Inglis, B.

Rehearing and rapprochement, or moustaches on the Mona Lisa?

Article

Inglis, B. 2021. Rehearing and rapprochement, or moustaches on the Mona Lisa? The Recorder Magazine. 41 (3), pp. 95-98.

Publication dates
Type	Article
Title	Rehearing and rapprochement, or moustaches on the Mona Lisa?
Authors	Inglis, B.
Abstract	A short article which explores my two cadenzas for the Concerto in G Major for csakan or recorder by Anton Heberle (fl. 1806-1816). A conceptual model from Matthew Bribitzer-Stull informs discussion of the cadenzas (pub. Composers Edition, 2021). They are framed as interpretative commentaries or 'rehearings' entering into dialogue with the past. In this they offer, in Bribitzer-Stull's (2006) words, 'a rapprochement among composer, performer and analyst and an opportunity to use music itself as a vessel for musical discourse'. A brief comparison is made with Alfred Schnittke's cadenza written for Gidon Kramer's performances of Beethoven's Violin Concerto.
Sustainable Development Goals	3 Good health and well-being
Middlesex University Theme	Creativity, Culture & Enterprise
Research Group	Music group
Publisher	Jeremy & Ruth Burbidge
Journal	The Recorder Magazine
ISSN	0961 3544
Print	30 Sep 2021
Publication process dates
Deposited	09 Feb 2023
Accepted	09 Jul 2021
Output status	Published
Web address (URL)	http://www.recordermagazine.co.uk/sept21.html
Language	English

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