School of Arts
Title | School of Arts |
---|---|
Alternative | ACI - Arts |
Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Detour Exhibition - Moleskine sketchbook
Mumberson, S. 1998. Detour Exhibition - Moleskine sketchbook.Artefact
Wolkenschauen 23 Kunstler betrachten den Himmel
Read, S., Jank, M., Hormann, E., Benning, K., Verena, V., Jan, V., Jung, K., Keiper, E., Schierz, K., Sudbeck, A. and Raith, S. 2014. Wolkenschauen 23 Kunstler betrachten den Himmel.Artefact
Rotten Boroughs - film of two person print show at Wharepuke Print Studio, Kerikeri, New Zealand
Mumberson, S. 2012. Rotten Boroughs - film of two person print show at Wharepuke Print Studio, Kerikeri, New Zealand.Artefact
Chapter: The power of the Ooze
Read, S. 2014. Chapter: The power of the Ooze. in: Kerr, J. and Payne, C. (ed.) The power of the sea, making waves in British art 1790-2014 Bristol Sansom & Company Ltd. pp. 45-65Book chapter
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. Contemporary Theatre Review. 25 (3), pp. 357-370. https://doi.org/10.1080/10486801.2015.1049822Article
Gray matters (the electroacoustic film music of Barry Gray)
Evans, F. 2014. Gray matters (the electroacoustic film music of Barry Gray). Music and Screen Media Conference. University of Liverpool, Liverpool, UK 25 - 26 Jun 2014Conference paper
Narratives of women artists in/out of Vorticism
Deepwell, K. 2015. Narratives of women artists in/out of Vorticism. in: Berghaus, G. (ed.) International Yearbook of Futurism Studies (Vol 5, 2015) Special issue: Women Artists and Futurism Berlin | Boston Walter de Gruyter.Book chapter
Absence & presence
Gossett, A. 2014. Absence & presence.Artefact
CHArt 2015 Conference, Kings, London and Impact 9, Hangzhou, China-showing video on 3d printmaking 'Invalid Geometry'
Mumberson, S. 2015. CHArt 2015 Conference, Kings, London and Impact 9, Hangzhou, China-showing video on 3d printmaking 'Invalid Geometry'. impact 9 China and CHArt 2015. Impact Hangzhou China and CHArt Kings LondonConference item
Preface
Deepwell, K. 2014. Preface. in: Kosmala, K. (ed.) Sexing the Border, Gender, Art and New Media in Central and Eastern Europe Newcastle upon Tyne Cambridge Scholars Publishing. pp. xv-xviBook chapter
Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review
Dwyer, B. 2007. Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review. The Musical Times. 148 (1899), pp. 89-102.Article
Constellations – the life and music of John Buckley
Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.Book
Dios los cría...
Dwyer, B. 2014. Dios los cría... Music & Literature.Article
Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran
Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.Article
Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.Book
PERCEPTION:Lab
Bacon, T. 2015. PERCEPTION:Lab. Mobius Inc., Boston USA 20 Jun 2015Public installation
The punk & the princess
Evans, F. 1992. The punk & the princess.Digital or visual media
A fistful of fingers
Evans, F. 1994. A fistful of fingers.Digital or visual media
Pervirella
Evans, F. 1997. Pervirella.Digital or visual media
Hitman
Evans, F. 1997. Hitman.Digital or visual media
Sudden fury
Evans, F. 1998. Sudden fury.Digital or visual media
The 3 kings
Evans, F. 1999. The 3 kings.Digital or visual media
Martyr
Evans, F. 2006. Martyr.Digital or visual media
Game over
Evans, F. 2014. Game over.Digital or visual media
Barry Gray centenary concert
Evans, F. 2008. Barry Gray centenary concert. Royal Festival Hall, South Bank Centre, LondonShow or exhibition
Listening perspectives: the composition & assessment of electroacoustic music
Evans, F. 2004. Listening perspectives: the composition & assessment of electroacoustic music. Leeds College of Music International Music & Technology Conference. Leeds College of Music, Leeds 2004Conference paper
Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944)
Evans, F. 2005. Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944). 11th Bradford International Film Festival. Bradford, UK 2005Conference paper
Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006)
Evans, F. 2006. Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006). Middlesex University Music Research Symposium. Middlesex University, London 2006 pp. 1-12Conference paper
Incorporating spectral composition techniques in film
Evans, F. 2009. Incorporating spectral composition techniques in film. Film Music Conference. University of LeedsConference paper
Deus ex machina: psychodynamics of identity in sound streams
Evans, F. 2005. Deus ex machina: psychodynamics of identity in sound streams. 17th International Conference on systems research, Infomatics & cybernetics (The 7th Symposium on Systems Research in the Arts: Music, Environmental Design and the Choreography of Space). Baden-Baden, Germany 01 - 07 Aug 2005 International Institute for Advanced Studies in Systems Research and Cybernetics.Conference paper
The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers
Evans, F. 2014. The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers. Music for Audio Visual Media. University of Leeds 04 - 06 Sep 2014 pp. 1-7Conference paper
Naomi Wallace and the politics of desire
Machon, J. 2013. Naomi Wallace and the politics of desire. in: Stevens Abbit, E. and Palmer, S. (ed.) The innovative theatre of Naomi Wallace: embodied dialogues Palgrave Macmillan.Book chapter
Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark
Machon, J. 2014. Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark. Theatre in the Dark.. University of Surrey, SeedPOD Nodus Centre. 12 Jul 2014Conference keynote
Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl
Machon, J., Lundahl, C. and Seitl, M. 2017. Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl. in: Alston, A. and Welton, M. (ed.) Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre London Bloomsbury Methuen Drama. pp. 147-168Book chapter
Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl
Machon, J. 2019. Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 671-686Book chapter
The deaths of semiology and mythoclasm: Barthes and media studies
Cobley, P. 2015. The deaths of semiology and mythoclasm: Barthes and media studies. Signs and Media. https://doi.org/10.13760/b.cnki.sam.2015.01.001Article
Student choice in the curriculum: an investigation into existing practices in theatre and drama
de Senna, P. 2014. Student choice in the curriculum: an investigation into existing practices in theatre and drama. York, UK Higher Education Academy.Project report
Two launch pads
de Senna, P. 2015. Two launch pads. in: Svich, C. (ed.) Innovation in five acts: strategies for theatre and performance Theatre Communications Group.Book chapter
‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners
de Senna, P., Bowditch, C. and Bower, D. 2015. ‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 221-235Book chapter
This blasted translation: or location, dislocation, relocation
de Senna, P. 2009. This blasted translation: or location, dislocation, relocation. Journal of Adaptation in Film & Performance. 2 (3), pp. 255-265. https://doi.org/10.1386/jafp.2.3.255/1Article
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