Toccata from Concerto for piano solo (Hommage à Alkan)

Composition

Inglis, B. 2023. Toccata from Concerto for piano solo (Hommage à Alkan). Chipping Norton, UK Composers Edition.
Title of workToccata from Concerto for piano solo (Hommage à Alkan)
CreatorsInglis, B.
Description

Extracted from Concerto for Piano Solo (a homage to Charles Valentin Alkan). A moto perpetuo (a genre Alkan often favoured), with echoes of Prokofiev’s Toccata and Ligeti’s Continuum.

First performance of Toccata separately: Panayotis Archontides, 2nd October 2015, Morley College, London SE1.

This work won the ‘Prix du Public’ audience prize at its Belgian premiere on 8 October 2024, Espace Toots (Festival Osmose), Brussels: Isis Larrère, piano.

Output mediaMusic score
Keywordstoccata; piano; moto perpetuo; virtuosic
Sustainable Development Goals3 Good health and well-being
Middlesex University ThemeCreativity, Culture & Enterprise
Research GroupMusic group
EventMusic in Step with the Times - Concert of New Music for Two Pianists
Publisher or commissioning bodyComposers Edition
Place of publicationChipping Norton, UK
First publicly available date
Print28 Aug 2023
Publication process dates
Accepted25 Aug 2023
Deposited13 Mar 2025
Output statusPublished
Additional information

This work won the ‘Prix du Public’ audience prize at its Belgian premiere on 8 October 2024, Espace Toots (Festival Osmose), Brussels: Isis Larrère, piano.

Web address (URL)https://composersedition.com/brian-inglis-toccata-from-concerto-for-piano-solo-hommage-a-alkan/
Permalink -

https://repository.mdx.ac.uk/item/21v259

Log in to edit
  • 141
    total views
  • 0
    total downloads
  • 4
    views this month
  • 0
    downloads this month

