Rehearing and rapprochement, or moustaches on the Mona Lisa?

Magazine

Inglis, B. 2021. Rehearing and rapprochement, or moustaches on the Mona Lisa? Peacock Press.
TypeMagazine
TitleRehearing and rapprochement, or moustaches on the Mona Lisa?
AuthorsInglis, B.
Abstract

A short article which explores my two cadenzas for the Concerto in G Major for csakan or recorder by Anton Heberle (fl. 1806-1816). A conceptual model from Matthew Bribitzer-Stull informs discussion of the cadenzas (pub. Composers Edition, 2021). They are framed as interpretative commentaries or 'rehearings' entering into dialogue with the past. In this they offer, in Bribitzer-Stull's (2006) words, 'a rapprochement among composer, performer and analyst and an opportunity to use music itself as a vessel for musical discourse'. A brief comparison is made with Alfred Schnittke's cadenza written for Gidon Kramer's performances of Beethoven's Violin Concerto.

Sustainable Development Goals3 Good health and well-being
Middlesex University ThemeCreativity, Culture & Enterprise
Research GroupMusic group
Publication or CollectionThe Recorder Magazine
ISSN0961 3544
PublisherPeacock Press
Publication dates
Print30 Sep 2021
Publication process dates
Deposited09 Feb 2023
Accepted09 Jul 2021
Output statusPublished
Web address (URL)http://www.recordermagazine.co.uk/sept21.html
LanguageEnglish
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