Performing Arts
Title | Performing Arts |
---|---|
Alternative | ACI - PA |
Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Reflections on the peripheral: punk, pedagogy and the domestication of the radical
Dines, M. 2015. Reflections on the peripheral: punk, pedagogy and the domestication of the radical. Punk & Post-Punk. 4 (2-3), pp. 129-140. https://doi.org/10.1386/punk.4.2-3.129_1Article
(Un)touched (floor) installations
Woodhouse, A. and Rackowe, N. 2019. (Un)touched (floor) installations. CODA International Dance Festival.Artefact
Joycean aesthetics and mythic imagination in the music of Frank Corcoran
Dwyer, B. 2019. Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times. 160 (1948), pp. 33-48.Article
Recommendations for action: enhancing artistic doctoral education in dance and performance
Midgelow, V. 2019. Recommendations for action: enhancing artistic doctoral education in dance and performance. Artistic Doctorates in Europe.Other
Artistic Doctorates in Europe
Midgelow, V. 2016. Artistic Doctorates in Europe.Design
Researching (in/as) motion: a resource collection
Midgelow, V., Bacon, J., Kramer, P. and Hilton, R. (ed.) 2019. Researching (in/as) motion: a resource collection. Theatre Academy of the University of the Arts Helsinki.Book
ArtsCross Taipei 2011: Uncertain…waiting…
Bannerman, C., Zhang, J., Whitley, A., Zhang, X., Lai, T., Yao, S., Halsackda, K., Li, S., Yu, Y., Pagarlava, B. and Ayuso, A. 2011. ArtsCross Taipei 2011: Uncertain…waiting…. Taipei Contemporary Theatre 20 - 21 Aug 2011Performance
ArtsCross London 2013 Leaving home: being elsewhere
Bannerman, C., Welton, M., Van Huynh, D., Buscarini, R., Tussing, V., Guo, L., Zhao, L., Su, W., Zeng, H., Tung, I. and Ho, H. 2013. ArtsCross London 2013 Leaving home: being elsewhere. The Place Robin Howard Theatre 10 Aug 2013Performance
My heart, my heart: live poetry jukebox
Diedrich, A. and Malten, T. 2017. My heart, my heart: live poetry jukebox. Cambridge Junction 06 Sep 2017Performance
Introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. 1-13. https://doi.org/10.3167/cont.2017.050102Article
Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play
Inglis, B. 2019. Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play. Music as play festival: the toy piano takes the stage. Istituto Giosue Carducci, Como, Italy 06 - 07 Jul 2019Conference item
Positive negatives: or the subtle arts of compromise
Melrose, S. 2015. Positive negatives: or the subtle arts of compromise. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures UK Palgrave Macmillan. pp. 239-258Book chapter
Writing 'Practice' /Practising/ 'Writing' (in the doctoral research context)
Melrose, S. and Sachsenmaier, S. 2019. Writing 'Practice' /Practising/ 'Writing' (in the doctoral research context). in: Midgelow, V., Bacon, J., Hilton, R. and Kramer, P. (ed.) Researching (in/as) Motion: A Resource Collection - Artistic Doctorates in Europe Helsinki Theatre Academy, University of the Arts Helsinki.Book chapter
Wright-ing the somatic: narrating the bodily
Akinleye, A. and Kindred, H. 2019. Wright-ing the somatic: narrating the bodily. Journal of Dance and Somatic Practices. 11 (1), pp. 3-6. https://doi.org/10.1386/jdsp.11.1.3_2Article
CHTHONIC
Bacon, T. 2019. CHTHONIC. Raw Labs, Bow Arts Trust, as part of London Festival of Architecture, London, UK 21 Jun 2019Public installation
Reconsidering research and supervision as creative embodied practice: reflections from the field, Artistic Doctorates in Europe: third-cycle provision in Dance and Performance
Bacon, J. and Midgelow, V. 2019. Reconsidering research and supervision as creative embodied practice: reflections from the field, Artistic Doctorates in Europe: third-cycle provision in Dance and Performance. UK Artistic Doctorates in Europe.Report
Time’s markings/marking time/s: Rosemary Butcher’s secrets of the open sea (Revised 2019)
Melrose, S. and Sachsenmaier, S. 2014. Time’s markings/marking time/s: Rosemary Butcher’s secrets of the open sea (Revised 2019). IFTR (International Federation for Theatre Research) On Stratification. Warwick 18 Jul - 01 Aug 2014Conference paper
Cinderella, the beauty myth and a feminist conundrum
Bernkopf, A. 2019. Cinderella, the beauty myth and a feminist conundrum. in: Weedon, A. and Darwood, N. (ed.) Storytelling: Cultural and Creative Transformations of Cinderella Wayne State University Press.Book chapter
Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs
O'Dair, M. and Beaven, Z. 2017. Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs. in: Smith, G., Dines, M. and Parkinson, T. (ed.) Punk Pedagogies: Music, Culture and Learning London Routledge. pp. 73-90Book chapter
