School of Arts

Title	School of Arts
Alternative	ACI - Arts
Faculty	Faculty of Arts and Creative Industries

Latest research outputs

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Danscross: dancing in a shaking world

Bannerman, C., Xu, R. and Beijing Dance Academy 2009. Danscross: dancing in a shaking world. Poly Theatre Beijing 07 - 08 Nov 2009

Performance

The cultural implications of biosemiotics

Cobley, P. 2010. The cultural implications of biosemiotics. Biosemiotics. 3 (2), pp. 225-244. https://doi.org/10.1007/s12304-010-9089-6

Article

The blind man’s stick

Sandiland, N. 2010. The blind man’s stick.

Show or exhibition

ByPasser [Commissioned by Dance Digital].

Sandiland, N. and Flexer, Y. 2010. ByPasser [Commissioned by Dance Digital].

Show or exhibition

Viewing a/new: the landscape of dance in 2009.

Bannerman, C. 2009. Viewing a/new: the landscape of dance in 2009. Research in Dance Education. 10 (3), pp. 231-240. https://doi.org/10.1080/14647890903347114

Article

Collaborative ethics in practice-as-research

Bannerman, C. and McLaughlin, C. 2009. Collaborative ethics in practice-as-research. in: Fuschini, L., Jones, S., Kershaw, B. and Piccini, A. (ed.) Practice-as research In performance and screen Basingstoke Palgrave Macmillan.

Book chapter

Damien Hirst’s shark: nature, capitalism and the sublime.

White, L. 2010. Damien Hirst’s shark: nature, capitalism and the sublime. Tate Papers (Tate's Online Research Journal). 14.

Article

Doing.

Sandiland, N. and Flexer, Y. 2008. Doing. Swindon Dance Agency 07 - 08 Nov 2008

Show or exhibition

Beyond the picturesque.

Timberlake, J. and Stedelijk Museum voor Actuele Kunst 2009. Beyond the picturesque. Stedelijk Museum voor Actuele Kunst, Gent 04 Apr - 23 Aug 2009

Show or exhibition

Damien Hirst, Colley Cibber and the bathos of the commercialised sublime.

White, L. 2007. Damien Hirst, Colley Cibber and the bathos of the commercialised sublime. Taste, vision, transcendence: sublimity 1700-1900.. University of Sussex 05 Jan 2007

Conference paper

Sublimity, beauty and decorum

White, L. 2007. Sublimity, beauty and decorum. in: Petry, M. (ed.) Richmond Burton and Maisie Kendall: decorum Hornsey MOCA in conjunction with the Royal Academy Schools. pp. 5-10

Book chapter

Damien Hirst and the legacy of the sublime in contemporary art and culture

White, L. 2009. Damien Hirst and the legacy of the sublime in contemporary art and culture. PhD thesis Middlesex University Visual Culture / History of Art and Design

PhD thesis

Damien Hirst's diamond skull and the capitalist sublime

White, L. 2009. Damien Hirst's diamond skull and the capitalist sublime. in: White, L. and Pajaczkowska, C. (ed.) The Sublime Now Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 155-171

Book chapter

Beyond the wall lies the ocean [and] Bussard Ramjet

Timberlake, J. and Artis Den Bosch (gallery) 2009. Beyond the wall lies the ocean [and] Bussard Ramjet. Artis Den Bosch, s-Hertogenbosch, Holland 11 Jan - 15 Feb 2009

Show or exhibition

Sensualities/textualities and technologies: writings of the body in 21st Century performance

Broadhurst, S. and Machon, J. (ed.) 2010. Sensualities/textualities and technologies: writings of the body in 21st Century performance. Basingstoke Palgrave Macmillan.

Book

Reading between the lines: the subversion of authority in two graphic novels for young adults

Kahn, A. 2010. Reading between the lines: the subversion of authority in two graphic novels for young adults. in: Carrington, B. and Harding, J. (ed.) Going graphic: comics and graphic novels for young people Pied Piper Publishing. pp. 87-101

Book chapter

Between Eros and Thanatos: death and desire in the short fiction of Koren Shadmi and Rutu Modan

Kahn, A. 2010. Between Eros and Thanatos: death and desire in the short fiction of Koren Shadmi and Rutu Modan. International Journal of Comic Art. 12 (1), pp. 157-182.

