School of Arts
| Title | School of Arts |
|---|---|
| Alternative | ACI - Arts |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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The work of Hugh Davies in the context of experimental electronic music in Britain
Palermo, F. 2015. The work of Hugh Davies in the context of experimental electronic music in Britain. PhD thesis Middlesex University School of Media and Performing ArtsPhD thesis
A great friggin' swindle? Sex Pistols, school kids and 1979
Osborne, R. 2015. A great friggin' swindle? Sex Pistols, school kids and 1979. Popular Music and Society. 38 (4), pp. 432-449. https://doi.org/10.1080/03007766.2015.1034496Article
Scaffolding development and the human condition
Cobley, P. and Stjernfelt, F. 2015. Scaffolding development and the human condition. Biosemiotics. 8 (2), pp. 291-304. https://doi.org/10.1007/s12304-015-9238-zArticle
Revolution Farm
Charlton, J. and Kenworth, J. 2014. Revolution Farm. Newham City Farm 19 - 24 Aug 2014Performance
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. Contemporary Theatre Review. 25 (3), pp. 357-370. https://doi.org/10.1080/10486801.2015.1049822Article
Narratives of women artists in/out of Vorticism
Deepwell, K. 2015. Narratives of women artists in/out of Vorticism. in: Berghaus, G. (ed.) International Yearbook of Futurism Studies (Vol 5, 2015) Special issue: Women Artists and Futurism Berlin | Boston Walter de Gruyter.Book chapter
Preface
Deepwell, K. 2014. Preface. in: Kosmala, K. (ed.) Sexing the Border, Gender, Art and New Media in Central and Eastern Europe Newcastle upon Tyne Cambridge Scholars Publishing. pp. xv-xviBook chapter
Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review
Dwyer, B. 2007. Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review. The Musical Times. 148 (1899), pp. 89-102.Article
Constellations – the life and music of John Buckley
Dwyer, B. 2011. Constellations – the life and music of John Buckley. Dublin Carysfort Press.Book
Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola
Dwyer, B. 2011. Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. in: Duchesneau, L. and Marx, W. (ed.) György Ligeti – Of Foreign Lands and Strange Sounds Woodbridge Boydell & Brewer. pp. 19-50Book chapter
Dios los cría...
Dwyer, B. 2014. Dios los cría... Music & Literature.Article
Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran
Dwyer, B. 2014. Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony.Article
Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.Book
Imagines
Dwyer, B., Campanello, K. and Creasy, J. Creasy, J. (ed.) 2015. Imagines. Dublin New Dublin Press.Book
CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015)
Bacon, T. 2015. CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015).Portfolio
PERCEPTION:Lab
Bacon, T. 2015. PERCEPTION:Lab. Mobius Inc., Boston USA 20 Jun 2015Public installation
Naomi Wallace and the politics of desire
Machon, J. 2013. Naomi Wallace and the politics of desire. in: Stevens Abbit, E. and Palmer, S. (ed.) The innovative theatre of Naomi Wallace: embodied dialogues Palgrave Macmillan.Book chapter
Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark
Machon, J. 2014. Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark. Theatre in the Dark.. University of Surrey, SeedPOD Nodus Centre. 12 Jul 2014Conference keynote
Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl
Machon, J., Lundahl, C. and Seitl, M. 2017. Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl. in: Alston, A. and Welton, M. (ed.) Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre London Bloomsbury Methuen Drama. pp. 147-168Book chapter
Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl
Machon, J. 2019. Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 671-686Book chapter
The deaths of semiology and mythoclasm: Barthes and media studies
Cobley, P. 2015. The deaths of semiology and mythoclasm: Barthes and media studies. Signs and Media. https://doi.org/10.13760/b.cnki.sam.2015.01.001Article
Student choice in the curriculum: an investigation into existing practices in theatre and drama
de Senna, P. 2014. Student choice in the curriculum: an investigation into existing practices in theatre and drama. York, UK Higher Education Academy.Project report
Two launch pads
de Senna, P. 2015. Two launch pads. in: Svich, C. (ed.) Innovation in five acts: strategies for theatre and performance Theatre Communications Group.Book chapter
‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners
de Senna, P., Bowditch, C. and Bower, D. 2015. ‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 221-235Book chapter
This blasted translation: or location, dislocation, relocation
de Senna, P. 2009. This blasted translation: or location, dislocation, relocation. Journal of Adaptation in Film & Performance. 2 (3), pp. 255-265. https://doi.org/10.1386/jafp.2.3.255/1Article
Gravity shift
Sandiland, N. 2010. Gravity shift. Otter Gallery, Chichester, UK 2009Show or exhibition
Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Show or exhibition
Making marks and memories – the body in recorded time
Butcher, R. and Sachsenmaier, S. 2015. Making marks and memories – the body in recorded time. Memory Sentiment Body Space Object Symposium. Coventry 15 May 2015Conference keynote
Between stage and literature: romantic ballet’s narrative strategies.
Bernkopf, A. 2011. Between stage and literature: romantic ballet’s narrative strategies. Working with stories: Narrative as a Meeting Place for Theory Analysis and Practice.Article
Dancing narratives: an analytical approach to the narrative of the ballet fantastique
Bernkopf, A. 2008. Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel. 14.Article
Site under construction: taking ‘reading performance’ literally
Bernkopf, A. 2007. Site under construction: taking ‘reading performance’ literally. 2007 Society of Dance History Scholars Conference: Re-Thinking Theory and Practice/Repenser pratique et theorie. Paris, France 21 - 24 Jun 2007 Society of Dance Historians. pp. 253-256Conference paper
Dramaturgy of desire: an analytical approach to dance narratives
Bernkopf, A. 2006. Dramaturgy of desire: an analytical approach to dance narratives. Choreologica. 2 (1), pp. 41-60.Article
Forlane for piano solo (part of ‘Le Tombeau de Rachmaninov’)
Fribbins, P. 2015. Forlane for piano solo (part of ‘Le Tombeau de Rachmaninov’).Composition
Concerto for Violin & Orchestra
Fribbins, P. 2015. Concerto for Violin & Orchestra.Composition
Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice
Sachsenmaier, S. 2014. Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice. PSi20 Avant-Garde, Tradition, Community. Shanghai, China 04 - 08 Jul 2014Conference paper
Through the window: Wing Chun as woman warrior
lok, s. and White, L. 2015. Through the window: Wing Chun as woman warrior. Martial Arts Studies. Cardiff University 10 - 12 Jun 2015Conference paper
Collaboration, democracy and the total artwork
Kolb, A. 2015. Collaboration, democracy and the total artwork. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 51-74Book chapter
Not a straight line by a spiral: charting continuity and change in textiles informed by feminism
Kokoli, A. 2014. Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text. 23, pp. 110-129.Article
Citizen innovation: DIY design and the Thames water turbine
Leeson, L. and Light, A. 2014. Citizen innovation: DIY design and the Thames water turbine. Creative Citizens. Royal College of Art, London 18 - 19 Sep 2014Conference paper
Reflections on an art and politics of social engagement
Leeson, L. 2014. Reflections on an art and politics of social engagement. The Impossible Constellation. University of Lincoln 02 - 03 Jun 2014Conference paper
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