Before solidarity: the process politics of relationality, receptivity and attunement

Article


Sachsenmaier, S. 2024. Before solidarity: the process politics of relationality, receptivity and attunement. Studies in Theatre and Performance. 44 (1), pp. 8-23. https://doi.org/10.1080/14682761.2024.2341364
TypeArticle
TitleBefore solidarity: the process politics of relationality, receptivity and attunement
AuthorsSachsenmaier, S.
Abstract

This article critically considers the notion of solidarity in times of division, marked by a neoliberal competitive environment alongside rising neo-nationalisms and identity politics. Concerned with a politics of equality, it asks what forms of solidarity might support a social justice agenda. Rather than considering where solidarity has already manifest, the enquiry pursues a processual approach in exploring what might come before solidarity and may lead to its emergence. It critically considers the ethics and politics of relationality in socio-political and philosophical terms, examining the ways in which relating per se can create concrete alternatives to individualism, further exploring the notions of receptivity and attunement. In thinking with and through the practice of British performance artist Jamal Harewood who creates audience-led performances, the article further considers the ways in which performance practice can contribute to the creation of more equitable futures.

KeywordsSolidarity; process philosophy; performance-making; relationality
Sustainable Development Goals10 Reduced inequalities
Middlesex University ThemeCreativity, Culture & Enterprise
PublisherTaylor & Francis (Routledge)
JournalStudies in Theatre and Performance
ISSN1468-2761
Electronic2040-0616
Publication dates
Online16 Jun 2024
Print02 Jan 2024
Publication process dates
Submitted25 Feb 2024
Accepted11 Mar 2024
Deposited30 Apr 2024
Output statusPublished
Accepted author manuscript
License
File Access Level
Open
Copyright Statement

This is an Accepted Manuscript version of the following article, accepted for publication in Studies in Theatre and Performance. It is deposited under the terms of the Creative Commons Attribution-NonCommercial License (http://creativecommons.org/licenses/by-nc/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited.

Digital Object Identifier (DOI)https://doi.org/10.1080/14682761.2024.2341364
Web of Science identifierWOS:001248536800002
LanguageEnglish
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