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Latest research outputs

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Academia as subversion: the birth of the Punk Scholars Network
Dines, M. 2017. Academia as subversion: the birth of the Punk Scholars Network. in: Dines, M. and Way, L. (ed.) Postgraduate Studies in Punk: Your Wisdom, Our Youth Newcastle upon Tyne, UK Cambridge Scholars Publishing. pp. 157-162

Book chapter

Let your self-determination over-ride indoctrination: Dick Lucas, culture shock and the anarcho of the everyday
Dines, M. 2016. Let your self-determination over-ride indoctrination: Dick Lucas, culture shock and the anarcho of the everyday. in: Dines, M. and Worley, M. (ed.) The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music Cochester / New York / Port Watson Minor Compositions / Autonomedia. pp. 251-265

Book chapter

Vocaloids and Japanese virtual vocal performance: the cultural heritage and technological futures of vocal puppetry
Jackson, L. and Dines, M. 2016. Vocaloids and Japanese virtual vocal performance: the cultural heritage and technological futures of vocal puppetry. in: Whiteley, S. and Rambarran, S. (ed.) The Oxford Handbook of Music and Virtuality Oxford Oxford University Press (OUP).

Book chapter

Learning through resistance: contextualisation, creation and incorporation of a ‘punk pedagogy’
Dines, M. 2015. Learning through resistance: contextualisation, creation and incorporation of a ‘punk pedagogy’. Journal of Pedagogic Development. 5 (3), pp. 20-31.

Article

Reflections on the peripheral: punk, pedagogy and the domestication of the radical
Dines, M. 2015. Reflections on the peripheral: punk, pedagogy and the domestication of the radical. Punk & Post-Punk. 4 (2-3), pp. 129-140. https://doi.org/10.1386/punk.4.2-3.129_1

Article

Joycean aesthetics and mythic imagination in the music of Frank Corcoran
Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.

Article

Instrumental trouble: a queer organology of Hugh Davies’s found instruments
Palermo, F. 2020. Instrumental trouble: a queer organology of Hugh Davies’s found instruments. InterAlia - A journal of queer studies. 0 (15), pp. 17-33. https://doi.org/10.51897/interalia/OKAD1849

Article

Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play
Inglis, B. 2019. Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play. Music as play festival: the toy piano takes the stage. Istituto Giosue Carducci, Como, Italy 06 - 07 Jul 2019

Conference item

Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs
O'Dair, M. and Beaven, Z. 2017. Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs. in: Smith, G., Dines, M. and Parkinson, T. (ed.) Punk Pedagogies: Music, Culture and Learning London Routledge. pp. 73-90

Book chapter

The networked record industry: how blockchain technology could transform the record industry
O'Dair, M. and Beaven, Z. 2017. The networked record industry: how blockchain technology could transform the record industry. Strategic Change. 26 (5), pp. 471-480. https://doi.org/10.1002/jsc.2147

Article

Vinyl, Vinyl everywhere: The analog record in the digital world
Osborne, R. 2018. Vinyl, Vinyl everywhere: The analog record in the digital world. in: Wolf, M. (ed.) The Routledge Companion to Media Technology and Obsolescence Routledge. pp. 200-214

Book chapter

Moby, Minstrelsy and Melville
Osborne, R. 2018. Moby, Minstrelsy and Melville. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 169-182

Book chapter

Introduction: Mute Records
Osborne, R. and Beaven, Z. 2018. Introduction: Mute Records. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 1-14

Book chapter

Microtonal procedures in 'Sailing to Byzantium'
Inglis, B. and Barnes, R. 2005. Microtonal procedures in 'Sailing to Byzantium'. UK Microfest 1. Riverhouse Arts Centre, Walton-on-Thames, Surrey, UK 14 - 15 Oct 2005

Conference item

Towards an analytical framework for graphic scores, and a proposed typology
Inglis, B. 2015. Towards an analytical framework for graphic scores, and a proposed typology. Putting the Graphic in Music – Notation, Analaysis & Performance. Senate House Library, University of London 30 Nov 2015

Conference paper

Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore
Dines, M. and Das, M. 2019. Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore. 42nd Implicit Religion Conference: Religion and the Encounter. Bishop Grosseteste University, Lincoln, UK 17 - 19 May 2019

Conference item

From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore
Dines, M. 2019. From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore. Punk and the Sacred. Mansions of the Future, St Mary’s Street, Lincoln, UK 28 - 29 Nov 2019

Conference item

Global Punk
Dines, M. 2021. Global Punk.

Portfolio

Absolute pitch: myths, misconceptions, and learnability
Leak, S. 2019. Absolute pitch: myths, misconceptions, and learnability. Crick Music Symposium. The Francis Crick Institute, 1 Midland Rd, London NW1 1AT 11 Dec 2019

Conference item

Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism
Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. in: Dwyer, B. and Marx, W. (ed.) New Perspectives on György Ligeti University of Rochester Press.

Book chapter

Musical composition and mystical spirituality
Inglis, B. 2019. Musical composition and mystical spirituality. in: Boyce-Tillman, J., Roberts, S. and Erricker, J. (ed.) Enlivening Faith: Music, Spirituality and Christian Theology Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.

Book chapter

Radiophonie/Poesie/Musik
Dack, J. 2018. Radiophonie/Poesie/Musik. in: Holl, U., Singer, N. and et al. (ed.) Radiophonics: Volume 1 Radiophonic Cultures [Exhibition Catalogue] Berlin, Germany Kehrer Verlag.

Book chapter

Four pieces for toy piano
Inglis, B. 2018. Four pieces for toy piano. Composers Edition.

Composition

Hugh Davies' Shozyg I
Palermo, F. 2018. Hugh Davies' Shozyg I. in: Doğantan-Dack, M. and Dack, J. (ed.) Music and Sonic Art: Theories and Practices Cambridge Scholars Publishing. pp. 59-77

Book chapter

KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.

Digital or visual media

Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017

Other

The stain upon the silence
Dwyer, B. 2019. The stain upon the silence. Farpoint Records.

Other

Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.

Other

Dances and Laments
Fribbins, P. 2013. Dances and Laments.

Digital or visual media

Dances & Laments
Fribbins, P. 2015. Dances & Laments. Music Haven, London.

Composition

Sonata for solo violin
Fribbins, P. 2017. Sonata for solo violin. Music Haven, London.

Composition

Dances, elegies and epitaphs: the music of Peter Fribbins
Fribbins, P. and Royal Scottish National Orchestra 2017. Dances, elegies and epitaphs: the music of Peter Fribbins.

Digital or visual media

Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.

Article

Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.

Article

Notation as technology
Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016

Conference keynote

Spoken
Impett, J. 2017. Spoken. Attacca Amsterdam.

Composition

Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.

Composition

Folto Giardino I
Impett, J. 2016. Folto Giardino I. Tempo Reale.

Composition

Folto Giardino II
Impett, J. 2018. Folto Giardino II.

Composition

After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.

Article

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