School of Arts
| Title | School of Arts |
|---|---|
| Alternative | ACI - Arts |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
Sort by Date Title
Beyond borders: David Greig's transpersonal dramaturgy
Thompson, C. 2011. Beyond borders: David Greig's transpersonal dramaturgy. in: Muller, A. and Wallace, C. (ed.) Cosmotopia: transnational identities in David Greig's theatre Litteraria Pragensia. pp. 103-117Book chapter
Colonial film: moving images of the British Empire
Osborne, R. 2011. Colonial film: moving images of the British Empire. [Author].Report
After London.
Timberlake, J., Sleeman, J. and Waterworth, D. 2011. After London. Stephen Lawrence Gallery, SE10 9LS 03 Mar - 02 Apr 2011Show or exhibition
The desert and the sea: the Sapphic sublime of Frederick Sommer.
Timberlake, J. 2011. The desert and the sea: the Sapphic sublime of Frederick Sommer. Philosophy of Photography. 2 (1), pp. 115-128.Article
Cybersemiotics and human modelling
Cobley, P. 2010. Cybersemiotics and human modelling. Entropy. 12 (9), pp. 2045-2066. https://doi.org/10.3390/e12092045Article
Performance as knowledge.
Bannerman, C., Smith, C., Melrose, S., Alston, R., Baxter, G., Adawole, F. and Davis, J. 2006. Performance as knowledge. Performance as knowledge seminar. Somerset house, London 03 May 2006Conference item
Hoop [sound performance in the exhibition RELLA].
Spinks, T., Curran, M. and Gunning, L. 2010. Hoop [sound performance in the exhibition RELLA]. Beaconsfield Gallery, Newport Road, London SE11 Apr 2010Show or exhibition
Bussard ramjet.
Timberlake, J. 2009. Bussard ramjet. London Artwords.Book
Feral Glissando [sound performance part of Experimenting with geography conference]
Spinks, T. and Gallagher, M. 2010. Feral Glissando [sound performance part of Experimenting with geography conference]. Experimenting With Geography. Edinburgh University May 2010Conference item
Henry's ballad at Harold's wharf [part of Concrete Dreams].
Spinks, T., Cottell, F. and Harrison, L. 2008. Henry's ballad at Harold's wharf [part of Concrete Dreams]. APT, Deptford Creek 2008Show or exhibition
Forest fields
Piper, K. 2008. Forest fields.Digital or visual media
Sonic Triangle. [part of Uncharted Stories exhibition]
Spinks, T. and Guerrero-Rippberger, S. 2009. Sonic Triangle. [part of Uncharted Stories exhibition]. Chelsea College of Art Triangle Gallery, London SW1 Oct 2009Show or exhibition
Danscross: dancing in a shaking world
Bannerman, C., Xu, R. and Beijing Dance Academy 2009. Danscross: dancing in a shaking world. Poly Theatre Beijing 07 - 08 Nov 2009Performance
The cultural implications of biosemiotics
Cobley, P. 2010. The cultural implications of biosemiotics. Biosemiotics. 3 (2), pp. 225-244. https://doi.org/10.1007/s12304-010-9089-6Article
SPDT
Sandiland, N. 2010. SPDT.Artefact
The blind man’s stick
Sandiland, N. 2010. The blind man’s stick.Show or exhibition
ByPasser [Commissioned by Dance Digital].
Sandiland, N. and Flexer, Y. 2010. ByPasser [Commissioned by Dance Digital].Show or exhibition
Viewing a/new: the landscape of dance in 2009.
Bannerman, C. 2009. Viewing a/new: the landscape of dance in 2009. Research in Dance Education. 10 (3), pp. 231-240. https://doi.org/10.1080/14647890903347114Article
Collaborative ethics in practice-as-research
Bannerman, C. and McLaughlin, C. 2009. Collaborative ethics in practice-as-research. in: Fuschini, L., Jones, S., Kershaw, B. and Piccini, A. (ed.) Practice-as research In performance and screen Basingstoke Palgrave Macmillan.Book chapter
Damien Hirst’s shark: nature, capitalism and the sublime.
White, L. 2010. Damien Hirst’s shark: nature, capitalism and the sublime. Tate Papers (Tate's Online Research Journal). 14.Article
Doing.
Sandiland, N. and Flexer, Y. 2008. Doing. Swindon Dance Agency 07 - 08 Nov 2008Show or exhibition
Beyond the picturesque.
Timberlake, J. and Stedelijk Museum voor Actuele Kunst 2009. Beyond the picturesque. Stedelijk Museum voor Actuele Kunst, Gent 04 Apr - 23 Aug 2009Show or exhibition
Damien Hirst, Colley Cibber and the bathos of the commercialised sublime.
