School of Film
| Title | School of Film |
|---|---|
| Alternative | ACI - Film |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Poly Styrene: virtual boyfriend
Wheele, B. and Styrene, P. 2011. Poly Styrene: virtual boyfriend.Digital or visual media
Photographic work included in 'Black Mirror: Art as Social Satire' group show, Saatchi Gallery, London
Billingham, R. 2018. Photographic work included in 'Black Mirror: Art as Social Satire' group show, Saatchi Gallery, London.Artefact
Camilla Brown: In the public domain - a curators perspective
Brown, C. 2017. Camilla Brown: In the public domain - a curators perspective. in: Read, S. and Simmons, M. (ed.) Photographers and Research: The role of research in contemporary photographic practice New York Routledge. pp. 246-256Book chapter
Emmaus in the UK 1991-2016 - Brochure / Booklet
Glynn, B., Kerr, P. and McGorrian, T. 2016. Emmaus in the UK 1991-2016 - Brochure / Booklet.Artefact
'Hospice Stories' – Developing documentary practices for sensitive contexts – Video Ethnography in the UK Hospice Sector
McGorrian, T. 2018. 'Hospice Stories' – Developing documentary practices for sensitive contexts – Video Ethnography in the UK Hospice Sector. IOHA 2018 Memory & Narration - 20th International Oral History Association (IOHA) Conference. University of Jyvaskyla, Finland 18 - 21 Jun 2018Conference paper
Platform - conversations: Carte Blanche students 2017 - EN
Mekouar, M., Selley, G., Shlyk, A., Billerbeck, L., Lakin, W. and Marcilhacy, V. 2017. Platform - conversations: Carte Blanche students 2017 - EN. Paris Photo: The Platform conversations. Grand Palais, Paris 09 - 12 Nov 2017Conference item
[Art work featured in group exhibition: Dark Frame / Deep Field (Caroline Corbasson, Dan Holdsworth, Philippe Pleasants, Sophy Rickett, Vintage NASA Photographs, We Colonised the Moon)]
Pleasants, P. 2015. [Art work featured in group exhibition: Dark Frame / Deep Field (Caroline Corbasson, Dan Holdsworth, Philippe Pleasants, Sophy Rickett, Vintage NASA Photographs, We Colonised the Moon)].Artefact
[Presentation of photographic work]
Lakin, W. 2016. [Presentation of photographic work]. The Extraordinary Everyday: Film and Photography. Institute of Contemporary Arts, London, United Kingdom 24 Nov 2016Conference item
Martyn, Sean and Jacob, 2013
Lakin, W. 2014. Martyn, Sean and Jacob, 2013.Artefact
Bedrock
Lakin, W. 2016. Bedrock.Artefact
[Talk based on photographic project work]
Pleasants, P. 2014. [Talk based on photographic project work]. Exposure 1. An event and symposium at the Photographers’ Gallery. Photographers' Gallery, London, UK 26 Nov 2014Conference item
A glimmer of accountability
Lakin, W. 2017. A glimmer of accountability.Artefact
Good times for free
Lakin, W. 2018. Good times for free.Artefact
Alexandra Palace: war on the home front
Kerr, P. 2014. Alexandra Palace: war on the home front.Digital or visual media
“A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’
Kerr, P. 2011. “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. in: McNally, K. (ed.) Billy Wilder, Movie-Maker: Critical Essays on the Films North Carolina McFarland. pp. 117-131Book chapter
'Ray's a Laugh' artist's photobook publication exhibited in 'ARTISTS BOOKS EDITIONS: Publications by Yvon Lambert and Hans Werner Holzwarth', Galerie Max Hetzler, Berlin
Billingham, R. 2018. 'Ray's a Laugh' artist's photobook publication exhibited in 'ARTISTS BOOKS EDITIONS: Publications by Yvon Lambert and Hans Werner Holzwarth', Galerie Max Hetzler, Berlin.Artefact
Unifinshed Business reading at Comedy Festival Los Angeles USA
Klika, D. 2018. Unifinshed Business reading at Comedy Festival Los Angeles USA.Digital or visual media
Sandwich
Klika, D. 2015. Sandwich.Digital or visual media
Photographic work exhibited in 'Walls Have Ears: 400 Years of Change', Aston Hall, Birmingham
Billingham, R. 2018. Photographic work exhibited in 'Walls Have Ears: 400 Years of Change', Aston Hall, Birmingham.Artefact
Early photographic work included in group exhibition 'In My Shoes: Art & the Self since the 1990s', touring exhibition
Billingham, R. 2018. Early photographic work included in group exhibition 'In My Shoes: Art & the Self since the 1990s', touring exhibition.Artefact
High fantasy meets low culture in How To Train Your Dragon (2010)
Summers, S. 2018. High fantasy meets low culture in How To Train Your Dragon (2010). in: Holliday, C. and Sergeant, A. (ed.) Fantasy/Animation: Connections Between Media, Mediums and Genres New York, NY Taylor & Francis (Routledge). pp. 227-242Book chapter
From shelf to screen: toys as a site of intertextuality
