School of Arts
Title | School of Arts |
---|---|
Alternative | ACI - Arts |
Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan)
Inglis, B. 2017. Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan). Alkan Society Bulletin.Article
Installation work in 'Hope is Strong' exhibition
Piper, K. 2018. Installation work in 'Hope is Strong' exhibition. Millennium Gallery, Sheffield 17 Feb - 10 Jun 2018Show or exhibition
Six types of silence
Osborne, R. 2018. Six types of silence. in: Bennett, S. and Bates, E. (ed.) Critical Approaches to the Production of Music and Sound New York Bloomsbury Academic. pp. 211-228Book chapter
A funny thing happened on the way to the checkpoint: teaching stand-up comedy in Palestine
Beale, S., Thomas, M., Douglas, J., Shehada, A. and Abualhaja, F. 2018. A funny thing happened on the way to the checkpoint: teaching stand-up comedy in Palestine.Portfolio
Reaching, engaging and bonding with voters on social media: the case of 2014/2015 Croatian presidential elections
Sinčić Ćorić, D., Brečić, R. and Simunjak, M. 2017. Reaching, engaging and bonding with voters on social media: the case of 2014/2015 Croatian presidential elections. Medijske studije / Media Studies. 8 (16), pp. 61-77. https://doi.org/10.20901/ms.8.16.5Article
n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons
Deepwell, K. 2017. n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons.Design
Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska
Deepwell, K. and Milevska, S. 2015. Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. in: Lijster, T., Milevska, S., Gielen, P. and Sonderegger, R. (ed.) Spaces for Criticism: Shifts in Contemporary Art Discourses Amsterdam Valiz. pp. 171-192Book chapter
Feminist collaborative projects in the UK in the 1970s'
Deepwell, K. 2018. Feminist collaborative projects in the UK in the 1970s'. in: Jakubowska, A. and Deepwell, K. (ed.) All-Women art spaces in Europe in the Long 1970s Liverpool Liverpool University Press.Book chapter
‘Thinking/acting with tactics of displacement’
Deepwell, K. 2015. ‘Thinking/acting with tactics of displacement’. in: Alonso, S. and Marful, I. (ed.) RE-ACTION, una ginología artística contra el canon Spain, Asturia Sala LAUDEO, Universidad de Oviedo. pp. 31-36Book chapter
All-women art spaces in Europe in the long 1970s
Jakubowska, A. and Deepwell, K. (ed.) 2018. All-women art spaces in Europe in the long 1970s. Liverpool Liverpool University Press.Book
Political impression management through direct and mediated communication: The 2014/2015 Croatian presidential elections
Simunjak, M., Sinčić Ćorić, D. and Brečić, R. 2017. Political impression management through direct and mediated communication: The 2014/2015 Croatian presidential elections. Društvena istraživanja: časopis za opća društvena pitanja. 26 (4), pp. 539-560. https://doi.org/10.5559/di.26.4.05Article
Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2017. Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. A Feminist Space at Leeds: Looking Back to Think Forward. Leeds University 16 - 17 Dec 2017Conference paper
Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2017. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. Aikens, N., lok, s. and Orlando, S. (ed.) Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference. Van Abbemuseum, Eindhoven, Netherlands 07 - 09 Dec 2017 Van Abbemuseum, Eindhoven. pp. 36-53Conference paper
Do textiles think?
Kokoli, A. 2017. Do textiles think? in: Kyprianidou, E. (ed.) Weaving Culture in Europe Nisos. pp. 99-102Book chapter
Raising Sparks
Kahn, A. 2018. Raising Sparks. Hebden Bridge, UK Bluemoose Books.Authored Book
Conversations heard in passing [Longlisted play script]
Thompson, C. 2018. Conversations heard in passing [Longlisted play script]. Theatre503 Playwriting Competition.Other
The communicative wheel: Symptom, signal, and model in multimodal communication
Durst-Andersen, P. and Cobley, P. 2018. The communicative wheel: Symptom, signal, and model in multimodal communication. Semiotica. 2018 (225), pp. 77-102. https://doi.org/10.1515/sem-2016-0228Article
Black Rice Trio, improvising live at Iklecktik
Nagle, P., Spinks, T. and Kraft, R. 2018. Black Rice Trio, improvising live at Iklecktik. Iklectik artlab, London, UK 27 Sep 2016Public performance
Foreword to Darkness Over Germany Audiobook
Barling, K. 2018. Foreword to Darkness Over Germany Audiobook. in: Darkness over Germany: A Warning from History Audible Studios.Book chapter
Is our curriculum too white? Don't BAME me....
