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Academia as subversion: the birth of the Punk Scholars Network
Dines, M. 2017. Academia as subversion: the birth of the Punk Scholars Network. in: Dines, M. and Way, L. (ed.) Postgraduate Studies in Punk: Your Wisdom, Our Youth Newcastle upon Tyne, UK Cambridge Scholars Publishing. pp. 157-162Book chapter
Let your self-determination over-ride indoctrination: Dick Lucas, culture shock and the anarcho of the everyday
Dines, M. 2016. Let your self-determination over-ride indoctrination: Dick Lucas, culture shock and the anarcho of the everyday. in: Dines, M. and Worley, M. (ed.) The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music Cochester / New York / Port Watson Minor Compositions / Autonomedia. pp. 251-265Book chapter
Vocaloids and Japanese virtual vocal performance: the cultural heritage and technological futures of vocal puppetry
Jackson, L. and Dines, M. 2016. Vocaloids and Japanese virtual vocal performance: the cultural heritage and technological futures of vocal puppetry. in: Whiteley, S. and Rambarran, S. (ed.) The Oxford Handbook of Music and Virtuality Oxford Oxford University Press (OUP).Book chapter
Learning through resistance: contextualisation, creation and incorporation of a ‘punk pedagogy’
Dines, M. 2015. Learning through resistance: contextualisation, creation and incorporation of a ‘punk pedagogy’. Journal of Pedagogic Development. 5 (3), pp. 20-31.Article
Reflections on the peripheral: punk, pedagogy and the domestication of the radical
Dines, M. 2015. Reflections on the peripheral: punk, pedagogy and the domestication of the radical. Punk & Post-Punk. 4 (2-3), pp. 129-140. https://doi.org/10.1386/punk.4.2-3.129_1Article
Joycean aesthetics and mythic imagination in the music of Frank Corcoran
Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.Article
Instrumental trouble: a queer organology of Hugh Davies’s found instruments
Palermo, F. 2020. Instrumental trouble: a queer organology of Hugh Davies’s found instruments. InterAlia - A journal of queer studies. 0 (15), pp. 17-33. https://doi.org/10.51897/interalia/OKAD1849Article
Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play
Inglis, B. 2019. Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play. Music as play festival: the toy piano takes the stage. Istituto Giosue Carducci, Como, Italy 06 - 07 Jul 2019Conference item
Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs
O'Dair, M. and Beaven, Z. 2017. Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs. in: Smith, G., Dines, M. and Parkinson, T. (ed.) Punk Pedagogies: Music, Culture and Learning London Routledge. pp. 73-90Book chapter
The networked record industry: how blockchain technology could transform the record industry
O'Dair, M. and Beaven, Z. 2017. The networked record industry: how blockchain technology could transform the record industry. Strategic Change. 26 (5), pp. 471-480. https://doi.org/10.1002/jsc.2147Article
Vinyl, Vinyl everywhere: The analog record in the digital world
Osborne, R. 2018. Vinyl, Vinyl everywhere: The analog record in the digital world. in: Wolf, M. (ed.) The Routledge Companion to Media Technology and Obsolescence Routledge. pp. 200-214Book chapter
Moby, Minstrelsy and Melville
Osborne, R. 2018. Moby, Minstrelsy and Melville. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 169-182Book chapter
Introduction: Mute Records
Osborne, R. and Beaven, Z. 2018. Introduction: Mute Records. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 1-14Book chapter
Microtonal procedures in 'Sailing to Byzantium'
Inglis, B. and Barnes, R. 2005. Microtonal procedures in 'Sailing to Byzantium'. UK Microfest 1. Riverhouse Arts Centre, Walton-on-Thames, Surrey, UK 14 - 15 Oct 2005Conference item
Towards an analytical framework for graphic scores, and a proposed typology
Inglis, B. 2015. Towards an analytical framework for graphic scores, and a proposed typology. Putting the Graphic in Music – Notation, Analaysis & Performance. Senate House Library, University of London 30 Nov 2015Conference paper
Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore
Dines, M. and Das, M. 2019. Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore. 42nd Implicit Religion Conference: Religion and the Encounter. Bishop Grosseteste University, Lincoln, UK 17 - 19 May 2019Conference item
From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore
Dines, M. 2019. From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore. Punk and the Sacred. Mansions of the Future, St Mary’s Street, Lincoln, UK 28 - 29 Nov 2019Conference item
Global Punk
Dines, M. 2021. Global Punk.Portfolio
Absolute pitch: myths, misconceptions, and learnability
Leak, S. 2019. Absolute pitch: myths, misconceptions, and learnability. Crick Music Symposium. The Francis Crick Institute, 1 Midland Rd, London NW1 1AT 11 Dec 2019Conference item
Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism
Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. in: Dwyer, B. and Marx, W. (ed.) New Perspectives on György Ligeti University of Rochester Press.Book chapter
Musical composition and mystical spirituality
Inglis, B. 2019. Musical composition and mystical spirituality. in: Boyce-Tillman, J., Roberts, S. and Erricker, J. (ed.) Enlivening Faith: Music, Spirituality and Christian Theology Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
Radiophonie/Poesie/Musik
Dack, J. 2018. Radiophonie/Poesie/Musik. in: Holl, U., Singer, N. and et al. (ed.) Radiophonics: Volume 1 Radiophonic Cultures [Exhibition Catalogue] Berlin, Germany Kehrer Verlag.Book chapter
Four pieces for toy piano
Inglis, B. 2018. Four pieces for toy piano. Composers Edition.Composition
Hugh Davies' Shozyg I
Palermo, F. 2018. Hugh Davies' Shozyg I. in: Doğantan-Dack, M. and Dack, J. (ed.) Music and Sonic Art: Theories and Practices Cambridge Scholars Publishing. pp. 59-77Book chapter
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.Digital or visual media
Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017Other
The stain upon the silence
Dwyer, B. 2019. The stain upon the silence. Farpoint Records.Other
Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.Other
Dances and Laments
Fribbins, P. 2013. Dances and Laments.Digital or visual media
Dances & Laments
Fribbins, P. 2015. Dances & Laments. Music Haven, London.Composition
Sonata for solo violin
Fribbins, P. 2017. Sonata for solo violin. Music Haven, London.Composition
Dances, elegies and epitaphs: the music of Peter Fribbins
Fribbins, P. and Royal Scottish National Orchestra 2017. Dances, elegies and epitaphs: the music of Peter Fribbins.Digital or visual media
Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.Article
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.Article
Notation as technology
Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016Conference keynote
Spoken
Impett, J. 2017. Spoken. Attacca Amsterdam.Composition
Prado Florido (after Guerrero) [Score / CD]
Impett, J. 2017. Prado Florido (after Guerrero) [Score / CD]. Attacca Amsterdam.Composition
Folto Giardino I
Impett, J. 2016. Folto Giardino I. Tempo Reale.Composition
Folto Giardino II
Impett, J. 2018. Folto Giardino II.Composition
After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.Article
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