Rehearing and rapprochement, or moustaches on the Mona Lisa?

Article


Inglis, B. 2021. Rehearing and rapprochement, or moustaches on the Mona Lisa? The Recorder Magazine. 41 (3), pp. 95-98.
TypeArticle
TitleRehearing and rapprochement, or moustaches on the Mona Lisa?
AuthorsInglis, B.
Abstract

A short article which explores my two cadenzas for the Concerto in G Major for csakan or recorder by Anton Heberle (fl. 1806-1816). A conceptual model from Matthew Bribitzer-Stull informs discussion of the cadenzas (pub. Composers Edition, 2021). They are framed as interpretative commentaries or 'rehearings' entering into dialogue with the past. In this they offer, in Bribitzer-Stull's (2006) words, 'a rapprochement among composer, performer and analyst and an opportunity to use music itself as a vessel for musical discourse'. A brief comparison is made with Alfred Schnittke's cadenza written for Gidon Kramer's performances of Beethoven's Violin Concerto.

Sustainable Development Goals3 Good health and well-being
Middlesex University ThemeCreativity, Culture & Enterprise
Research GroupMusic group
LanguageEnglish
PublisherJeremy & Ruth Burbidge
JournalThe Recorder Magazine
ISSN0961 3544
Publication dates
Print30 Sep 2021
Publication process dates
Deposited09 Feb 2023
Accepted09 Jul 2021
Output statusPublished
Web address (URL)http://www.recordermagazine.co.uk/sept21.html
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https://repository.mdx.ac.uk/item/8q429

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