To Byzantium and Beyond

Digital or visual media

Inglis, B. 2024. To Byzantium and Beyond. Vienna, Austria
Title of workTo Byzantium and Beyond
CreatorsInglis, B.
ContributorsKnatt, E., Barnes, R., Taylor, D.S. and Clements, D.
Description

Recorded album with tracklisting:
1-4: Etudes de concert for recorder solo
5: Burmese Memory for electronics
6-9: Sailing to Byzantium for recorder solo
10: Burmese Dreams for electronics

Output mediaCD
digital stream and download
Keywordsrecorder; electronics; drones; Sailing to Byzantium; Etudes de concert
Sustainable Development Goals3 Good health and well-being
Middlesex University ThemeCreativity, Culture & Enterprise
Research GroupMusic group
Publisher or commissioning bodyKairos Publications
Place of publicationVienna, Austria
First publicly available date
Print30 Apr 2024
Publication process dates
Accepted31 Jan 2024
Deposited13 Mar 2025
Output statusPublished
Web address (URL)https://www.kairos-music.com/cds/0022034kai
Related Output
Has partEtudes de concert 1
Has partSailing to Byzantium
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Related outputs

Semiotics as a mode of popular music analysis and interpretation
Inglis, B. 2025. Semiotics as a mode of popular music analysis and interpretation. in: Dines, M., Rambarran, S. and Smith, G.D. (ed.) The Intellect Handbook of Popular Music Methodologies Bristol Intellect.
Etudes de concert – the journey continues
Inglis, B. 2024. Etudes de concert – the journey continues. Peacock Press.
Reappraising Peter Warlock's An Old Song
Inglis, B. 2024. Reappraising Peter Warlock's An Old Song. Peter Warlock Society Newsletter. (114 Spring).
Two pieces for solo organ
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Toccata from Concerto for piano solo (Hommage à Alkan)
Inglis, B. 2023. Toccata from Concerto for piano solo (Hommage à Alkan). Chipping Norton, UK Composers Edition.
Charles-Valentin Alkan
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Gabriel Prokofiev: Viola Concerto
Inglis, B. 2022. Gabriel Prokofiev: Viola Concerto. Cardiff BBC.
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Inglis, B. 2021. Hermetic Study. Composers Edition.
Paix à la paix: Hymne, pour voix seule (Hymn for solo voice)
Alkan, C. and Inglis, B. 2023. Paix à la paix: Hymne, pour voix seule (Hymn for solo voice). Chipping Norton Composers Edition.
Engaging with religious history and theological concepts through music composition: Ave generosa and The Song of Margery Kempe
Inglis, B. 2023. Engaging with religious history and theological concepts through music composition: Ave generosa and The Song of Margery Kempe. Religions. 14 (5). https://doi.org/10.3390/rel14050640
Verbum bonum et suave
Inglis, B. 2015. Verbum bonum et suave. Composers Edition.
The Break-Up
Inglis, B. 2020. The Break-Up. Composers Edition.
Tintinnalogia
Inglis, B. and Scobie, C. 2015. Tintinnalogia. Composers Edition.
Etudes de concert 1
Inglis, B. 2023. Etudes de concert 1. Composers Edition.
Suite ecossaise
Inglis, B. 2022. Suite ecossaise. Composers Edition.
Peter Warlock: An Old Song [Preface]
Inglis, B. 2023. Peter Warlock: An Old Song [Preface]. Muenchen, Germany mph Musikproduktion Hoeflich.
The cadenza of Malcolm Arnold's Second Clarinet Concerto
Inglis, B., Cigleris, P. and Harris, P. 2022. The cadenza of Malcolm Arnold's Second Clarinet Concerto. Maestro. (8).
As jazzy and way out as you please
Inglis, B. 2021. As jazzy and way out as you please. Clarinet & Saxophone Society of Great Britain.
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Inglis, B. 2021. Rehearing and rapprochement, or moustaches on the Mona Lisa? Peacock Press.
Sailing to Byzantium
Inglis, B. 2020. Sailing to Byzantium. Chipping Norton, UK Composers Edition.
Serendipity, Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano
Inglis, B. 2020. Serendipity, Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano. Revista Vórtex. 8 (2), pp. 1-29. https://doi.org/10.33871/23179937.2020.8.2.5
4 Esquisses
Inglis, B. 2020. 4 Esquisses. The Alkan Society.
Air from Etudes de concert
Inglis, B. 2020. Air from Etudes de concert. Peacock Press.
Alkan's Esquisses - past, present and future
Inglis, B. 2019. Alkan's Esquisses - past, present and future. Alkan Society Bulletin.
Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play
Inglis, B. 2019. Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play. Music as play festival: the toy piano takes the stage. Istituto Giosue Carducci, Como, Italy 06 - 07 Jul 2019
Microtonal procedures in 'Sailing to Byzantium'
Inglis, B. and Barnes, R. 2005. Microtonal procedures in 'Sailing to Byzantium'. UK Microfest 1. Riverhouse Arts Centre, Walton-on-Thames, Surrey, UK 14 - 15 Oct 2005
Towards an analytical framework for graphic scores, and a proposed typology
Inglis, B. 2015. Towards an analytical framework for graphic scores, and a proposed typology. Putting the Graphic in Music – Notation, Analaysis & Performance. Senate House Library, University of London 30 Nov 2015
Musical composition and mystical spirituality
Inglis, B. 2019. Musical composition and mystical spirituality. in: Boyce-Tillman, J., Roberts, S. and Erricker, J. (ed.) Enlivening Faith: Music, Spirituality and Christian Theology Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.
Four pieces for toy piano
Inglis, B. 2018. Four pieces for toy piano. Composers Edition.
Piano Trio: for violin, cello and piano
Inglis, B. 2017. Piano Trio: for violin, cello and piano. Composers Edition.
‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind
Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.
Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock)
Inglis, B. and Smith, B. 2019. Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock). London and New York Routledge.
Classical music, copyright and collecting societies
Inglis, B. 2018. Classical music, copyright and collecting societies. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 7-31
Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan)
Inglis, B. 2017. Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan). Alkan Society Bulletin.
Living Stones
Inglis, B., Keen, G. and Scobie, C. 2017. Living Stones.
A Christmas alleluia: for SATB choir and organ
Inglis, B. 2015. A Christmas alleluia: for SATB choir and organ. Composers Edition.
The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe
Inglis, B. 2016. The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe. in: Campos, L. and Schopf, F. (ed.) Music On Stage: Volume 2 Cambridge Scholars.
Highbury Fields
Inglis, B. 2015. Highbury Fields. Composers Edition.
Concerto for piano solo (homage to Alkan)
Inglis, B. 2015. Concerto for piano solo (homage to Alkan). Composers Edition.
Wedding
Inglis, B. 2015. Wedding. Composers Edition.
Symphony no. 2
Inglis, B., Shiel, D. and Evans, F. 2009. Symphony no. 2.
Burmese pictures
Inglis, B. 2010. Burmese pictures. Composers Edition.
The song of Margery Kempe
Inglis, B. 2009. The song of Margery Kempe.
Fruits of Sorabji's Indian summer: ‘Il tessuto d'arabeschi’ and ‘Fantasiettina atematica’
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