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Latest research outputs
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Introduction: this is the modern world
Bestley, R., Dines, M., Grimes, M. and Guerra, P. 2021. Introduction: this is the modern world. in: Bestley, R., Dines, M., Grimes, M. and Guerra, P. (ed.) Punk Identities, Punk Utopias: Global Punk and Media Bristol Intellect. pp. 9-18Book chapter
Presenting punk pedagogies in practice
Smith, G., Dines, M. and Parkinson, T. 2017. Presenting punk pedagogies in practice. in: Smith, G., Dines, M. and Parkinson, T. (ed.) Punk Pedagogies: Music, Culture and Learning London Routledge. pp. 1-10Book chapter
Introduction: the punk narrative turned upside down: research transmissions from the local to the global
Bestley, R., Dines, M., Gordon, A. and Guerra, P. 2019. Introduction: the punk narrative turned upside down: research transmissions from the local to the global. in: Dines, M., Gordon, A., Guerra, P. and Bestley, R. (ed.) The Punk Reader: Research Transmissions from the Local and the Global Bristol Intellect. pp. 9-28Book chapter
Contemporary music consumption: how the music industry has changed the way we listen to music
Dines, M. 2018. Contemporary music consumption: how the music industry has changed the way we listen to music. Guest Lecture for the module, ‘Cash, Money, Records Forever: An introduction to the evolving British Music Industry’. Foundation for International Education, London, UK 20 Nov 2018Conference item
Police and thieves: the complex relationship between Punk and Rastas in the UK Punk scene of the 1970s
Dines, M. 2017. Police and thieves: the complex relationship between Punk and Rastas in the UK Punk scene of the 1970s. Evening Lecture Series. Bader International Study Centre (Queen’s University, Canada) at Herstmonceux Castle 17 May 2017Conference item
Girls were made for housework and boys were made to fight, and the naughty pictures on Page 3 make everything all right: approaches towards teaching punk – complexities, ambiguities and profanities
Dines, M. 2013. Girls were made for housework and boys were made to fight, and the naughty pictures on Page 3 make everything all right: approaches towards teaching punk – complexities, ambiguities and profanities. Trinity Laban Teaching and Learning Seminar Series. Trinity Laban, London, UK 01 Oct 2013Conference item
From Punk to Hare Krishna Monk: Bhakti-Rasa and the Divine Aesthetic of Krishnacore
Dines, M. 2016. From Punk to Hare Krishna Monk: Bhakti-Rasa and the Divine Aesthetic of Krishnacore. ICMP Lunchtime Lecture Series. Institute of Contemporary Music Performance, London, UK. 02 Mar 2016Conference item
From Monk to Punk: exploring the aesthetic in Krishnacore
Dines, M. 2013. From Monk to Punk: exploring the aesthetic in Krishnacore. Cultural Translation in Popular Music. University of Central Lancashire, Preston, UKConference item
The Punk Scholars Network in Association with Cultural Exchanges presents: Penny Rimbaud
Dines, M. and Gordon, A. 2014. The Punk Scholars Network in Association with Cultural Exchanges presents: Penny Rimbaud. 13th Cultural eXchanges festival, 17–21 Feb 2014 De Montfort University.Other
'Running Wild in the Disco': an interview with Gerard Evans
Dines, M. 2017. 'Running Wild in the Disco': an interview with Gerard Evans. in: Dines, M. and Bull, G. (ed.) And All Around Was Darkness Portsmouth Itchy Monkey Press. pp. 271-280Book chapter
Punk and spirituality: an introduction to the Krishnacore Movement of the 1990s
Dines, M. 2015. Punk and spirituality: an introduction to the Krishnacore Movement of the 1990s. The Sacred in Popular Music. Institute of Contemporary Music Performance 30 Jul 2015Conference paper
Crass and Communal Living: Blending the Subversive into the Everyday in Epping Forest
Dines, M. 2012. Crass and Communal Living: Blending the Subversive into the Everyday in Epping Forest. Biennial IASPM-UK/Ireland conference: Imagining Communities Musically: Putting Popular Music in its Place. University of Salford, MediaCityUK, Manchester, UK 05 - 07 Sep 2012Conference paper
An investigation into the emergence of the anarcho-punk scene of the 1980s
Dines, M. 2004. An investigation into the emergence of the anarcho-punk scene of the 1980s. PhD thesis University of Salford, Salford, UK School of Media, Music & PerformancePhD thesis
Renunciation through wisdom: Bhakti-Rasa, Yukta-Vairagya and the delineation of Krishnacore
Dines, M. 2018. Renunciation through wisdom: Bhakti-Rasa, Yukta-Vairagya and the delineation of Krishnacore. 41st Implicit Religion Conference: Troubling the Norms Through Embodied/Disembodied Choices. Hinsely Hall, Leeds, UK 18 - 20 May 2018Conference paper
Everyone’s Wally: Stonehenge, New Age travellers, and the continuing struggle for Albion
Dines, M. 2018. Everyone’s Wally: Stonehenge, New Age travellers, and the continuing struggle for Albion. Keep it Simple, Make it Fast! Gender, Differences, Identities and DIY Culture (KISMIF 2018). Faculty of Arts and Humanities of University of Porto, Portugal 04 - 07 Jul 2018Conference item
Gagging Order: Poetry by Trevor Paviour
Parviour, T., Dines, M., Fitzjohn, K. and Bestley, R. 2019. Gagging Order: Poetry by Trevor Paviour. Portsmouth Itchy Monkey Press.Book
The darkening light