Summers, S. 2018. From shelf to screen: toys as a site of intertextuality. in: Smith, S., Brown, N. and Summers, S. (ed.) Toy Story: How Pixar Reinvented the Animated Feature New York, NY Bloomsbury Publishing. pp. 127-140Book chapter
Introduction
Brown, N., Smith, S. and Summers, S. 2018. Introduction. in: Smith, S., Brown, N. and Summers, S. (ed.) Toy Story: How Pixar Reinvented the Animated Feature New York, NY Bloomsbury Publishing. pp. 1-6Introduction
Toy Story: how Pixar reinvented the animated feature
Smith, S., Brown, N. and Summers, S. (ed.) 2018. Toy Story: how Pixar reinvented the animated feature. New York, NY Bloomsbury Publishing.Edited Book
Top 5 animation containers
Wheele, B. 2018. Top 5 animation containers.Digital or visual media
Target group segmentation and cluster analysis of German equestrians
Rischmann, C., Chiru, I. and Butler, A. 2018. Target group segmentation and cluster analysis of German equestrians. 26th Eurasia Business and Economics Society (EBES) Conference. University of Finance and Administration, Prague, Czech Republic 24 - 26 Oct 2018Conference paper
Photographic work included in 'Who Decides?' exhibition and series of public events, National Museum Cardiff, Cardiff
Billingham, R. 2018. Photographic work included in 'Who Decides?' exhibition and series of public events, National Museum Cardiff, Cardiff.Artefact
Inclusion of early video work in group show 'HOOKED: When Want Becomes Need', King's College London, London
Billingham, R. 2018. Inclusion of early video work in group show 'HOOKED: When Want Becomes Need', King's College London, London.Artefact
'Ray & Liz' - feature film for cinema, broadcast, DVD and online formats
Billingham, R. 2018. 'Ray & Liz' - feature film for cinema, broadcast, DVD and online formats. London, UKDigital or visual media
Animation Industry 'Listening Tour' Report
McCaffrey, E. and Healey, P. 2018. Animation Industry 'Listening Tour' Report. Middlesex University.Project report
Performing history: Wind Tossed (1936), natural movement and the hyper-historian
Salgado Llopis, M. 2018. Performing history: Wind Tossed (1936), natural movement and the hyper-historian. in: Main, L. (ed.) Transmissions in Dance: Contemporary Staging Practices London Palgrave Macmillan. pp. 61-83Book chapter
Film work exhibited in 'On aime l’art…!!', Collection Lambert, Avignon
Billingham, R. 2017. Film work exhibited in 'On aime l’art…!!', Collection Lambert, Avignon.Artefact
A Celtic Knot: educating for a future in corporate film-making - a practitioner's perspective
McCaffrey, E. 2016. A Celtic Knot: educating for a future in corporate film-making - a practitioner's perspective. DProf thesis Middlesex UniversityDProf thesis
La alternativa de Bugs Bunny. Matador y Estrella en "Bully for Bugs" (Chuck Jones,1953)
Smith, S. and Summers, S. 2017. La alternativa de Bugs Bunny. Matador y Estrella en "Bully for Bugs" (Chuck Jones,1953). Revista de Estudios Taurinos. 41, pp. 251-278.Article
The agency dilemma in the ready-to-drink protein shakes market segment: an investigation with young British consumers
Chiru, I. and Coham-Maclaren, F. 2017. The agency dilemma in the ready-to-drink protein shakes market segment: an investigation with young British consumers. International Journal of Interdisciplinary Social Science Studies. 3 (1), pp. 63-71.Article
Keynote at 'Responding to a Landscape', Midlands Art Centre, Birmingham (Symposium)
Billingham, R. 2017. Keynote at 'Responding to a Landscape', Midlands Art Centre, Birmingham (Symposium). Responding to a Landscape. Midlands Art Center, Birmingham, UK 24 Nov 2017Conference keynote
'Order out of Chaos' - artists talk and solo exhibition
Billingham, R. 2017. 'Order out of Chaos' - artists talk and solo exhibition. Art Exchange, University of Essex, Colchester, UK 24 Feb - 25 Mar 2017Show or exhibition
Unfinished Business - a comedy about politics in this life and the next
Klika, D. 2017. Unfinished Business - a comedy about politics in this life and the next. Deborah Klika.Other
Sohn-Rethel’s critique of epistemology and art
Martin, S. 2017. Sohn-Rethel’s critique of epistemology and art. in: Gerber, M. and Fugellie, D. (ed.) Das Wissen der Arbeit und das Wissen der Künste Leiden, The Netherlands Wilhelm Fink. pp. 29-48Book chapter
Life is beautiful: gay representation, moral panics, and South Korean television drama beyond Hallyu
Glynn, B. and Kim, J. 2017. Life is beautiful: gay representation, moral panics, and South Korean television drama beyond Hallyu. Quarterly Review of Film and Video. 34 (4), pp. 333-347. https://doi.org/10.1080/10509208.2016.1241615Article
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