Time’s markings/marking time/s: Rosemary Butcher’s secrets of the open sea (Revised 2019)
Conference paper
Melrose, S. and Sachsenmaier, S. 2014. Time’s markings/marking time/s: Rosemary Butcher’s secrets of the open sea (Revised 2019). IFTR (International Federation for Theatre Research) On Stratification. Warwick 18 Jul - 01 Aug 2014
Type | Conference paper |
---|---|
Title | Time’s markings/marking time/s: Rosemary Butcher’s secrets of the open sea (Revised 2019) |
Authors | Melrose, S. and Sachsenmaier, S. |
Abstract | In 2014 Rosemary Butcher’s Secrets of the Open Sea was a new choreographic work merging archive material and current film with live movement. Inspired, she reported, by the perception of form in ruins, the focus of Butcher’s new work was the creation of new histories through her re-engagement with her own past work which was also – far from coincidentally – one history of contemporary dance. We report on Butcher’s creative process with dancer Lucy Suggate, which involved an active enquiry into what remains, a ‘looking at something that has its root elsewhere’, in a process of choreographic notation that shifted forward and backwards in time. |
Conference | IFTR (International Federation for Theatre Research) On Stratification |
Publication dates | |
01 Jul 2014 | |
Publication process dates | |
Deposited | 19 Mar 2019 |
Accepted | 01 Mar 2014 |
Output status | Published |
Language | English |
Book title | IFTR Conference, University of Warwick, UK 2014 (revised 2019) |
https://repository.mdx.ac.uk/item/8830q
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