Curtis, T. Dines, M. (ed.) 2014. The darkening light. Portsmouth, UK Itchy Monkey Press.Book
Owning the masters: a history of sound recording copyright
Osborne, R. 2022. Owning the masters: a history of sound recording copyright. New York, London and Dublin Bloomsbury Academic.Book
Politics as Sound: The Washington, DC, Hardcore Scene, 1978–1983, Shanya L. Maskell (2021) [Book Review]
Dines, M. 2022. Politics as Sound: The Washington, DC, Hardcore Scene, 1978–1983, Shanya L. Maskell (2021) [Book Review]. Punk & Post-Punk. 11 (1), pp. 135-137. https://doi.org/10.1386/punk_00143_5Article
Musicology, mediation, metatonality: Rethinking the music of Rebecca Clarke and Erwin Schulhoff
Dromey, C. 2021. Musicology, mediation, metatonality: Rethinking the music of Rebecca Clarke and Erwin Schulhoff. in: Fleet, P. (ed.) Musics with and after Tonality: Mining the Gap Routledge. pp. 233–247Book chapter
Punk Scholars Network website
Dines, M., Bestley, R., Grimes, M. and Way, L. 2020. Punk Scholars Network website.Design
The last 10 years: histories and futures of the PSN and Punk scholarship
Dines, M. 2021. The last 10 years: histories and futures of the PSN and Punk scholarship. Punk Scholars Network 8th Annual Conference and Postgraduate Symposium. Paris, France 04 - 11 Dec 2021Conference keynote
Brazilian riot grrrls: History, reflections and feminist empowerment in girls rock camps
Gelain, G. and Dines, M. 2021. Brazilian riot grrrls: History, reflections and feminist empowerment in girls rock camps. in: Grimes, M., Bestley, R., Dines, M. and Guerra, P. (ed.) Punk Identities, Punk Utopias: Global Punk and Media Bristol Intellect. pp. 77-90Book chapter
Punk sans frontières: mapping the trajectory of Global Punk
Dines, M. and Bestley, R. 2020. Punk sans frontières: mapping the trajectory of Global Punk. in: The Oxford Handbook of Global Popular Music Oxford Oxford University Press (OUP).Book chapter
I Want Out
Spencer-Fleet, S. and Bestley, R. Dines, M. (ed.) 2020. I Want Out. Portsmouth, UK Itchy Monkey Press.Book
I'm not Penny Rimbaud! Who the hell is Penny Rimbaud?
Vojnic Vrataric, I., Vojnic, M., Dines, M. and Bestley, R. (ed.) 2021. I'm not Penny Rimbaud! Who the hell is Penny Rimbaud? Portsmouth, UK Itchy Monkey Press.Book
Podcast: New Books in Popular Culture: The Global Punk Series
Dines, M., Bestley, R., Gordon, A. and Guerra, P. 2021. Podcast: New Books in Popular Culture: The Global Punk Series.Digital or visual media
Livestreaming music in the UK: quantitative analysis
Haferkorn, J., Kavanagh, B. and Leak, S. 2021. Livestreaming music in the UK: quantitative analysis. United Kingdom Live Streaming Music. https://doi.org/10.22023/mdx.14975172.v2Technical report
Artistic research in music: discipline and resistance: artists and researchers at the Orpheus Institute
Impett, J. (ed.) 2017. Artistic research in music: discipline and resistance: artists and researchers at the Orpheus Institute. Leuven, Belgium Leuven University Press.Book
The Blue Shroud project and the development of an innovative free-improvisation approach on classical guitar
2014. The Blue Shroud project and the development of an innovative free-improvisation approach on classical guitar.Portfolio
Dissociation and interference in composers’ stories about music: the renewal of musical discourse
Impett, J. 2021. Dissociation and interference in composers’ stories about music: the renewal of musical discourse. in: Impett, J. (ed.) Sound works: Composition as critical technical practice Leuven, Belgium Leuven University Press.Book chapter
Music, discourse and intuitive technology
Impett, J. 2021. Music, discourse and intuitive technology. AI and Society. 0, p. 1. https://doi.org/10.1007/s00146-020-01126-4Article
Review: Statements of Intent 1982–1987, 4 CD box set and Statements of Intent 1988–1994, 5 CD box set, by Conflict
Dines, M. 2021. Review: Statements of Intent 1982–1987, 4 CD box set and Statements of Intent 1988–1994, 5 CD box set, by Conflict. Punk & Post-Punk. 10 (3), pp. 541-544. https://doi.org/10.1386/punk_00123_5Article
From punk rock to Prabhupāda: locating the musical, philosophical and spiritual journey of contemporary Krishnacore
Dines, M. 2021. From punk rock to Prabhupāda: locating the musical, philosophical and spiritual journey of contemporary Krishnacore. in: Bestley, R., Dines, M., Guerra, P. and Gordon, A. (ed.) Trans-Global Punk Scenes: The Punk Reader Vol. 2 Bristol Intellect. pp. 237-254Book chapter
Introduction
Osborne, R. 2021. Introduction. in: Osborne, R. and Laing, D. (ed.) Music by numbers: the use and abuse of statistics in the music industries Bristol, UK Intellect. pp. 1-17Introduction
SacrumProfanum
Dwyer, B., Griffith, D., Campanello, K. and Creasy, J. SacrumProfanum.Portfolio
six residua (after Beckett)
Dwyer, B. 2019. six residua (after Beckett). Contemporary Music Centre Ireland.Composition
what is the word
2019. what is the word.Portfolio
Presence and resonance (four compositions 2014-2019)
2014. Presence and resonance (four compositions 2014-2019).Portfolio
Music by numbers: the uses and abuses of statistics in the music industries
Osborne, R. and Laing, D. (ed.) 2021. Music by numbers: the uses and abuses of statistics in the music industries. Bristol, UK Intellect.Book
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