Rehearing and rapprochement, or moustaches on the Mona Lisa?
Magazine
Inglis, B. 2021. Rehearing and rapprochement, or moustaches on the Mona Lisa? Peacock Press.
| Type | Magazine |
|---|---|
| Title | Rehearing and rapprochement, or moustaches on the Mona Lisa? |
| Authors | Inglis, B. |
| Abstract | A short article which explores my two cadenzas for the Concerto in G Major for csakan or recorder by Anton Heberle (fl. 1806-1816). A conceptual model from Matthew Bribitzer-Stull informs discussion of the cadenzas (pub. Composers Edition, 2021). They are framed as interpretative commentaries or 'rehearings' entering into dialogue with the past. In this they offer, in Bribitzer-Stull's (2006) words, 'a rapprochement among composer, performer and analyst and an opportunity to use music itself as a vessel for musical discourse'. A brief comparison is made with Alfred Schnittke's cadenza written for Gidon Kramer's performances of Beethoven's Violin Concerto. |
| Sustainable Development Goals | 3 Good health and well-being |
| Middlesex University Theme | Creativity, Culture & Enterprise |
| Research Group | Music group |
| Publication or Collection | The Recorder Magazine |
| ISSN | 0961 3544 |
| Publisher | Peacock Press |
| Publication dates | |
| 30 Sep 2021 | |
| Publication process dates | |
| Deposited | 09 Feb 2023 |
| Accepted | 09 Jul 2021 |
| Output status | Published |
| Web address (URL) | http://www.recordermagazine.co.uk/sept21.html |
| Language | English |
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