School of Film
| Title | School of Film |
|---|---|
| Alternative | ACI - Film |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
Sort by Date Title
Visualising the rise of populism with post-truth pictures: blurred lines
Flynn, N. and Lakin, W. 2017. Visualising the rise of populism with post-truth pictures: blurred lines. TCOLondon Huck Magazine.Other
VR and the dramatic theatre: are they fellow creatures?
Charlton, J. and Moar, M. 2018. VR and the dramatic theatre: are they fellow creatures? International Journal of Performance Arts and Digital Media. 14 (2), pp. 187-198. https://doi.org/10.1080/14794713.2018.1511137Article
The artist as historyteller within museum and heritage sites
Bendon, H. 2018. The artist as historyteller within museum and heritage sites. PhD thesis Middlesex University MediaPhD thesis
How the personal remains political in photography today
Brown, C. 2017. How the personal remains political in photography today. Format 2015. Quad Derby Mar 2015 Intellect. https://doi.org/10.1386/scene.5.1.23_1Conference paper
Roughhouse
Hodgson, J. 2018. Roughhouse.Digital or visual media
Gazell.io digital resident artist
Wheele, B. 2016. Gazell.io digital resident artist.Design
World pop drummer
Wheele, B., Moar, M. and Inoue, S. 2017. World pop drummer.Design
Body of songs: appendix
Wheele, B., Nunn, T. and Rundell, R. 2015. Body of songs: appendix.Digital or visual media
Poly Styrene: virtual boyfriend
Wheele, B. and Styrene, P. 2011. Poly Styrene: virtual boyfriend.Digital or visual media
“VRification”: applying virtual reality to digital games
Wiedemann, D., Passmore, P. and Moar, M. 2017. “VRification”: applying virtual reality to digital games. SciFi-It'2017: International Science Fiction Prototyping Conference. Bruges, Belgium 10 - 11 Apr 2017 EUROSIS. pp. 55-58Conference paper
An experiment design: investigating VR locomotion & virtual object interaction mechanics
Wiedemann, D., Passmore, P. and Moar, M. 2017. An experiment design: investigating VR locomotion & virtual object interaction mechanics. GAME-ON'2017: 18th International Conference on Intelligent Games and Simulation. Carlow, Ireland 06 - 08 Sep 2017 EUROSIS. pp. 80-86Conference paper
Virtual Reality 3rd person camera behavior modes
Wiedemann, D., Passmore, P. and Moar, M. 2016. Virtual Reality 3rd person camera behavior modes. GAME-ON'2016: 17th International Conference on Intelligent Games and Simulation. Lisbon, Portugal 13 - 15 Sep 2016 EUROSIS. pp. 57-64Conference paper
Local multiplayer immersion affected by 3D stereoscopy
Wiedemann, D., Passmore, P. and Moar, M. 2017. Local multiplayer immersion affected by 3D stereoscopy. CHI PLAY 2017. Amsterdam 15 - 18 Oct 2017 Association for Computing Machinery (ACM). pp. 25-35 https://doi.org/10.1145/3130859.3131429Conference paper
Photographic work included in 'Black Mirror: Art as Social Satire' group show, Saatchi Gallery, London
Billingham, R. 2018. Photographic work included in 'Black Mirror: Art as Social Satire' group show, Saatchi Gallery, London.Artefact
Camilla Brown: In the public domain - a curators perspective
Brown, C. 2017. Camilla Brown: In the public domain - a curators perspective. in: Read, S. and Simmons, M. (ed.) Photographers and Research: The role of research in contemporary photographic practice New York Routledge. pp. 246-256Book chapter
Voices apart
Heinemann, D., Nevardauskaite, E. and Broken Island Films 2020. Voices apart.Digital or visual media
Remember, thou art clay
Heinemann, D., Nevardauskaite, E. and Broken Island Films 2017. Remember, thou art clay.Digital or visual media
Unburied
Heinemann, D., Nevardauskaite, E. and Broken Island Films 2018. Unburied.Digital or visual media
Emmaus in the UK 1991-2016 - Brochure / Booklet
Glynn, B., Kerr, P. and McGorrian, T. 2016. Emmaus in the UK 1991-2016 - Brochure / Booklet.Artefact
Spring, Summer, Autumn, Winter
Harris, V. 2018. Spring, Summer, Autumn, Winter.Digital or visual media
RAF Museum Project Sweetheart Brooches Project
