School of Film
| Title | School of Film |
|---|---|
| Alternative | ACI - Film |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Early photographic work exhibited in 'The English at Home: 20th Century Domestic Photographs from the Hyman Collection', The Centre for British Photography, London
Billingham, R. 2023. Early photographic work exhibited in 'The English at Home: 20th Century Domestic Photographs from the Hyman Collection', The Centre for British Photography, London.Artefact
That obscure object of ontology: Lacan, La femme, lathouse and Her
Tyrer, B. 2023. That obscure object of ontology: Lacan, La femme, lathouse and Her. in: Bartelmus, M. and Danebrock, F. (ed.) Therapie der Dinge? Materialität und Psychoanalyse in Literatur, Film und bildender Kunst Transcript Verlag. pp. 235-247Book chapter
Prince with a thousand faces: shifting art-styles and the depiction of violence in Watership Down
Summers, S. 2023. Prince with a thousand faces: shifting art-styles and the depiction of violence in Watership Down. in: Lester, C. (ed.) Watership Down: Perspectives On and Beyond Animated Violence New York, NY Bloomsbury. pp. 176-190Book chapter
Fun for all the family: adapting the Fast & Furious as animated children's television
Summers, S. 2023. Fun for all the family: adapting the Fast & Furious as animated children's television. in: Gulam, J., Elliott, F. and Feinstein, S. (ed.) Full-Throttle Franchise: The Culture, Business and Politics of Fast & Furious New York, NY Bloomsbury. pp. 213-232Book chapter
Shakespeare and Wales
Cottis, D. 2023. Shakespeare and Wales. Willow Globe First Folio FestivalOther
Romeo and Julie: or The Corn is Always Greener
Cottis, D. 2023. Romeo and Julie: or The Corn is Always Greener. Wales Arts Review.Article
iuSui
Salgado Llopis, M. and Heger-Hedløy, A. 2023. iuSui.Digital or visual media
The shudder-image: psyche-soma, sex and knowledge in Hannibal
Tyrer, B. 2022. The shudder-image: psyche-soma, sex and knowledge in Hannibal. Screen. 63 (4), pp. 464-494. https://doi.org/10.1093/screen/hjac039Article
Clemence Dane's Broome Stages - novel and play
Cottis, D. 2022. Clemence Dane's Broome Stages - novel and play. From treading boards to the Book Society: Clemence Dane and her circle in the 1920s-1950s. Senate House, University of London 06 - 07 Oct 2022Conference paper
Embedding impact in collaborative filmmaking processes: a case study
Bendon, H. and Lukic, V. 2022. Embedding impact in collaborative filmmaking processes: a case study. Media Practice and Education. 23 (2), pp. 188-194. https://doi.org/10.1080/25741136.2022.2056792Article
Film/TV Industries-Academia Discussion Forum: Discussion highlights and proposed next steps
McCaffrey, E. 2020. Film/TV Industries-Academia Discussion Forum: Discussion highlights and proposed next steps. Middlesex University.Discussion paper
Film/TV Industries - Academia discussion Forum: Non-Creative Roles in the Screen Industries
McCaffrey, E. 2019. Film/TV Industries - Academia discussion Forum: Non-Creative Roles in the Screen Industries. Film/TV Industries-Academia Discussion Forum: Non-Creative Roles in the Screen Industries. The Royal Society, London 12 Dec 2019Conference item
Film/TV Industry-Academia Roundtable Discussion
McCaffrey, E. 2018. Film/TV Industry-Academia Roundtable Discussion. Film/TV industries-Academia Roundtable discussion. The Royal Society, London 13 Dec 2018Conference item
Connected Campus for Creative Industries Slide Deck
McCaffrey, E. 2020. Connected Campus for Creative Industries Slide Deck. Connected Campus for Creative Industries. Zoom 08 Dec 2020Conference item
Joose TV website
McCaffrey, E. 2000. Joose TV website.Design
Dracula's Daughter - the umade, unmakeable script
Cottis, D. 2022. Dracula's Daughter - the umade, unmakeable script. Shadow Screens: Unmade, Unseen, Unreleased Film and Television conference. Sheffield Hallam UniversityConference paper
Scarred for life volume two: TV in the 1980's [Review]
Cottis, D. 2021. Scarred for life volume two: TV in the 1980's [Review]. Wales Arts Review.Article
Covid-19 Guidelines for student productions at FE/HE levels
McCaffrey, E. 2021. Covid-19 Guidelines for student productions at FE/HE levels. ScreenSkills website ScreenSkills.Report
UX evaluation of VR locomotion & virtual object interaction mechanics
Wiedemann, D., Passmore, P. and Moar, M. 2020. UX evaluation of VR locomotion & virtual object interaction mechanics. Geril, P. and Polanska, M. (ed.) SciFi-It’2020 the 4th International Science Fiction Prototyping Conference. University of Leuven Campus Ghent, Ghent, Belgium 07 - 09 Sep 2020 EUROSIS-ETI. pp. 49-57Conference paper
Photographic work exhibited in 'Chosen Family – Less Alone Together', Fotomuseum Winterthur, Winterthur
Billingham, R. 2022. Photographic work exhibited in 'Chosen Family – Less Alone Together', Fotomuseum Winterthur, Winterthur. Winterthur, SwitzerlandArtefact
Building a text for actors and AR (Backpages 32.1)
Charlton, J., Cottis, D. and Moar, M. 2022. Building a text for actors and AR (Backpages 32.1). Contemporary Theatre Review. 32 (1), pp. 112-115. https://doi.org/10.1080/10486801.2022.2009659Article
Photographic work exhibited in 'Trilogie de cendres #1: "Ta langue une allumette qui craque"', Frac à Carquefou, France
Billingham, R. 2022. Photographic work exhibited in 'Trilogie de cendres #1: "Ta langue une allumette qui craque"', Frac à Carquefou, France.Artefact
What does non-chronological storytelling tell us about the nature of cinema?