White, L. 2007. Damien Hirst, Colley Cibber and the bathos of the commercialised sublime. Taste, vision, transcendence: sublimity 1700-1900.. University of Sussex 05 Jan 2007Conference paper
Sublimity, beauty and decorum
White, L. 2007. Sublimity, beauty and decorum. in: Petry, M. (ed.) Richmond Burton and Maisie Kendall: decorum Hornsey MOCA in conjunction with the Royal Academy Schools. pp. 5-10Book chapter
Damien Hirst and the legacy of the sublime in contemporary art and culture
White, L. 2009. Damien Hirst and the legacy of the sublime in contemporary art and culture. PhD thesis Middlesex University Visual Culture / History of Art and DesignPhD thesis
Damien Hirst's diamond skull and the capitalist sublime
White, L. 2009. Damien Hirst's diamond skull and the capitalist sublime. in: White, L. and Pajaczkowska, C. (ed.) The Sublime Now Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 155-171Book chapter
Beyond the wall lies the ocean [and] Bussard Ramjet
Timberlake, J. and Artis Den Bosch (gallery) 2009. Beyond the wall lies the ocean [and] Bussard Ramjet. Artis Den Bosch, s-Hertogenbosch, Holland 11 Jan - 15 Feb 2009Show or exhibition
Sensualities/textualities and technologies: writings of the body in 21st Century performance
Broadhurst, S. and Machon, J. (ed.) 2010. Sensualities/textualities and technologies: writings of the body in 21st Century performance. Basingstoke Palgrave Macmillan.Book
Reading between the lines: the subversion of authority in two graphic novels for young adults
Kahn, A. 2010. Reading between the lines: the subversion of authority in two graphic novels for young adults. in: Carrington, B. and Harding, J. (ed.) Going graphic: comics and graphic novels for young people Pied Piper Publishing. pp. 87-101Book chapter
Between Eros and Thanatos: death and desire in the short fiction of Koren Shadmi and Rutu Modan
Kahn, A. 2010. Between Eros and Thanatos: death and desire in the short fiction of Koren Shadmi and Rutu Modan. International Journal of Comic Art. 12 (1), pp. 157-182.Article
Beyond the surface: articulating the power of the performer
Salgado Llopis, M. 2010. Beyond the surface: articulating the power of the performer. Embodying Power: Work over time. Seattle, United States 18 2010 - 21 Nov 2012Conference paper
Between subject and object: Classical Ballet, Foucault and the dancing body
Salgado Llopis, M. 2010. Between subject and object: Classical Ballet, Foucault and the dancing body. 1st Annual International Conference on Fine and Performing Arts. Athens, Greece 07 - 10 Jun 2010Conference paper
From the Celtic to the abstract: shifting perspectives in the music of John Buckley
Dwyer, B. 2010. From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times. 151 (1913), pp. 7-21.Article
The sublime in the work of Cornelia Parker
White, L. and Pajaczkowska, C. 2009. The sublime in the work of Cornelia Parker. in: White, L. and Pajaczkowska, C. (ed.) The Sublime Now. Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 181-196Book chapter
The sublime now
White, L. and Pajaczkowska, C. White, L. and Pajaczkowska, C. (ed.) 2009. The sublime now. Newcastle Upon Tyne Cambridge Scholars Publishing.Book
Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS).
Bannerman, C. and Department of Culture, Media and Sport 2006. Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Department of Culture, Media and Sport.Project report
Peter Maxwell Davies.
Dromey, C. 2008. Peter Maxwell Davies. in: Wintle, J. (ed.) New Makers of Modern Culture New York Routledge.Book chapter
From darkness into light: Israeli graphic novels
Kahn, A. 2009. From darkness into light: Israeli graphic novels. in: Baskind, S. and Omer-Sherman, R. (ed.) The Jewish Graphic Novel: Critical Approaches Rutgers University Press. pp. 198-213Book chapter
Double trouble: interrogating masculinities in the work of Aszf and Tomer Hanuka
Kahn, A. 2009. Double trouble: interrogating masculinities in the work of Aszf and Tomer Hanuka. Critical Engagements: A Journal of Criticism and Theory. 3 (1), pp. 123-155.Article
Orthodoxy and heresy: the codification of Natural Movement
Salgado Llopis, M. 2009. Orthodoxy and heresy: the codification of Natural Movement. Moving Naturally: Re-thinking dance 1900s-1930s. Guildford, UK 31 - 31 Oct 2009Conference paper
59225
total views10697
total downloads1995
views this month835
downloads this month