Tanner, A., Bradley, M. and Lovell-Davis, S. 2017. RAF Museum Project Sweetheart Brooches Project.Digital or visual media
Platform - conversations: Carte Blanche students 2017 - EN
Mekouar, M., Selley, G., Shlyk, A., Billerbeck, L., Lakin, W. and Marcilhacy, V. 2017. Platform - conversations: Carte Blanche students 2017 - EN. Paris Photo: The Platform conversations. Grand Palais, Paris 09 - 12 Nov 2017Conference item
[Art work featured in group exhibition: Dark Frame / Deep Field (Caroline Corbasson, Dan Holdsworth, Philippe Pleasants, Sophy Rickett, Vintage NASA Photographs, We Colonised the Moon)]
Pleasants, P. 2015. [Art work featured in group exhibition: Dark Frame / Deep Field (Caroline Corbasson, Dan Holdsworth, Philippe Pleasants, Sophy Rickett, Vintage NASA Photographs, We Colonised the Moon)].Artefact
Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse
Cottis, D. 2017. Towards a British concept musical: the shows of Anthony Newley and Leslie Bricusse. in: Gordon, R. and Jubin, O. (ed.) The Oxford Handbook of the British Musical New York Oxford University Press (OUP). pp. 309-330Book chapter
Theatre: A Recipe for Sloe Gin (Clock Tower) [Review]
Cottis, D. 2018. Theatre: A Recipe for Sloe Gin (Clock Tower) [Review]. Wales Arts Review.Article
TV: BBC's King Lear [Review]
Cottis, D. 2018. TV: BBC's King Lear [Review]. Wales Arts Review.Article
The Boring Conference 2018
Cottis, D. 2018. The Boring Conference 2018. Wales Arts Review.Article
[Presentation of photographic work]
Lakin, W. 2016. [Presentation of photographic work]. The Extraordinary Everyday: Film and Photography. Institute of Contemporary Arts, London, United Kingdom 24 Nov 2016Conference item
Martyn, Sean and Jacob, 2013
Lakin, W. 2014. Martyn, Sean and Jacob, 2013.Artefact
Bedrock
Lakin, W. 2016. Bedrock.Artefact
[Talk based on photographic project work]
Pleasants, P. 2014. [Talk based on photographic project work]. Exposure 1. An event and symposium at the Photographers’ Gallery. Photographers' Gallery, London, UK 26 Nov 2014Conference item
A glimmer of accountability
Lakin, W. 2017. A glimmer of accountability.Artefact
Good times for free
Lakin, W. 2018. Good times for free.Artefact
Alexandra Palace: war on the home front
Kerr, P. 2014. Alexandra Palace: war on the home front.Digital or visual media
“A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’
Kerr, P. 2011. “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. in: McNally, K. (ed.) Billy Wilder, Movie-Maker: Critical Essays on the Films North Carolina McFarland. pp. 117-131Book chapter
Washed out: hard to say goodbye
Hodgson, J. 2016. Washed out: hard to say goodbye.Digital or visual media
'Ray's a Laugh' artist's photobook publication exhibited in 'ARTISTS BOOKS EDITIONS: Publications by Yvon Lambert and Hans Werner Holzwarth', Galerie Max Hetzler, Berlin
Billingham, R. 2018. 'Ray's a Laugh' artist's photobook publication exhibited in 'ARTISTS BOOKS EDITIONS: Publications by Yvon Lambert and Hans Werner Holzwarth', Galerie Max Hetzler, Berlin.Artefact
Standing at the centre of the story: emerging problems and opportunities for animators migrating from the traditional storytelling frame to the 360 narrative view
Mobbs, S. and Moar, M. 2018. Standing at the centre of the story: emerging problems and opportunities for animators migrating from the traditional storytelling frame to the 360 narrative view. Imago : studi di cinema e media. 2017 (16, 2), pp. 171-182. https://doi.org/10.1400/257950Article
Performing history: Wind Tossed (1936), natural movement and the hyper-historian
Salgado Llopis, M. 2018. Performing history: Wind Tossed (1936), natural movement and the hyper-historian. in: Main, L. (ed.) Transmissions in Dance: Contemporary Staging Practices London Palgrave Macmillan. pp. 61-83Book chapter
Photographic work exhibited in 'Walls Have Ears: 400 Years of Change', Aston Hall, Birmingham
Billingham, R. 2018. Photographic work exhibited in 'Walls Have Ears: 400 Years of Change', Aston Hall, Birmingham.Artefact
14843
total views2264
total downloads627
views this month88
downloads this month