Performing Arts
| Title | Performing Arts |
|---|---|
| Alternative | ACI - PA |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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In-the-between-ness: decolonising and re-inhabiting our dancing
Kindred, H. and Akinleye, A. 2018. In-the-between-ness: decolonising and re-inhabiting our dancing. in: Akinleye, A. (ed.) Narratives in Black British Dance: Embodied Practices Palgrave Macmillan. pp. 65-78Book chapter
Practice-as-research
Midgelow, V. 2019. Practice-as-research. in: Dodds, S. (ed.) The Bloomsbury Companion to Dance Studies Bloomsbury. pp. 111-144Book chapter
Diversity in the discipline working group: chair’s report 2015-17
de Senna, P. 2018. Diversity in the discipline working group: chair’s report 2015-17. SCUDD.Project report
Scratch: a choreographic conversation
Midgelow, V. and Bacon, J. 2016. Scratch: a choreographic conversation. Nottingham 01 Dec 2016Performance
Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017Other
The stain upon the silence
Dwyer, B. 2019. The stain upon the silence. Farpoint Records.Other
Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.Other
Mute records: artists, business, history
Beaven, Z., O'Dair, M. and Osborne, R. (ed.) 2018. Mute records: artists, business, history. New York and London Bloomsbury Academic.Book
Dances and Laments
Fribbins, P. 2013. Dances and Laments.Digital or visual media
Dances & Laments
Fribbins, P. 2015. Dances & Laments. Music Haven, London.Composition
Sonata for solo violin
Fribbins, P. 2017. Sonata for solo violin. Music Haven, London.Composition
Dances, elegies and epitaphs: the music of Peter Fribbins
Fribbins, P. and Royal Scottish National Orchestra 2017. Dances, elegies and epitaphs: the music of Peter Fribbins.Digital or visual media
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]
Hussein, N. 2017. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]. Theatre Research International. 42 (3), pp. 353-355. https://doi.org/10.1017/S0307883317000669Article
Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]
Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.Article
Sheela-na-gigs and an ‘Aesthetics of Damage’
Dwyer, B. 2018. Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review.Article
Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1Article
Words and dance
Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2Article
Piano Trio: for violin, cello and piano
Inglis, B. 2017. Piano Trio: for violin, cello and piano. Composers Edition.Composition
‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind
Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.Book chapter
Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock)
Inglis, B. and Smith, B. 2019. Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock). London and New York Routledge.Book
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017Conference paper
(Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018
Woodhouse, A. and Rackowe, N. 2018. (Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018. IFTR 2018: World Congress, National Museum of Belgrade 09 - 12 Jul 2018Show or exhibition
(De)figured Installation performance research
Woodhouse, A. and Rackowe, N. 2018. (De)figured Installation performance research. White City Place, 195 Wood Lane, London W12 7FQ 01 Jun 2018Show or exhibition
I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018
Woodhouse, A. 2018. I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018. Slowing and Stilling: foregrounding process in performance practices. Birmingham Conservatoire 11 - 12 Jun 2018Conference item
'Exposure' working title sharing of practical research in March 2018
Woodhouse, A., Broadhead, C. and Sandiland, N. 2018. 'Exposure' working title sharing of practical research in March 2018. Exposure - research using a thermal imaging camera. Coventry University 23 Apr 2018Conference item
Close Distance
Woodhouse, A., Broadhead, C. and Sandiland, N. 2017. Close Distance. Wollaton Hall, Nottinghamshire 08 Mar - 01 May 2017Show or exhibition
Sighted: an overview
Broadhead, C. and Woodhouse, A. 2017. Sighted: an overview. Dance Research Aotearoa. 5 (1), pp. 59-70. https://doi.org/10.15663/dra.v5i1.63Article
Foreword [The furthest point in space is also inside our body]
Bacon, T. 2018. Foreword [The furthest point in space is also inside our body]. in: Dolphin-Krute, M. and Martinez, C. C. (ed.) No one thing is the root of all anything: phases and performance of the imminent by Chelsea Coon Los Angeles, CA Not a Cult. pp. 1-6Book chapter
Classical music, copyright and collecting societies
Inglis, B. 2018. Classical music, copyright and collecting societies. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 7-31Book chapter
Answer the question
Hussein, N. 2018. Answer the question. Theatre, Dance and Performance Training. 9 (1), pp. 118-119. https://doi.org/10.1080/19443927.2018.1428435Article
Training and…borders
Hussein, N. and Papadelli, V. 2017. Training and…borders. Theatre, Dance and Performance Training. 8 (1), pp. 109-110. https://doi.org/10.1080/19443927.2017.1275208Article
"Empathy for the entire spectrum of selves and other": George Tabori's Humanism
Diedrich, A. 2018. "Empathy for the entire spectrum of selves and other": George Tabori's Humanism. in: Donahue, W. and Helfer, M. (ed.) Nexus 4: Essays in German Jewish Studies Camden House.Book chapter
Sandman
Diedrich, A. and Carter, M. 2015. Sandman. The Place Theatre, Bedford 25 Mar 2015Performance
Performing history: Wind Tossed (1936), natural movement and the hyper-historian
Salgado Llopis, M. 2018. Performing history: Wind Tossed (1936), natural movement and the hyper-historian. in: Main, L. (ed.) Transmissions in Dance: Contemporary Staging Practices London Palgrave Macmillan. pp. 61-83Book chapter
New Horizons in Brazilian Contemporary Music: Grupo Novo Horizonte de São Paulo, 1988-99
Dromey, C. 2018. New Horizons in Brazilian Contemporary Music: Grupo Novo Horizonte de São Paulo, 1988-99. Tempo. 72 (284), pp. 52-67. https://doi.org/10.1017/S0040298217001267Article
On classical music competitions
Kwok, G. and Dromey, C. 2018. On classical music competitions. in: Dromey, C. and Haferkorn, J. (ed.) The Classical Music Industry Abingdon, Oxon Routledge. pp. 67-76Book chapter
Between (2011): Intimacy and spectacle in tension ans dialogue
Woodhouse, A. and Broadhead, C. 2018. Between (2011): Intimacy and spectacle in tension ans dialogue. in: Brown, C. and Longely, A. (ed.) Undisciplining Dance in Nine Movements and Eight Stumbles Auckland Cambridge Scholars Publishing. pp. 138-150Book chapter
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice
Beale, S. 2018. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice. PhD thesis Middlesex University Theatre ArtsPhD thesis
Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan)
Inglis, B. 2017. Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan). Alkan Society Bulletin.Article
Six types of silence
Osborne, R. 2018. Six types of silence. in: Bennett, S. and Bates, E. (ed.) Critical Approaches to the Production of Music and Sound New York Bloomsbury Academic. pp. 211-228Book chapter
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