Cottis, D. 2021. What does non-chronological storytelling tell us about the nature of cinema? Narrative, Media and Cognition VI – Reconfigurations: New Narrative Challenges of the Moving Image. Theatre and Film School, Lisbon Polytechnic Institute, Portugal 14 - 16 Oct 2021Conference paper
Photographic work included in 'L'enfance dans la collection agnès b.' La Fab, Paris
Billingham, R. 2022. Photographic work included in 'L'enfance dans la collection agnès b.' La Fab, Paris.Artefact
Photographic work exhibited in 'Where There’s Space to Grow', Sunderland Museum & Winter Gardens, Sunderland
Billingham, R. 2022. Photographic work exhibited in 'Where There’s Space to Grow', Sunderland Museum & Winter Gardens, Sunderland.Artefact
'Ray & Liz' and 'Ray's a laugh': film screening, photography presentation and discussion, organised by Muestra de Cine de Lanzarote and Veintinueve Trece, Lanzarote (8th - 12th November 2022)
Billingham, R. 2022. 'Ray & Liz' and 'Ray's a laugh': film screening, photography presentation and discussion, organised by Muestra de Cine de Lanzarote and Veintinueve Trece, Lanzarote (8th - 12th November 2022). Muestra de Cine de Lanzarote / Veintinueve Trece. Lanzarote, Spain 08 - 12 Nov 2022 Muestra de Cine de Lanzarote.Conference item
'Walter Holding Newborn Bruno' in 'From the Heart: 10 Photographers on the Theme of Love'
Billingham, R. 2022. 'Walter Holding Newborn Bruno' in 'From the Heart: 10 Photographers on the Theme of Love'. Guardian Media Group.Newspaper
Intertextuality and “adult” humour in children’s film
Summers, S. 2022. Intertextuality and “adult” humour in children’s film. in: Brown, N. (ed.) The Oxford Handbook of Children's Film Oxford University Press (OUP). pp. 124-144Book chapter
Work exhibited in 'Soft Prison', Museum of the Home, London
Billingham, R. 2021. Work exhibited in 'Soft Prison', Museum of the Home, London.Artefact
Photographic work exhibited in 'Island Life: Photographs from the Martin Parr Foundation', Bristol City Art Museum, Bristol
Billingham, R. 2021. Photographic work exhibited in 'Island Life: Photographs from the Martin Parr Foundation', Bristol City Art Museum, Bristol.Artefact
Review of The Picture of Dorian Gray (Theatr Clwyd, online)
Cottis, D. 2021. Review of The Picture of Dorian Gray (Theatr Clwyd, online). Wales Arts Review.Article
Book Review: David McGowan, Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts (University of Texas Press, 2019)
Summers, S. 2021. Book Review: David McGowan, Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts (University of Texas Press, 2019). Open Screens. 4 (1), p. 13. https://doi.org/10.16995/os.65Article
Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049
Tyrer, B. 2021. Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049. in: Lacanian Perspectives on Blade Runner 2049 Cham Palgrave Macmillan. pp. 13-39Book chapter
Fellow Creature 360 annotated
Moar, M. and Charlton, J. 2020. Fellow Creature 360 annotated.Digital or visual media
Myth and the art strike of the international parallel union of telecommunications
Martin, S. 2021. Myth and the art strike of the international parallel union of telecommunications. in: Hardliz, R. (ed.) Non-Construction: An Architectural Gesture in Artistic Research Diaphanes.Book chapter
Réveiller l’archive d’une guerre coloniale: photographies et écrits de Gaston Chérau correspondant de guerre en Libye (1911-1912) edited by Pierre Schill, Grâne, Créaphis, 2018, 480 pp., €35 (hardcover), ISBN: 978-2-35428-141-0 [Book review]
Lukic, V. 2020. Réveiller l’archive d’une guerre coloniale: photographies et écrits de Gaston Chérau correspondant de guerre en Libye (1911-1912) edited by Pierre Schill, Grâne, Créaphis, 2018, 480 pp., €35 (hardcover), ISBN: 978-2-35428-141-0 [Book review]. Early Popular Visual Culture. https://doi.org/10.1080/17460654.2020.1840961Article
Bond at the Olympics: On Her Majesty's (Public) Service [Blog post]
Cottis, D. 2020. Bond at the Olympics: On Her Majesty's (Public) Service [Blog post]. A MediaCommons project In Media Res.Other
A ladder of words: mid-twentieth century Welsh plays in English
Cottis, D. (ed.) 2020. A ladder of words: mid-twentieth century Welsh plays in English. Parthian Books.Book
Top 5 animation containers
Wheele, B. 2018. Top 5 animation containers.Digital or visual media
‘Becoming Hannibal’: Identification and transformation in queer horror television
Tyrer, B. 2020. ‘Becoming Hannibal’: Identification and transformation in queer horror television. in: Elliott-Smith, D. and Browning, J.E. (ed.) New Queer Horror Film and Television University of Wales Press.Book chapter
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