ACI Faculty Leadership
| Title | ACI Faculty Leadership |
|---|---|
| Alternative | ACI - Leadshp |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Governed by the rules? The female voice in parliamentary debates
Shaw, S. 2006. Governed by the rules? The female voice in parliamentary debates. in: Baxter, J. (ed.) Speaking out: the female voice in public contexts Basingstoke Palgrave Macmillan. pp. 81-102Book chapter
The difference women make: a critique of the notion of a 'women's style' of speech in political contexts
Shaw, S. 2009. The difference women make: a critique of the notion of a 'women's style' of speech in political contexts. 42nd Annual Meeting of the British Association of Applied Linguistics (BAAL). Newcastle 03 - 05 Sep 2009Conference paper
Postcolonial purgatory: the space of migrancy in Dirty Pretty Things
Graham, J. 2011. Postcolonial purgatory: the space of migrancy in Dirty Pretty Things. in: Teverson, A. and Upstone, S. (ed.) Postcolonial spaces: the politics of place in contemporary culture Palgrave Macmillan. pp. 112-128Book chapter
From exceptionalism to social ecology in southern Africa: isolation, intimacy and environment in Nadine Gordimer’s Get a life
Graham, J. 2009. From exceptionalism to social ecology in southern Africa: isolation, intimacy and environment in Nadine Gordimer’s Get a life. in: Wilson, J., Sandru, C. and Lawson West, S. (ed.) Rerouting the postcolonial: new directions for a new millenium London, UK Routledge. pp. 194-205Book chapter
An abject land? Remembering women differently in Doris Lessing’s the grass is singing and Chenjerai Hove’s bones.
Graham, J. 2007. An abject land? Remembering women differently in Doris Lessing’s the grass is singing and Chenjerai Hove’s bones. English Studies in Africa. 50 (1), pp. 57-74. https://doi.org/10.1080/00138390709487847Article
Petite
Butt, M. 2010. Petite. London Hearing Eye.Book
Undisclosed recipients.
Hudson, D. and Tay, S. 2007. Undisclosed recipients. Ithaca College, New YorkShow or exhibition
Sticky-content.
Hudson, D. and Tay, S. 2008. Sticky-content. Ithaca College, New York.Show or exhibition
The role of art practice within VivaCity2020
Bendon, H. 2009. The role of art practice within VivaCity2020. in: Cooper, R., Evans, G. and Boyko, C. (ed.) Designing sustainable cities Chichester WileyBlackwell. pp. 263-278Book chapter
Ivan Vladislavic and the possible city.
Graham, J. 2009. Ivan Vladislavic and the possible city. in: Primorac, R. (ed.) African city textualities Routledge.Book chapter
Land and nationalism in fictions from Southern Africa
Graham, J. 2009. Land and nationalism in fictions from Southern Africa. Routledge.Book
Exploding Johannesburg: driving in a worldly city.
Graham, J. 2007. Exploding Johannesburg: driving in a worldly city. Transtext(e)s-Transcultures: journal of global cultural studies..Article
An interview with Gautam Malkani: Ealing Broadway, 6th November 2007.
Graham, J. 2008. An interview with Gautam Malkani: Ealing Broadway, 6th November 2007. Literary London: interdisciplinary studies in the representation of London. 6 (1).Article
Ivan Vladislavić and the possible city
Graham, J. 2008. Ivan Vladislavić and the possible city. Journal of Postcolonial Writing. 44 (4), pp. 333-344. https://doi.org/10.1080/17449850802410432Article
‘this in’t Good Will Hunting’: Londonstani and the market for London’s multicultural fictions.
Graham, J. 2008. ‘this in’t Good Will Hunting’: Londonstani and the market for London’s multicultural fictions. Literary London: interdisciplinary studies in the representation of London. 6 (2).Article
Scratch.
Skinner, P., Parry, N., Bendon, H., Moar, M., Boyd Davis, S., Collingwod, F., Mortimer, J. and BBC 2008. Scratch. St James' Gardens, LiverpoolShow or exhibition
Moving tales, exploring narrative strategies for scalable locative audio drama.
Parry, N., Bendon, H., Boyd Davis, S., Moar, M. and BBC 2009. Moving tales, exploring narrative strategies for scalable locative audio drama. ISEA09 International Symposium on Electronic Art. Belfast, Northern Ireland 23 Aug - 01 Sep 2009Conference paper
Locating drama: a demonstration of location-aware audio drama
Parry, N., Bendon, H., Boyd Davis, S., Moar, M. and Joint International Conference on Interactive Digital Storytelling (1st : 2008 : Erfurt, Germany) 2008. Locating drama: a demonstration of location-aware audio drama. in: Spierling, U. and Szilas, N. (ed.) Interactive storytelling : First Joint International Conference on Interactive Digital Storytelling, ICIDS 2008 Erfurt, Germany, November 26-29, 2008, proceedings. Berlin Springer.Book chapter
Creative writing research degrees: range and rigour.
