TASPO’s July 2026 Platinum Anniversary - the Momentum Builds Up: 12th International Steelpan/Carnival Arts 22-24th July and Carnival Gala at the Southbank 25 -26th July 2026
Article
Shah, H.N., Paterson, J., Mcguinness, S., Dines, M., Whittingham, C., Pascal, S., Clemson, M., Bankole, D., Great, A.D., Spark, S. and Shah, L.M.N. 2025. TASPO’s July 2026 Platinum Anniversary - the Momentum Builds Up: 12th International Steelpan/Carnival Arts 22-24th July and Carnival Gala at the Southbank 25 -26th July 2026. International Journal of Carnival Arts. 11 (1), pp. 119-139.
| Type | Article |
|---|---|
| Title | TASPO’s July 2026 Platinum Anniversary - the Momentum Builds Up: 12th International Steelpan/Carnival Arts 22-24th July and Carnival Gala at the Southbank 25 -26th July 2026 |
| Authors | Shah, H.N., Paterson, J., Mcguinness, S., Dines, M., Whittingham, C., Pascal, S., Clemson, M., Bankole, D., Great, A.D., Spark, S. and Shah, L.M.N. |
| Abstract | The epic journey of the Trinidad All Steel Percussion Orchestra (TASPO) from the docks of Port of Spain, Trinidad on 6th July 1951 aboard the S.S. San Mateo en route to London for the Festival of Britain remains a watershed moment in the cultural and musical history of Trinidad and Tobago and its emerging global diaspora. It brought steelpan music of the New World onto the global stage and led to the start of a new phase in the long history of this instrument whose roots date back to the emancipation of slavery in 1938. Several authoritative sources have attempted to reclaim its history from the margins, incorporating oral accounts, newspaper archives, and personal testimonies with scholarly care—over the years building up a narrative that foregrounds the voices of these pioneers themselves. Authors utilised storytelling to bridge academic history and popular memory, to ensure that TASPO’s significance is understood not just as entertainment but as cultural revolution. And as we approach its platinum jubilee in the summer of 2026 these accounts continue to endure as a foundational myth of Trinidad and Tobago’s identity. With this entire narrative focused on the platform of the South Bank of the Thames and the then newly built Royal Festival Hall and Southbank Centre post-World War II, it is fitting that the Centre will play a pivotal role in hosting such a historic milestone. The initial programme was launched at the Royal Festival Hall on 18th September 2025, first focused on the ‘Festival of Britain’ and then a more dedicated event on TASPO, ‘The Rhythm of History: A TASPO Sharing Event’ on 3rd October 2025. The latter was recently reassigned to the Carnival Village (Tabernacle) in the heart of the Notting Hill Carnival community on 2nd November with immense appreciation from the community. These programmes will continue to develop to a climax in July 2026 along with plans to juxtapose our 12th International Conference in Carnival Arts to the Southbank’s ‘Steel Scenes: The Steel Pan Weekender’ to provide a continuous programme of academic and performance-related events between 22nd–26th July 2026. |
| Keywords | Festival of Britain; Steelpan; TASPO’s 75th anniversary; Southbank; Conference and Workshops; Archives; Exhibitions; Carnival |
| Sustainable Development Goals | 10 Reduced inequalities |
| Middlesex University Theme | Creativity, Culture & Enterprise |
| Journal | International Journal of Carnival Arts |
| ISSN | |
| Electronic | 2752-342X |
| Publication dates | |
| Online | 01 Nov 2025 |
| Nov 2025 | |
| Publication process dates | |
| Accepted | 01 Sep 2025 |
| Deposited | 02 Dec 2025 |
| Output status | Published |
| Publisher's version | File Access Level Open |
| Copyright Statement | Published in issue 11 of the International Journal of Carnival Arts in November 2025, available at: https://www.steelpanconference.com/volume-11 |
The content on the IJCA website, including reports, analyses, images and opinions are contributions by the named authors and are based on sources they personally acknowledge and cite that are believed to be accurate and reliable when submitted. The editors of the International Journal of Carnival Arts make no representation of warranty of any kind as to the accuracy or completeness of any information provided and accepts no liability for any damage or loss resulting from errors, inaccuracies or omissions affecting any part of the content. Articles may be reprinted on condition that acknowledgement of the original source is made. Responsibility for obtaining copyright permissions and for any associated costs rests solely with the author/s and not with the International Journal of Caribbean Arts (IJCA). | |
| Related Output | |
| Is part of | https://www.steelpanconference.com/volume-11 |
https://repository.mdx.ac.uk/item/2zz424
Download files
55
total views2
total downloads10
views this month1
downloads this month