washed out: hard to say goodbye
Hodgson, J. 2016. Washed out: hard to say goodbye.Digital or visual media
FAST video series
McGorrian, T. and School of Media and Performing Arts: Media 2014. FAST video series.Digital or visual media
The Unisys security index
McGorrian, T. and School of Media and Performing Arts: Media 2014. The Unisys security index.Digital or visual media
Forward! Italy
McGorrian, T. and School of Media and Performing Arts: Media 2014. Forward! Italy.Digital or visual media
Project Raja - an embassy for elephants
McGorrian, T. and School of Media and Performing Arts: Media 2006. Project Raja - an embassy for elephants.Digital or visual media
A range of business television programmes
McGorrian, T. 2001. A range of business television programmes.Digital or visual media
Series of weekly news and monthly marketing employee programmes
McGorrian, T. 1996. Series of weekly news and monthly marketing employee programmes.Digital or visual media
The boarding house
McGorrian, T. and School of Media and Performing Arts: Media 1992. The boarding house.Digital or visual media
Lords of the rink
McGorrian, T. and School of Media and Performing Arts: Media 1990. Lords of the rink.Digital or visual media
Developing documentary practices for sensitive contexts – video ethnography in the UK hospice sector
McGorrian, T. and School of Media and Performing Arts: Media 2015. Developing documentary practices for sensitive contexts – video ethnography in the UK hospice sector. Silver Stories: Digital Storytelling International Conference. Escola Superior de Saúde - Instituto Politécnico de Leiria, Portugal 26 - 27 May 2015Conference paper
Moving the Greeks to London: Tony Harrison’s classical theatre of the 1980s
Glynn, B. 2004. Moving the Greeks to London: Tony Harrison’s classical theatre of the 1980s. Nation, Region, Belonging, 10th International Conference on the Literature of Region and Nation. Manchester Metropolitan University 03 - 06 Aug 2004Conference paper
Preserved on film: The Mummy, silent cinema and Egyptomania
Glynn, B. 2004. Preserved on film: The Mummy, silent cinema and Egyptomania. Screen Studies Conference. University of Glasgow 02 - 04 Jul 2004Conference paper
Corpse, spectacle, illusion: mainstreaming extreme images in CSI
Glynn, B. and Kim, J. 2006. Corpse, spectacle, illusion: mainstreaming extreme images in CSI. TV Fiction Exchange: Local/Regional/National/Global. Manchester Metropolitan University 05 - 08 Sep 2006Conference paper
Masculinity, sex and the national past
Glynn, B. 2012. Masculinity, sex and the national past. Adapting Historical Narratives Conference. De Montfort University 28 Feb 2012Conference paper
Sex and digs and wrap and role: orientalism, transgressive romance and the resurrection of the Mummy
Glynn, B. 2009. Sex and digs and wrap and role: orientalism, transgressive romance and the resurrection of the Mummy. Beyond Life: The Undead in Global Cult Media, Cine Excess: The Third International Conference on Cult Film Traditions. Curzon Soho Cinema and Odeon Covent Garden 30 Apr - 02 May 2009Conference paper
Viscous victorians: Hammer, colour and realism
Glynn, B. 2010. Viscous victorians: Hammer, colour and realism. Bloodlines: British Horror Past and Present. De Montfort University 04 - 05 Mar 2010Conference paper
Asian TV comes to Britain: but does it survive the trip?: The re-authoring of The Water Margin
Glynn, B. 2009. Asian TV comes to Britain: but does it survive the trip?: The re-authoring of The Water Margin. Cultural Typhoon: Cultural Studies and Asia, Past, Present and Future. University of Foreign Studies, Tokyo 03 - 05 Jul 2009Conference paper
Like a version?: Balancing the foreign and domestic in imported television drama
Glynn, B. 2015. Like a version?: Balancing the foreign and domestic in imported television drama. TV in the Age of Transnationalisation and Transmedialisation: A Two Day International Conference. University of Roehampton, London, United Kingdom 22 - 23 Jun 2015Conference paper
The clash of past, present and cultures in Hammer’s The Mummy (1959)
Glynn, B. 2015. The clash of past, present and cultures in Hammer’s The Mummy (1959). Hammer Film Productions: A Laboratory for Modern Horror / Le studio Hammer: Laboratoire de l'horreur moderne. Université Paris Ouest Nanterre, Sorbonne Nouvelle, Paris, France 10 - 12 Jun 2015Conference paper
The Mummy’s revenge: secularism, religion and the sacred dead in Universal and Hammer’s Mummy movies
Glynn, B. 2015. The Mummy’s revenge: secularism, religion and the sacred dead in Universal and Hammer’s Mummy movies. Reflections on revenge: a conference on the culture and politics of vengeance. Leicester, United Kingdom 04 Sep 2015Conference paper
The Tudors (2007-2010) and the international, post-national and post-historical TV series
Glynn, B. 2012. The Tudors (2007-2010) and the international, post-national and post-historical TV series. The Monarchy on Screen. Senate House, University of London 23 - 24 Nov 2012Conference paper
The Tudors, the national past and the re-shaping of generic traditions in contemporary TV costume drama
Glynn, B. 2013. The Tudors, the national past and the re-shaping of generic traditions in contemporary TV costume drama. Media Mutations 6, Modes of Production and Narrative Forms in the Contemporary TV series. Dipartimento delle Arti visive, performative, mediali of the Università di Bologna 27 - 28 May 2013Conference paper
Time stands still
Bendon, H. and Butt, M. 2015. Time stands still.Design
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