Export as

Related outputs

Locus Iste
Inglis, B. 2025. Locus Iste. Chipping Norton, UK Composers Edition.
Pastorale II
Inglis, B. 2025. Pastorale II. Chipping Norton, UK Composers Edition.
Realising visions: means and meaning in Études de Concert 1 for solo recorders
Inglis, B. 2025. Realising visions: means and meaning in Études de Concert 1 for solo recorders. Hyperchromatic Music Festival. Goldsmiths, University of London, UK 14 - 15 Apr 2025
Writing a Recorder Concerto
Inglis, B. 2025. Writing a Recorder Concerto. Peacock Press.
Semiotics as a mode of popular music analysis and interpretation
Inglis, B. 2025. Semiotics as a mode of popular music analysis and interpretation. in: Dines, M., Rambarran, S. and Smith, G.D. (ed.) The Intellect Handbook of Popular Music Methodologies Bristol Intellect. pp. 108-130
To Byzantium and Beyond
Inglis, B. 2024. To Byzantium and Beyond. Vienna, Austria
Pastorale V
Inglis, B. 2024. Pastorale V. Chipping Norton Composers Edition.
Etudes de concert – the journey continues
Inglis, B. 2024. Etudes de concert – the journey continues. Peacock Press.
Reappraising Peter Warlock's An Old Song
Inglis, B. 2024. Reappraising Peter Warlock's An Old Song. Peter Warlock Society Newsletter. (114 Spring).
Two pieces for solo organ
Inglis, B. 2023. Two pieces for solo organ. Chipping Norton, UK Composers Edition.
Rocking Carol
Inglis, B. 2023. Rocking Carol. Chipping Norton, UK Composers Edition.
Pastorale I
Inglis, B. 2023. Pastorale I. Chipping Norton, UK Composers Edition.
Hermetic Study
Inglis, B. 2021. Hermetic Study. Composers Edition.
Engaging with religious history and theological concepts through music composition: Ave generosa and The Song of Margery Kempe
Inglis, B. 2023. Engaging with religious history and theological concepts through music composition: Ave generosa and The Song of Margery Kempe. Religions. 14 (5). https://doi.org/10.3390/rel14050640
Verbum bonum et suave
Inglis, B. 2015. Verbum bonum et suave. Composers Edition.
The Break-Up
Inglis, B. 2020. The Break-Up. Composers Edition.
Tintinnalogia
Inglis, B. and Scobie, C. 2015. Tintinnalogia. Composers Edition.
Etudes de concert 1
Inglis, B. 2023. Etudes de concert 1. Composers Edition.
Suite ecossaise
Inglis, B. 2022. Suite ecossaise. Composers Edition.
Hildegard von Bingen
Inglis, B. 2023. Hildegard von Bingen. Chipping Norton, UK Composers Edition.
Peter Warlock: An Old Song [Preface]
Inglis, B. 2023. Peter Warlock: An Old Song [Preface]. Muenchen, Germany mph Musikproduktion Hoeflich.
Paix à la paix: Hymne, pour voix seule (Hymn for solo voice)
Alkan, C. and Inglis, B. 2023. Paix à la paix: Hymne, pour voix seule (Hymn for solo voice). Chipping Norton, UK Composers Edition.
Pastorale VI
Inglis, B. 2022. Pastorale VI. Chipping Norton, UK Composers Edition.
Charles-Valentin Alkan
Inglis, B. 2022. Charles-Valentin Alkan. London, UK BBC.
Gabriel Prokofiev: Viola Concerto
Inglis, B. 2022. Gabriel Prokofiev: Viola Concerto. Cardiff, UK BBC.
The cadenza of Malcolm Arnold's Second Clarinet Concerto
Inglis, B., Cigleris, P. and Harris, P. 2022. The cadenza of Malcolm Arnold's Second Clarinet Concerto. Maestro. (8).
Ave generosa
Inglis, B. 2021. Ave generosa. Chipping Norton, UK Composers Edition.
Pastorale
Inglis, B. 2021. Pastorale. Chipping Norton, UK Composers Edition.
Symphony no 1
Inglis, B. 2021. Symphony no 1. Chipping Norton, UK Composers Edition.
2 Cadenzas for Anton Heberle's Concerto in G Major for soprano/descant recorder
Inglis, B. 2021. 2 Cadenzas for Anton Heberle's Concerto in G Major for soprano/descant recorder. Chipping Norton, UK Composers Edition.
Cadenza for Malcolm Arnold's Clarinet Concerto No 2
Inglis, B. and Arnold, M. 2021. Cadenza for Malcolm Arnold's Clarinet Concerto No 2. Chipping Norton, UK Composers Edition.
As jazzy and way out as you please
Inglis, B. 2021. As jazzy and way out as you please. Clarinet & Saxophone Society of Great Britain.
Rehearing and rapprochement, or moustaches on the Mona Lisa?
Inglis, B. 2021. Rehearing and rapprochement, or moustaches on the Mona Lisa? Peacock Press.
Sailing to Byzantium
Inglis, B. 2020. Sailing to Byzantium. Chipping Norton, UK Composers Edition.
Serendipity, Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano
Inglis, B. 2020. Serendipity, Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano. Revista Vórtex. 8 (2), pp. 1-29. https://doi.org/10.33871/23179937.2020.8.2.5
4 Esquisses
Inglis, B. 2020. 4 Esquisses. The Alkan Society.
Air from Etudes de concert
Inglis, B. 2020. Air from Etudes de concert. Peacock Press.
Alkan's Esquisses - past, present and future
Inglis, B. 2019. Alkan's Esquisses - past, present and future. Alkan Society Bulletin.
Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play
Inglis, B. 2019. Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play. Music as play festival: the toy piano takes the stage. Istituto Giosue Carducci, Como, Italy 06 - 07 Jul 2019
Microtonal procedures in 'Sailing to Byzantium'
Inglis, B. and Barnes, R. 2005. Microtonal procedures in 'Sailing to Byzantium'. UK Microfest 1. Riverhouse Arts Centre, Walton-on-Thames, Surrey, UK 14 - 15 Oct 2005
Towards an analytical framework for graphic scores, and a proposed typology
Inglis, B. 2015. Towards an analytical framework for graphic scores, and a proposed typology. Putting the Graphic in Music – Notation, Analaysis & Performance. Senate House Library, University of London 30 Nov 2015
Musical composition and mystical spirituality
Inglis, B. 2019. Musical composition and mystical spirituality. in: Boyce-Tillman, J., Roberts, S. and Erricker, J. (ed.) Enlivening Faith: Music, Spirituality and Christian Theology Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.
Four pieces for toy piano
Inglis, B. 2018. Four pieces for toy piano. Composers Edition.
Piano Trio: for violin, cello and piano
Inglis, B. 2017. Piano Trio: for violin, cello and piano. Composers Edition.
‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind
Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.
Classical music, copyright and collecting societies
Inglis, B. 2018. Classical music, copyright and collecting societies. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 7-31
Living Stones
Inglis, B., Keen, G. and Scobie, C. 2017. Living Stones.
Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan)
Inglis, B. 2017. Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan). Alkan Society Bulletin.
Recorder Concerto for recorder and ensemble
Inglis, B. 2015. Recorder Concerto for recorder and ensemble. Chipping Norton, UK Composers Edition.
A Christmas alleluia: for SATB choir and organ
Inglis, B. 2015. A Christmas alleluia: for SATB choir and organ. Composers Edition.
The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe
Inglis, B. 2016. The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe. in: Campos, L. and Schopf, F. (ed.) Music On Stage: Volume 2 Cambridge Scholars.
Highbury Fields
Inglis, B. 2015. Highbury Fields. Composers Edition.
Concerto for piano solo (homage to Alkan)
Inglis, B. 2015. Concerto for piano solo (homage to Alkan). Composers Edition.
Wedding
Inglis, B. 2015. Wedding. Composers Edition.
Symphony no. 2
Inglis, B., Shiel, D. and Evans, F. 2009. Symphony no. 2.
Burmese pictures
Inglis, B. 2010. Burmese pictures. Composers Edition.
The song of Margery Kempe
Inglis, B. 2009. The song of Margery Kempe.
Fruits of Sorabji's Indian summer: ‘Il tessuto d'arabeschi’ and ‘Fantasiettina atematica’
Inglis, B. 2010. Fruits of Sorabji's Indian summer: ‘Il tessuto d'arabeschi’ and ‘Fantasiettina atematica’. Tempo. 64 (254), pp. 41-49. https://doi.org/10.1017/S0040298210000410