School of Arts

Hussein, N. 2017. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]. Theatre Research International. 42 (3), pp. 353-355. https://doi.org/10.1017/S0307883317000669

Article

Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]

Dwyer, B. 2018. Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times. 159 (1943), pp. 109-118.

Article

[Experimental and perfomative provocations]

Maude-Roxby, A. 2018. [Experimental and perfomative provocations]. Writing Photographs Conference. Tate Modern 13 Oct 2018

Conference item

Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold

Maude-Roxby, A. and Seibold, S. 2017. Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. MISS READ: Berlin Art Book Fair. Haus der Kulturen der Welt, Berlin 14 - 17 Jul 2017

Conference item

Illustration for The Weir

Barritt, S. 2015. Illustration for The Weir.

Digital or visual media

Notation as technology

Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016

Conference keynote

Spoken

Impett, J. 2017. Spoken. Attacca Amsterdam.

Composition

After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]

Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.

Article

Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week

Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1

Article

Words and dance

Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2

Article

Improvisation: violin, tabla, guitar

Spinks, T., Chisht, I. and Mohsin, K. 2018. Improvisation: violin, tabla, guitar. RM Naeem studio, National College of Arts,Lahore 30 Jul 2018

Performance

Routledge handbook to Luigi Nono and musical thought

Impett, J. 2018. Routledge handbook to Luigi Nono and musical thought. London Routledge.

Book

The contemporary musician and the production of knowledge: practice, research, and responsibility

Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238

Book chapter

Piano Trio: for violin, cello and piano

Inglis, B. 2017. Piano Trio: for violin, cello and piano. Composers Edition.

Composition

‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind

Inglis, B. 2020. ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. in: Boyce-Tillman, J. and Forbes, A. (ed.) Heart's ease: spirituality in the music of John Tavener Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien Peter Lang.

Book chapter

Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock)

Inglis, B. and Smith, B. 2019. Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock). London and New York Routledge.

Book

Making a mark: the psychology of composition

Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666

Book chapter

Feminist art manifestos/feminist politics

Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.

Article

Women artists and modernism

Deepwell, K. (ed.) 1998. Women artists and modernism. Manchester Manchester University Press.

Book

Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage

Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017

Conference paper