Barling, K. 2018. Is our curriculum too white? Don't BAME me.... HEA Annual Conference 2018,Teaching in the spotlight: Learning from global communities. University of Aston, Birmingham 03 - 05 Jul 2018Conference item
Experiential learning: is critical reflection a bridge from practice to theory?
Barling, K. 2018. Experiential learning: is critical reflection a bridge from practice to theory? AJE Annual Conference 2018. Canterbury Christ Church University 29 Jun 2018Conference paper
Water power: creativity and the unlocking of community knowledge
Leeson, L. 2018. Water power: creativity and the unlocking of community knowledge. in: Roberts, L. and Phillips, K. (ed.) Water, Creativity and Meaning: Multidisciplinary understandings of human-water relationships Routledge. pp. 23-35Book chapter
Into the magenta haze: notes of making art in the arc of opportunity
Duman, A. 2018. Into the magenta haze: notes of making art in the arc of opportunity. in: Duman, A., Hancox, D., James, M. and Minton, A. (ed.) Regeneration Songs: Sounds of Investment and Loss from East London London Repeater Books. pp. 163-190Book chapter
Rosemary Butcher: after Kaprow – a visual journey
Butcher, R. and Sachsenmaier, S. 2018. Rosemary Butcher: after Kaprow – a visual journey. in: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (ed.) Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance Abingdon Routledge. pp. 72-77Book chapter
Cultural democracy [Blog post]
Leeson, L. 2018. Cultural democracy [Blog post]. MDX Minds Middlesex University.Blog
Landscape and the Science Fiction Imaginary
Timberlake, J. 2018. Landscape and the Science Fiction Imaginary. Bristol Intellect.Authored Book
Experience as art: fine art social practice at Middlesex University
Leeson, L. and Duman, A. 2018. Experience as art: fine art social practice at Middlesex University. in: Sholette, G., Bass, C. and Social Practice Queens (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press. pp. 223-228Book chapter
But a storm is blowing from paradise: contemporary art of the Middle East and North Africa (2016), Solomon R. Guggenheim Museum, New York
Cavusoglu, E. 2016. But a storm is blowing from paradise: contemporary art of the Middle East and North Africa (2016), Solomon R. Guggenheim Museum, New York.Artefact
Desire Lines /Tarot & Chess/
Cavusoglu, E. 2016. Desire Lines /Tarot & Chess/.Digital or visual media
Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
Kokoli, A. 2018. Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy. 33 (3), pp. 485-499. https://doi.org/10.1111/hypa.12399Article
Investigation of Lakanal House Fire
Barling, K. 2017. Investigation of Lakanal House Fire.Design
Urge to Paint
Barling, K. 2017. Urge to Paint. Goldsmiths UniversityShow or exhibition
Cultural democracy
Jacques, J., Leeson, L., Wainwright, H. and Mahamdallie, H. 2017. Cultural democracy. Resonance FM - Suite (212).Other
For Walls with Tongues
Leeson, L. 2017. For Walls with Tongues. For Walls with Tongues. Whitechapel Gallery 01 Nov 2017Conference item
Success ratios, new music and sound recording copyright
Osborne, R. 2017. Success ratios, new music and sound recording copyright. Popular Music. 36 (3), pp. 393-409. https://doi.org/10.1017/S0261143017000319Article
The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach
Robinson, A. 2018. The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach. Journal of Contemporary Painting. 4 (1), pp. 199-217. https://doi.org/10.1386/jcp.4.1.199_1Article
Living Stones
Inglis, B., Keen, G. and Scobie, C. 2017. Living Stones.Digital or visual media
Another Country IV, Another Country XIII, Another Country XIV, Another Country IX installed as part of Turning Points (Fordulopontok) curated by Zsolt Petranyi and Vito Vojnits Purcsar
Timberlake, J. 2014. Another Country IV, Another Country XIII, Another Country XIV, Another Country IX installed as part of Turning Points (Fordulopontok) curated by Zsolt Petranyi and Vito Vojnits Purcsar.Artefact
We are history
Timberlake, J. 2014. We are history. Beaconsfield, 22 Newport St, London SE11 28 Jun - 30 Aug 2014Show or exhibition
We are history
Timberlake, J. 2015. We are history. in: Garlake, M. (ed.) Beaconsfield: Chronic Epoch Black Dog Publishing. pp. 171Book chapter
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