Butt, M. 2009. Creative writing research degrees: range and rigour. New Writing: The International Journal for the Practice and Theory of Creative Writing. 6 (1), pp. 53-56. https://doi.org/10.1080/14790720802617637Article
Cybersemiotics and human modelling
Cobley, P. 2010. Cybersemiotics and human modelling. Entropy. 12 (9), pp. 2045-2066. https://doi.org/10.3390/e12092045Article
Art history: contemporary perspectives on method
Arnold, D. (ed.) 2010. Art history: contemporary perspectives on method. WileyBlackwell.Edited Book
Ephemeral
Massey, A. 2010. Ephemeral. Interior Wor(l)ds. Faculty of Architecture, Milan opOlytechnic Oct 2010 Torino Umberto Allemandi & C.. pp. 161-165Conference paper
Chair
Massey, A. 2010. Chair. London Reaktion Books.Authored Book
An ethnographic and linguistic investigation into the construction of an individual’s ‘unpopularity’ on the debating floor of the Northern Ireland Assembly
Shaw, S. 2010. An ethnographic and linguistic investigation into the construction of an individual’s ‘unpopularity’ on the debating floor of the Northern Ireland Assembly. Political speech – Il parlato politico. University Roma Tre, Rome, Italy 10 - 12 Nov 2010Conference paper
Initiation
Butt, M. 2010. Initiation. in: Oxley, P. (ed.) First Sixty: the Acumen anthology Brixham Acumen Publications. pp. 242Book chapter
Spaces
Butt, M. 2010. Spaces. in: Oxley, P. (ed.) First sixty: the Acumen anthology Brixham Acumen Publications. pp. 227Book chapter
Women on the edge: twelve political film practices
Tay, S. 2009. Women on the edge: twelve political film practices. Basingstoke Palgrave Macmillan.Book
Undisclosed recipients: online digital art and global political imaginaries.
Tay, S. and Hudson, D. 2007. Undisclosed recipients: online digital art and global political imaginaries. Visible Evidence XIV. Ruhr-Universität, Bochum, Germany. 20 Dec 2007Conference paper
Undisclosed recipients: documentary in an era of digital convergence
Tay, S. and Hudson, D. 2008. Undisclosed recipients: documentary in an era of digital convergence. Studies in Documentary Film. 2 (1), pp. 79-88. https://doi.org/10.1386/sdf.2.1.79_1Article
Ubuntu kuqala.
Tay, S. and Hudson, D. 2008. Ubuntu kuqala. Ithaca College, New YorkShow or exhibition
Throbs and pulsations: Les LeVeque and the digitization of desire
Tay, S. and Zimmermann, P. 2007. Throbs and pulsations: Les LeVeque and the digitization of desire. Afterimage. 34 (4), pp. 12-16.Article
Sustaining the cinematic bitch from hell: the politics of Dolores Claiborne within a feminist genealogy
Tay, S. 2004. Sustaining the cinematic bitch from hell: the politics of Dolores Claiborne within a feminist genealogy. in: Schubart, R. and Gjelsvik, A. (ed.) Femme fatalities: representations of strong women in the media Göteborg Nordicom. pp. 219-230Book chapter
Stunning simplicity: Abbas Kiarostami, visions of the artist
Tay, S. 2005. Stunning simplicity: Abbas Kiarostami, visions of the artist. Afterimage. 33 (2), pp. 47-48.Article
Sally Potter
Tay, S. 2001. Sally Potter. in: Allon, Y., Cullen, D. and Patterson, H. (ed.) Contemporary British and Irish film directors: a Wallflower critical guide London Wallflower. pp. 271-273Book chapter
How to theorise the cinematic bitches from hell: the genealogy from abjection to resistance.
Tay, S. 2003. How to theorise the cinematic bitches from hell: the genealogy from abjection to resistance. Screen Studies Conference. Glasgow University, Scotland 06 Jul 2003Conference paper
Psychogeography, locative media, and performativity.
Tay, S. 2008. Psychogeography, locative media, and performativity. Visible Evidence XV. University of Lincoln, UK 05 Aug 2008Conference paper
Gendering the auteur: time, narrative, and intertextuality in scenes from a marriage and faithless
Tay, S. 2006. Gendering the auteur: time, narrative, and intertextuality in scenes from a marriage and faithless. in: Thomson, C. (ed.) Northern constellations: new readings in Nordic cinema Norwich Norvik Press.Book chapter
Digitising desire: sustaining the throb and pulsation of desire in film theory.
Tay, S. 2004. Digitising desire: sustaining the throb and pulsation of desire in film theory. The Spectacle and the Spectacular Conference. Buckinghamshire Chilterns University College, High Wycombe 24 Apr 2004Conference paper
Deleuze meets Hitchcock; and the horror thereafter.
Tay, S. 2002. Deleuze meets Hitchcock; and the horror thereafter. Screen Studies Conference. Glasgow University, Scotland. 30 Jun 2002Conference paper
Digitising desire in documentary: image, contingency, theory, and copyright
Tay, S. and Zimmermann, P. 2005. Digitising desire in documentary: image, contingency, theory, and copyright. Visible Evidence XII. Concordia University, Montreal, Canada, 23 Aug 2005Conference paper
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