Article

Beyond the surface: articulating the power of the performer

Salgado Llopis, M. 2010. Beyond the surface: articulating the power of the performer. Embodying Power: Work over time. Seattle, United States 18 2010 - 21 Nov 2012

Conference paper

Between subject and object: Classical Ballet, Foucault and the dancing body

Salgado Llopis, M. 2010. Between subject and object: Classical Ballet, Foucault and the dancing body. 1st Annual International Conference on Fine and Performing Arts. Athens, Greece 07 - 10 Jun 2010

Conference paper

From the Celtic to the abstract: shifting perspectives in the music of John Buckley

Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.

Article

The sublime in the work of Cornelia Parker

White, L. and Pajaczkowska, C. 2009. The sublime in the work of Cornelia Parker. in: White, L. and Pajaczkowska, C. (ed.) The Sublime Now. Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 181-196

Book chapter

The sublime now

White, L. and Pajaczkowska, C. White, L. and Pajaczkowska, C. (ed.) 2009. The sublime now. Newcastle Upon Tyne Cambridge Scholars Publishing.

Book

Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS).

Bannerman, C. and Department of Culture, Media and Sport 2006. Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Department of Culture, Media and Sport.

Project report

Peter Maxwell Davies.

Dromey, C. 2008. Peter Maxwell Davies. in: Wintle, J. (ed.) New Makers of Modern Culture New York Routledge.

Book chapter

From darkness into light: Israeli graphic novels

Kahn, A. 2009. From darkness into light: Israeli graphic novels. in: Baskind, S. and Omer-Sherman, R. (ed.) The Jewish Graphic Novel: Critical Approaches Rutgers University Press. pp. 198-213

Book chapter

Double trouble: interrogating masculinities in the work of Aszf and Tomer Hanuka

Kahn, A. 2009. Double trouble: interrogating masculinities in the work of Aszf and Tomer Hanuka. Critical Engagements: A Journal of Criticism and Theory. 3 (1), pp. 123-155.

Article

Orthodoxy and heresy: the codification of Natural Movement

Salgado Llopis, M. 2009. Orthodoxy and heresy: the codification of Natural Movement. Moving Naturally: Re-thinking dance 1900s-1930s. Guildford, UK 31 - 31 Oct 2009

Conference paper

Introduction: what is sociosemiotics?

Cobley, P. and Randviir, A. 2009. Introduction: what is sociosemiotics? Semiotica. 2009 (173), pp. 1-39. https://doi.org/10.1515/SEMI.2009.001

Article

Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009

Deepwell, K. 2009. Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009. n.paradoxa: international feminist art journal. 24, pp. 22-29.

Article

Active energy

Leeson, L. and SPACE 2009. Active energy. SPACE Studios.

Other

Piano Trio.

Fribbins, P. 2004. Piano Trio.

Composition

String Quartet No. 2.

Fribbins, P. 2006. String Quartet No. 2.

Composition

Zemlinsky's string quartets: a composer's view

Fribbins, P. 2007. Zemlinsky's string quartets: a composer's view. in: Zemlinsky Studies Hendon, London Middlesex University Press. pp. 100-113

Book chapter

Proximity, wisdom and creativity.

Bannerman, C. 2008. Proximity, wisdom and creativity. in: Craft, A., Gardner, H. and Claxton, G. (ed.) Creativity, wisdom and trusteeship: exploring the role of education California Corwin Press. pp. 23-37

Book chapter

Navigating the unknown: the creative process in contemporary performing arts

Bannerman, C., Sofaer, J. and Watt, J. 2006. Navigating the unknown: the creative process in contemporary performing arts. Hendon, London Middlesex University Press / ResCen Publications.

Book

rescen.net

Bannerman, C. 2007. rescen.net.

Design

Court

Broadhead, C. and Woodhouse, A. 2003. Court. Court toured to 13 venues across the UK including: Angel Row Gallery, Nottingham 13-18 January, 2005; Yorkshire Sculpture Park 16-20 November 2005; Sadlers Wells Theatre, London 16,17,18 November 2006. 26 Jun 2003

Show or exhibition