TASPO’s July 2026 Platinum Anniversary - the Momentum Builds Up: 12th International Steelpan/Carnival Arts 22-24th July and Carnival Gala at the Southbank 25 -26th July 2026

Article


Shah, H.N., Paterson, J., Mcguinness, S., Dines, M., Whittingham, C., Pascal, S., Clemson, M., Bankole, D., Great, A.D., Spark, S. and Shah, L.M.N. 2025. TASPO’s July 2026 Platinum Anniversary - the Momentum Builds Up: 12th International Steelpan/Carnival Arts 22-24th July and Carnival Gala at the Southbank 25 -26th July 2026. International Journal of Carnival Arts. 11 (1), pp. 119-139.
TypeArticle
TitleTASPO’s July 2026 Platinum Anniversary - the Momentum Builds Up: 12th International Steelpan/Carnival Arts 22-24th July and Carnival Gala at the Southbank 25 -26th July 2026
AuthorsShah, H.N., Paterson, J., Mcguinness, S., Dines, M., Whittingham, C., Pascal, S., Clemson, M., Bankole, D., Great, A.D., Spark, S. and Shah, L.M.N.
Abstract

The epic journey of the Trinidad All Steel Percussion Orchestra (TASPO) from the docks of Port of Spain, Trinidad on 6th July 1951 aboard the S.S. San Mateo en route to London for the Festival of Britain remains a watershed moment in the cultural and musical history of Trinidad and Tobago and its emerging global diaspora. It brought steelpan music of the New World onto the global stage and led to the start of a new phase in the long history of this instrument whose roots date back to the emancipation of slavery in 1938. Several authoritative sources have attempted to reclaim its history from the margins, incorporating oral accounts, newspaper archives, and personal testimonies with scholarly care—over the years building up a narrative that foregrounds the voices of these pioneers themselves. Authors utilised storytelling to bridge academic history and popular memory, to ensure that TASPO’s significance is understood not just as entertainment but as cultural revolution. And as we approach its platinum jubilee in the summer of 2026 these accounts continue to endure as a foundational myth of Trinidad and Tobago’s identity.

With this entire narrative focused on the platform of the South Bank of the Thames and the then newly built Royal Festival Hall and Southbank Centre post-World War II, it is fitting that the Centre will play a pivotal role in hosting such a historic milestone. The initial programme was launched at the Royal Festival Hall on 18th September 2025, first focused on the ‘Festival of Britain’ and then a more dedicated event on TASPO, ‘The Rhythm of History: A TASPO Sharing Event’ on 3rd October 2025. The latter was recently reassigned to the Carnival Village (Tabernacle) in the heart of the Notting Hill Carnival community on 2nd November with immense appreciation from the community. These programmes will continue to develop to a climax in July 2026 along with plans to juxtapose our 12th International Conference in Carnival Arts to the Southbank’s ‘Steel Scenes: The Steel Pan Weekender’ to provide a continuous programme of academic and performance-related events between 22nd–26th July 2026.

KeywordsFestival of Britain; Steelpan; TASPO’s 75th anniversary; Southbank; Conference and Workshops; Archives; Exhibitions; Carnival
Sustainable Development Goals10 Reduced inequalities
Middlesex University ThemeCreativity, Culture & Enterprise
JournalInternational Journal of Carnival Arts
ISSN
Electronic2752-342X
Publication dates
Online01 Nov 2025
PrintNov 2025
Publication process dates
Accepted01 Sep 2025
Deposited02 Dec 2025
Output statusPublished
Publisher's version
File Access Level
Open
Copyright Statement

Published in issue 11 of the International Journal of Carnival Arts in November 2025, available at: https://www.steelpanconference.com/volume-11

The content on the IJCA website, including reports, analyses, images and opinions are contributions by the named authors and are based on sources they personally acknowledge and cite that are believed to be accurate and reliable when submitted. The editors of the International Journal of Carnival Arts make no representation of warranty of any kind as to the accuracy or completeness of any information provided and accepts no liability for any damage or loss resulting from errors, inaccuracies or omissions affecting any part of the content. Articles may be reprinted on condition that acknowledgement of the original source is made. Responsibility for obtaining copyright permissions and for any associated costs rests solely with the author/s and not with the International Journal of Caribbean Arts (IJCA).

