School of Film
| Title | School of Film |
|---|---|
| Alternative | ACI - Film |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Photographic work exhibited in 'Home: Live > In Room', Whitechapel Art Gallery, London
Billingham, R. 2020. Photographic work exhibited in 'Home: Live > In Room', Whitechapel Art Gallery, London.Artefact
Engaging audiences on ongoing social debates through interactive and immersive exhibits
Ntalla, I. 2014. Engaging audiences on ongoing social debates through interactive and immersive exhibits. The International Journal of the Inclusive Museum. 6 (2), pp. 105-116. https://doi.org/10.18848/1835-2014/CGP/v06i02/44443Article
Developing documentary practices for sensitive contexts: video ethnography in the UK Hospice sector
McGorrian, T. 2019. Developing documentary practices for sensitive contexts: video ethnography in the UK Hospice sector. DProf thesis Middlesex University Faculty of Arts and Creative IndustriesDProf thesis
Photographic work exhibited in 'Tell me the story of all these things', Firstsite, Colchester
Billingham, R. 2020. Photographic work exhibited in 'Tell me the story of all these things', Firstsite, Colchester.Artefact
Photographic work exhibited in 'Masculinities: Liberation through Photography', Barbican Gallery, London touring to Les Rencontres de la Photographie, Arles and Gropius-Bau, Berlin
Billingham, R. 2020. Photographic work exhibited in 'Masculinities: Liberation through Photography', Barbican Gallery, London touring to Les Rencontres de la Photographie, Arles and Gropius-Bau, Berlin.Artefact
Šabac: a cinematic archaeology
Kador, T. and Lukic, V. 2018. Šabac: a cinematic archaeology. Journal of contemporary archeology. 4 (2), pp. 221-228. https://doi.org/10.1558/jca.32391Article
Photographic work exhibited in 'Dream Baby Dream', Haus Mödrath Räume für Kunst, Kerpen
Billingham, R. 2020. Photographic work exhibited in 'Dream Baby Dream', Haus Mödrath Räume für Kunst, Kerpen.Artefact
Photographic work exhibited in '20 For 2020', The New Art Gallery, Walsall
Billingham, R. 2020. Photographic work exhibited in '20 For 2020', The New Art Gallery, Walsall.Artefact
Photographic landscape work exhibited in 'Spotlight: Works from the Modern and Contemporary Art Collection', Norwich Castle, Norwich
Billingham, R. 2020. Photographic landscape work exhibited in 'Spotlight: Works from the Modern and Contemporary Art Collection', Norwich Castle, Norwich.Artefact
A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company
Kerr, P. 2020. A forgotten episode in the history of Hollywood cinema, television and seriality: the case of the Mirisch Company. in: Hudelet, A. and Crémieux, A. (ed.) Exploring Seriality on Screen: Audiovisual Narratives in Film and Television London and New York Routledge. pp. 79-102Book chapter
"It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven
Kerr, P. 2020. "It seemed like a good idea at the time": Hollywood, homology and hired guns – the making of The Magnificent Seven. in: Broughton, L. (ed.) Reframing Cult Westerns: from The Magnificent Seven to The Hateful Eight Bloomsbury Academic. pp. 21-39Book chapter
Past-light: photo-filmic history as (en)lightened cinematic fetish
Thompson, L. 2019. Past-light: photo-filmic history as (en)lightened cinematic fetish. Light - Sensitive - Material. University of West London 01 - 02 Nov 2019Conference item
One night, New York [Novel]
Thompson, L. 2021. One night, New York [Novel]. London Virago.Book
Review of The Wind of Heaven (Finborough Theatre) [Review]
Cottis, D. 2019. Review of The Wind of Heaven (Finborough Theatre) [Review]. Wales Arts Review.Public media contribution
Reviving Hellas: the body and natural movement in early twentieth-century Britain
Salgado Llopis, M. 2020. Reviving Hellas: the body and natural movement in early twentieth-century Britain. PhD thesis Kingston University Drama, dance and performing artsPhD thesis
A real American hero: the superhero-fication of Disney’s Hercules
Summers, S. 2020. A real American hero: the superhero-fication of Disney’s Hercules. in: Blanshard, A. and Stafford, E. (ed.) The Modern Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century De Gruyter Brill. pp. 488–505Book chapter
DreamWorks Animation: intertextuality and aesthetics in Shrek and beyond
Summers, S. 2020. DreamWorks Animation: intertextuality and aesthetics in Shrek and beyond. Cham Palgrave Macmillan.Authored Book
Film/TV Industries-Academia Discussion Forum: discussion highlights and proposed next steps
McCaffrey, E. 2020. Film/TV Industries-Academia Discussion Forum: discussion highlights and proposed next steps. Middlesex University.Discussion paper
Connected Campus for Creative Industries
McCaffrey, E. 2020. Connected Campus for Creative Industries. Connected Campus for Creative Industries. Zoom 08 Dec 2020Conference item
UX evaluation of VR locomotion & virtual object interaction mechanics
