Before solidarity: the process politics of relationality, receptivity and attunement
Article
Sachsenmaier, S. 2024. Before solidarity: the process politics of relationality, receptivity and attunement. Studies in Theatre and Performance. 44 (1), pp. 8-23. https://doi.org/10.1080/14682761.2024.2341364
Type | Article |
---|---|
Title | Before solidarity: the process politics of relationality, receptivity and attunement |
Authors | Sachsenmaier, S. |
Abstract | This article critically considers the notion of solidarity in times of division, marked by a neoliberal competitive environment alongside rising neo-nationalisms and identity politics. Concerned with a politics of equality, it asks what forms of solidarity might support a social justice agenda. Rather than considering where solidarity has already manifest, the enquiry pursues a processual approach in exploring what might come before solidarity and may lead to its emergence. It critically considers the ethics and politics of relationality in socio-political and philosophical terms, examining the ways in which relating per se can create concrete alternatives to individualism, further exploring the notions of receptivity and attunement. In thinking with and through the practice of British performance artist Jamal Harewood who creates audience-led performances, the article further considers the ways in which performance practice can contribute to the creation of more equitable futures. |
Keywords | Solidarity; process philosophy; performance-making; relationality |
Sustainable Development Goals | 10 Reduced inequalities |
Middlesex University Theme | Creativity, Culture & Enterprise |
Publisher | Taylor & Francis (Routledge) |
Journal | Studies in Theatre and Performance |
ISSN | 1468-2761 |
Electronic | 2040-0616 |
Publication dates | |
Online | 16 Jun 2024 |
02 Jan 2024 | |
Publication process dates | |
Submitted | 25 Feb 2024 |
Accepted | 11 Mar 2024 |
Deposited | 30 Apr 2024 |
Output status | Published |
Accepted author manuscript | License File Access Level Open |
Copyright Statement | This is an Accepted Manuscript version of the following article, accepted for publication in Studies in Theatre and Performance. It is deposited under the terms of the Creative Commons Attribution-NonCommercial License (http://creativecommons.org/licenses/by-nc/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited. |
Digital Object Identifier (DOI) | https://doi.org/10.1080/14682761.2024.2341364 |
Web of Science identifier | WOS:001248536800002 |
Language | English |
https://repository.mdx.ac.uk/item/z58w6
Restricted files
Accepted author manuscript
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