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Dines, M. 2020. Art school manifestos, classical music and industrial abjection: tracing the artistic, political and musical antecedents of punk. in: McKay, G. and Arnold, G. (ed.) The Oxford Handbook of Punk Rock Oxford Oxford University Press (OUP).
Academia as subversion: the birth of the Punk Scholars Network
Dines, M. 2017. Academia as subversion: the birth of the Punk Scholars Network. in: Dines, M. and Way, L. (ed.) Postgraduate Studies in Punk: Your Wisdom, Our Youth Newcastle upon Tyne, UK Cambridge Scholars Publishing. pp. 157-162
Let your self-determination over-ride indoctrination: Dick Lucas, culture shock and the anarcho of the everyday
Dines, M. 2016. Let your self-determination over-ride indoctrination: Dick Lucas, culture shock and the anarcho of the everyday. in: Dines, M. and Worley, M. (ed.) The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music Cochester / New York / Port Watson Minor Compositions / Autonomedia. pp. 251-265
Learning through resistance: contextualisation, creation and incorporation of a ‘punk pedagogy’
Dines, M. 2015. Learning through resistance: contextualisation, creation and incorporation of a ‘punk pedagogy’. Journal of Pedagogic Development. 5 (3), pp. 20-31.
Reflections on the peripheral: punk, pedagogy and the domestication of the radical
Dines, M. 2015. Reflections on the peripheral: punk, pedagogy and the domestication of the radical. Punk & Post-Punk. 4 (2-3), pp. 129-140. https://doi.org/10.1386/punk.4.2-3.129_1
Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore
Dines, M. and Das, M. 2019. Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore. 42nd Implicit Religion Conference: Religion and the Encounter. Bishop Grosseteste University, Lincoln, UK 17 - 19 May 2019
From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore
Dines, M. 2019. From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore. Punk and the Sacred. Mansions of the Future, St Mary’s Street, Lincoln, UK 28 - 29 Nov 2019
Book Reviews: The Poetry of Punk: The Meaning Behind Punk Rock and Hardcore Lyrics, Gerfried Ambrosch (2018) London: Routledge, 196 pp., ISBN: 978-1-13850-231-4, p/bk, £29.99 [Book Review]
Dines, M. 2019. Book Reviews: The Poetry of Punk: The Meaning Behind Punk Rock and Hardcore Lyrics, Gerfried Ambrosch (2018) London: Routledge, 196 pp., ISBN: 978-1-13850-231-4, p/bk, £29.99 [Book Review]. Punk & Post-Punk. 8 (1), pp. 156-158.
Book Reviews: The Sanctity of Rhyme: The Metaphysics of Crying 4 Kafka in Prose and Verse, Erika Blair (2018) California: Asylum 4 Renegade Press, 119 pp., ISBN: 978-0-69209-682-6, p/bk, £9 [Book Review]
Dines, M. 2019. Book Reviews: The Sanctity of Rhyme: The Metaphysics of Crying 4 Kafka in Prose and Verse, Erika Blair (2018) California: Asylum 4 Renegade Press, 119 pp., ISBN: 978-0-69209-682-6, p/bk, £9 [Book Review]. Punk & Post-Punk. 8 (1), pp. 153-155.
Questioning compassion: exploring prejudices and presumptions over the concept of care [Book Review]
Dines, M. 2017. Questioning compassion: exploring prejudices and presumptions over the concept of care [Book Review]. Pedagogy, Culture and Society. 25 (4), pp. 641-643. https://doi.org/10.1080/14681366.2017.1290935
Fragile learning: the influence of anxiety. By David Mathew [Book Review]
Dines, M. 2016. Fragile learning: the influence of anxiety. By David Mathew [Book Review]. British Journal of Educational Studies. 64 (3), pp. 405-407. https://doi.org/10.1080/00071005.2016.1173918
Vocaloids and Japanese virtual vocal performance: the cultural heritage and technological futures of vocal puppetry
Jackson, L. and Dines, M. 2016. Vocaloids and Japanese virtual vocal performance: the cultural heritage and technological futures of vocal puppetry. in: Whiteley, S. and Rambarran, S. (ed.) The Oxford Handbook of Music and Virtuality Oxford Oxford University Press (OUP).
The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore
Dines, M. 2015. The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore. Musicological Annual. 50 (2), pp. 147-156. https://doi.org/10.4312/mz.50.2.147-156
Surrender unto me: Punk Rock, Bhakti-rasa and the devotional aesthetic of Krishnacore
Dines, M. 2015. Surrender unto me: Punk Rock, Bhakti-rasa and the devotional aesthetic of Krishnacore. Keep It Simple, Make It Fast! Crossing Borders of Underground Music Scenes (KISMIF 2015). Faculty of Arts and Humanities, University of Porto, Portugal 15 - 17 Jul 2015
Fight Back: Punk, Politics and Resistance, The Subcultures Network (ed.) (2014) 1st ed., Manchester: Manchester University Press, 320 pp., ISBN: 9780719090295, h/bk, £75.00 [Book review]
Dines, M. 2015. Fight Back: Punk, Politics and Resistance, The Subcultures Network (ed.) (2014) 1st ed., Manchester: Manchester University Press, 320 pp., ISBN: 9780719090295, h/bk, £75.00 [Book review]. International Journal of Media & Cultural Politics. 11 (2), pp. 272-274. https://doi.org/10.1386/macp.11.2.267_5
Understanding small music venues: a report by the Music Venue Trust
Dines, M., Campanello, K., Smith, G., Hunter, M. and Parkinson, T. 2015. Understanding small music venues: a report by the Music Venue Trust. Music Venue Trust.
Punk Scholars Network
Dines, M., Gelain, G., Bestley, R., Grimes, M., Way, L., Gordon, A. and Guerra, P. 2012. Punk Scholars Network.