Wiedemann, D., Passmore, P. and Moar, M. 2020. UX evaluation of VR locomotion & virtual object interaction mechanics. Geril, P. and Polanska, M. (ed.) SciFi-It’2020 the 4th International Science Fiction Prototyping Conference. University of Leuven Campus Ghent, Ghent, Belgium 07 - 09 Sep 2020 EUROSIS. pp. 49-57Conference paper
Art strikes: an inventory
Martin, S. 2020. Art strikes: an inventory. Mute Publishing.Magazine
"Visual Affluence" in social photography: applicability of image segmentation as a visually oriented approach to study Instagram hashtags
Rathnayake, C. and Ntalla, I. 2020. "Visual Affluence" in social photography: applicability of image segmentation as a visually oriented approach to study Instagram hashtags. Social Media + Society. 6 (2), pp. 1-14. https://doi.org/10.1177/2056305120924758Article
Caught in the second act: the relationship between film and the TV sitcom
Klika, D. 2020. Caught in the second act: the relationship between film and the TV sitcom. Comunicazioni Sociali: Journal of Media, Performing Arts and Cultural Studies. 2019 (3). https://doi.org/10.26350/001200_000073Article
Commodity
Martin, S. 2020. Commodity. in: Abse Gogarty, L. and Hemingway, A. (ed.) Keywords for Marxist Art History Today Göttingen V&R unipress GmbH.Book chapter
Early photographic work included in the group exhibition 'Inside - Out. Constructions of the Self', Kunstmuseum, Wolfsburg
Billingham, R. 2019. Early photographic work included in the group exhibition 'Inside - Out. Constructions of the Self', Kunstmuseum, Wolfsburg.Artefact
Selector for the Rome Fellowship in Contemporary Art at The British School at Rome, 2018. British School at Rome, London
Billingham, R. 2018. Selector for the Rome Fellowship in Contemporary Art at The British School at Rome, 2018. British School at Rome, London. Spectrum.Other
Member of the International Jury, Marseille International Film Festival, 9 - 16th June 2019, Marseille
Billingham, R. 2019. Member of the International Jury, Marseille International Film Festival, 9 - 16th June 2019, Marseille. FidMarsielle.Other
Selector for the Spectrum Art Award 2018. Spectrum, London.
Billingham, R. 2018. Selector for the Spectrum Art Award 2018. Spectrum, London. Spectrum.Other
Early photography included in the group exhibition 'Children of Saturn', Musée d'art contemporain de la Haute-Vienne, Château de Rochechouart, Vienna
Billingham, R. 2019. Early photography included in the group exhibition 'Children of Saturn', Musée d'art contemporain de la Haute-Vienne, Château de Rochechouart, Vienna.Artefact
The 1940s universal Mummy cycle: a decade of decay or regeneration?
Glynn, B. 2019. The 1940s universal Mummy cycle: a decade of decay or regeneration? Literature/Film Association Conference: Reboot, Repurpose, Recycle. Portland, Oregon 12 - 14 Sep 2019Conference paper
New television: the aesthetics and politics of a genre [Book review]
Glynn, B. 2019. New television: the aesthetics and politics of a genre [Book review]. Visual Studies. 34 (4), pp. 406-408. https://doi.org/10.1080/1472586X.2019.1655264Article
Two emperors and a queen
Lukic, V. 2019. Two emperors and a queen. Screenworks. 9.1. https://doi.org/10.37186/swrks/9.1/4Article
Good times for free
Lakin, W. 2019. Good times for free. Fishing Quarter Gallery, Brighton, BN1 1NB 01 - 07 Aug 2019Show or exhibition
The magnificent seven Mirisch companies: competitive strategy and corporate authorship
Kerr, P. 2020. The magnificent seven Mirisch companies: competitive strategy and corporate authorship. in: Krämer, P., Needham, G., Tzioumakis, Y. and Balio, T. (ed.) United Artists Routledge. pp. 112-131Book chapter
Film light: meaning and emotion
Thompson, L. 2015. Film light: meaning and emotion. 2015 Manchester University Press.Book
Film practice as interdisciplinary research: a case study
Lukic, V. 2019. Film practice as interdisciplinary research: a case study. Media Practice and Education. 20 (2), pp. 194-207. https://doi.org/10.1080/25741136.2019.1619996Article
Under Her Skin: on woman without body and body without Woman
Tyrer, B. 2019. Under Her Skin: on woman without body and body without Woman. in: Piotrowska, A. and Tyrer, B. (ed.) Femininity and Psychoanalysis: Cinema, Culture, Theory Routledge. pp. 138-159Book chapter
Introduction
Piotrowska, A. and Tyrer, B. 2019. Introduction. in: Piotrowska, A. and Tyrer, B. (ed.) Femininity and Psychoanalysis: Cinema, Culture, Theory Routledge. pp. 1-7Introduction
Femininity and psychoanalysis: Cinema, culture, theory
Piotrowska, A. and Tyrer, B. (ed.) 2019. Femininity and psychoanalysis: Cinema, culture, theory. Routledge.Edited Book
The Mummy on screen: orientalism and monstrosity in horror cinema
Glynn, B. 2019. The Mummy on screen: orientalism and monstrosity in horror cinema. London / New York Bloomsbury Academic.Book
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