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The networked record industry: how blockchain technology could transform the record industry
O'Dair, M. and Beaven, Z. 2017. The networked record industry: how blockchain technology could transform the record industry. Strategic Change. 26 (5), pp. 471-480. https://doi.org/10.1002/jsc.2147Article
Introduction: Mute Records
Osborne, R. and Beaven, Z. 2018. Introduction: Mute Records. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Publishing. pp. 1-14Book chapter
Microtonal procedures in 'Sailing to Byzantium'
Inglis, B. and Barnes, R. 2005. Microtonal procedures in 'Sailing to Byzantium'. UK Microfest 1. Riverhouse Arts Centre, Walton-on-Thames, Surrey, UK 14 - 15 Oct 2005Conference item
Towards an analytical framework for graphic scores, and a proposed typology
Inglis, B. 2015. Towards an analytical framework for graphic scores, and a proposed typology. Putting the Graphic in Music – Notation, Analaysis & Performance. Senate House Library, University of London 30 Nov 2015Conference paper
Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore
Dines, M. and Das, M. 2019. Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore. 42nd Implicit Religion Conference: Religion and the Encounter. Bishop Grosseteste University, Lincoln, UK 17 - 19 May 2019Conference item
From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore
Dines, M. 2019. From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore. Punk and the Sacred. Mansions of the Future, St Mary’s Street, Lincoln, UK 28 - 29 Nov 2019Conference item
six residua (after Beckett)
Dwyer, B. 2019. six residua (after Beckett). The Contemporary Music Centre.Composition
what is the word
Dwyer, B. 2019. what is the word.Portfolio
Apollo e Marsyas
Impett, J. 2019. Apollo e Marsyas.Composition
five disjecta (after Beckett)
Dwyer, B. 2019. five disjecta (after Beckett). The Contemporary Music Centre.Composition
HAG
Dwyer, B. 2019. HAG. The Contemporary Music Centre.Composition
what is the word (triptych with interludes)
Dwyer, B. 2019. what is the word (triptych with interludes). The Contemporary Music Centre.Composition
Absolute pitch: myths, misconceptions, and learnability
Leak, S. 2019. Absolute pitch: myths, misconceptions, and learnability. Crick Music Symposium. The Francis Crick Institute, 1 Midland Rd, London NW1 1AT 11 Dec 2019Conference item
The stain upon the silence
Dwyer, B. 2019. The stain upon the silence. Farpoint Records.Other
Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism
Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. The Musical Times Publications Limited.Magazine
Musical composition and mystical spirituality
Inglis, B. 2019. Musical composition and mystical spirituality. in: Boyce-Tillman, J., Roberts, S. and Erricker, J. (ed.) Enlivening Faith: Music, Spirituality and Christian Theology Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
Radiophonie/Poesie/Musik
Dack, J. 2018. Radiophonie/Poesie/Musik. in: Holl, U., Singer, N. and et al. (ed.) Radiophonics: Volume 1 Radiophonic Cultures [Exhibition Catalogue] Berlin, Germany Kehrer Verlag.Book chapter
Four pieces for toy piano
Inglis, B. 2018. Four pieces for toy piano. Composers Edition.Composition
Hugh Davies' Shozyg I
Palermo, F. 2018. Hugh Davies' Shozyg I. in: Doğantan-Dack, M. and Dack, J. (ed.) Music and Sonic Art: Theories and Practices Cambridge Scholars Publishing. pp. 59-77Book chapter
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.Digital or visual media
Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017Other
Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.Other
Dances and Laments
Fribbins, P. 2013. Dances and Laments.Digital or visual media
Dances & Laments
Fribbins, P. 2015. Dances & Laments. Music Haven, London.Composition
Sonata for solo violin
Fribbins, P. 2017. Sonata for solo violin. Music Haven, London.Composition
Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.Article
Notation as technology
Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016Conference keynote
Spoken
Impett, J. 2017. Spoken. Attacca Amsterdam.Composition
After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.Article
Routledge handbook to Luigi Nono and musical thought
Impett, J. 2018. Routledge handbook to Luigi Nono and musical thought. London Routledge.Book
The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238Book chapter
Those blue remembered sounds
Dack, J. 2014. Those blue remembered sounds. in: Erbe, M. and Blumröder, C. (ed.) Le monde sonore de / The sound world of / Die Klangwelt des François Bayle Verlag der Apfel. pp. 9-41Book chapter
The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug
Dack, J. 2017. The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug. in: Bonardi, A., Bossis, B., Couprie, P. and Tiffon, V. (ed.) Analyser la musique mixte France Éditions Delatour.Book chapter
À l’écoute des langages plastique et musical dans les « Variations pour une porte et un soupir » de Pierre Henry
Dack, J. 2016. À l’écoute des langages plastique et musical dans les « Variations pour une porte et un soupir » de Pierre Henry. in: Marty, N. (ed.) Musiques Électroacoustiques - Analyses-Écoutes France Éditions Delatour. pp. 111-124Book chapter
Piano Trio: for violin, cello and piano
Inglis, B. 2017. Piano Trio: for violin, cello and piano. Composers Edition.Composition
‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind
Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock)
Inglis, B. and Smith, B. 2019. Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock). London and New York Routledge.Book
Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666Book chapter
In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack.
Schaeffer, P., Dack, J. and North, C. 2012. In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack. Berkeley University of California Press.Book
Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack
Schaeffer, P., North, C. and Dack, J. 2017. Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack. Oakland, USA University of California Press.Book
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