Vinyl, Vinyl everywhere: The analog record in the digital world
Osborne, R. 2018. Vinyl, Vinyl everywhere: The analog record in the digital world. in: Wolf, M. (ed.) The Routledge Companion to Media Technology and Obsolescence Routledge. pp. 200-214Book chapter
Moby, Minstrelsy and Melville
Osborne, R. 2018. Moby, Minstrelsy and Melville. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 169-182Book chapter
Introduction: Mute Records
Osborne, R. and Beaven, Z. 2018. Introduction: Mute Records. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 1-14Book chapter
Special issue: ArtsCross/Danscross: transcultural dialogues (Chinese issue), Choreographic Practices, Volume 7 Number 2, ISSN 2040-5669
Bannerman, C. 2016. Special issue: ArtsCross/Danscross: transcultural dialogues (Chinese issue), Choreographic Practices, Volume 7 Number 2, ISSN 2040-5669. Intellect.Edited Journal
Freedom of movement: what Brexit means for dance [Blog post]
Bannerman, C. 2018. Freedom of movement: what Brexit means for dance [Blog post]. The London School of Economics and Political Science.Other
Dancing transcultural dialogues
Bannerman, C. 2016. Dancing transcultural dialogues. Choreographic Practices. 7 (2), pp. 165-195. https://doi.org/10.1386/chor.7.2.165_2Article
Microtonal procedures in 'Sailing to Byzantium'
Inglis, B. and Barnes, R. 2005. Microtonal procedures in 'Sailing to Byzantium'. UK Microfest 1. Riverhouse Arts Centre, Walton-on-Thames, Surrey, UK 14 - 15 Oct 2005Conference item
Towards an analytical framework for graphic scores, and a proposed typology
Inglis, B. 2015. Towards an analytical framework for graphic scores, and a proposed typology. Putting the Graphic in Music – Notation, Analaysis & Performance. Senate House Library, University of London 30 Nov 2015Conference paper
Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore
Dines, M. and Das, M. 2019. Waging war with the material world: in the pursuit of the transcendental with Argentinian Krishnacore. 42nd Implicit Religion Conference: Religion and the Encounter. Bishop Grosseteste University, Lincoln, UK 17 - 19 May 2019Conference item
From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore
Dines, M. 2019. From New York punk to Hare Krishna monk: Bhakti-Rasa and the devotional Aesthetic of Krishnacore. Punk and the Sacred. Mansions of the Future, St Mary’s Street, Lincoln, UK 28 - 29 Nov 2019Conference item
Dance Well evaluation report 2016-2019
Farmer, C. 2019. Dance Well evaluation report 2016-2019. London, UK Akademi South Asian Dance UK.Report
Absolute pitch: myths, misconceptions, and learnability
Leak, S. 2019. Absolute pitch: myths, misconceptions, and learnability. Crick Music Symposium. The Francis Crick Institute, 1 Midland Rd, London NW1 1AT 11 Dec 2019Conference item
Practice ethics: modelling posthuman entanglements and care in artistic doctorates
Midgelow, V. 2019. Practice ethics: modelling posthuman entanglements and care in artistic doctorates. in: Midgelow, V., Bacon, J., Kramer, P. and Hilton, R. (ed.) Research (in/as) Motion: A resource collection Theatre Academy of the University of the Arts Helsinki.Book chapter
Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism
Dwyer, B. 2019. Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. in: Dwyer, B. and Marx, W. (ed.) New Perspectives on György Ligeti University of Rochester Press.Book chapter
Musical composition and mystical spirituality
Inglis, B. 2019. Musical composition and mystical spirituality. in: Boyce-Tillman, J., Roberts, S. and Erricker, J. (ed.) Enlivening Faith: Music, Spirituality and Christian Theology Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
Psychogenesis series
Bacon, T. 2018. Psychogenesis series. in: Gluzman, Y. and Cleary, S. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.Book chapter
Four pieces for toy piano
Inglis, B. 2018. Four pieces for toy piano. Composers Edition.Composition
A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine
Beale, S. 2018. A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine. Teaching Artist Journal. 16 (3-4), pp. 91-99. https://doi.org/10.1080/15411796.2018.1530520Article
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.Digital or visual media
KnowingUnknowing and the Corporeal
Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.Artefact
KnowingUnknowing
Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.Digital or visual media
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