School of Arts
| Title | School of Arts |
|---|---|
| Alternative | ACI - Arts |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Re-viewing Vantage Point
Cobley, P. 2014. Re-viewing Vantage Point. in: Buckland, W. (ed.) Hollywood Puzzle Films New York Routledge. pp. 217-232Book chapter
Metaphysics of wickedness
Cobley, P. 2014. Metaphysics of wickedness. in: Thellefsen, T. and Bent, S. (ed.) Charles Sanders Peirce in His Own Words: 100 Years of Semiotics, Communication and Cognition Berlin De Gruyter Mouton.Book chapter
Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities
Leeson, L. 2014. Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory. (7).Article
What the humanities are for - A semiotic perspective
Cobley, P. 2014. What the humanities are for - A semiotic perspective. The American Journal of Semiotics. 30 (3-4), pp. 205-228. https://doi.org/10.5840/ajs2014303/411Article
Damien Hirst: the capitalism sublime?
White, L. 2012. Damien Hirst: the capitalism sublime? Marxism in Culture. Institute of Historical Research, University College London 01 Jun 2012Conference paper
Ten decades: careers of ten women artists born 1897-1906
Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.Book
New feminist art criticism: critical strategies
Deepwell, K. (ed.) 1995. New feminist art criticism: critical strategies. Manchester Manchester University Press.Book
Beatrice Cussol: feminist not feminine
Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35Book chapter
We don't need another heroine: Sanja Ivekovic's counter-narratives
Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113Book chapter
Cairo: my city, my revolution
Hussein, N. 2013. Cairo: my city, my revolution. in: Solga, K. and Hopkins, D. (ed.) Performance and the global city Basingstoke, UK Palgrave Macmillan. pp. 223-243Book chapter
Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train
Machon, J. 2013. Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. in: Jenzen, O. and Munt, S. (ed.) The Ashgate research companion to paranormal cultures Ashgate. pp. 241-254Book chapter
The Art of Intervention
Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UKShow or exhibition
12 Approaches to 12 Shooters
Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189Book chapter
Performing memory
Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, AustriaShow or exhibition
Anti-academy
Maude-Roxby, A. 2013. Anti-academy. John Hansard Gallery, Southampton, UKShow or exhibition
Immersive performance, (syn)aesthetics and the phenomenology of technologies
Machon, J. 2013. Immersive performance, (syn)aesthetics and the phenomenology of technologies. in: Shaughnessy, N. (ed.) Affective performance and cognitive science: body, brain and being Bloomsbury.Book chapter
Robert Cohan teaching: body of knowledge
Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.Design
The invisible expert practitioner: theorising performer expertise in contemporary performance-making
Sachsenmaier, S. 2010. The invisible expert practitioner: theorising performer expertise in contemporary performance-making. PhD thesis Middlesex University Performing ArtsPhD thesis
On curation: The development of Danscross and walking with Zhuangzi
Bannerman, C. 2013. On curation: The development of Danscross and walking with Zhuangzi. ResCen Research Centre.Other
Intuition
Sachsenmaier, S. Intuition.Design
Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance
Sachsenmaier, S. 2012. Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance. in: Behrens, C., Burkhard, H., Fleischle-Braun, C. and Obermaier, K. (ed.) Tanzerfahrung und Weltkenntnis Leipzig Henschel Verlag. pp. 95-107Book chapter
Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts
Sachsenmaier, S. 2013. Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts. Choreographic Practices. 4 (2), pp. 223-244. https://doi.org/10.1386/chor.4.2.223_1Article
Beyond Allan Kaprow: an interview with Rosemary Butcher
Sachsenmaier, S. 2012. Beyond Allan Kaprow: an interview with Rosemary Butcher. Journal of Dance and Somatic Practices. 4 (2), pp. 267-281. https://doi.org/10.1386/jdsp.4.2.267_1Article
Defining the problem: women artists, feminism and globalization (English title of Russian text)
Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29Book chapter
When creation, translation and adaptation meet: SignDance Collective's New gold
de Senna, P. 2013. When creation, translation and adaptation meet: SignDance Collective's New gold. in: Krebs, K. (ed.) Translation and adaptation in theatre and film Routledge.Book chapter
Points of view
Sandiland, N. 2011. Points of view. London, UK 03 - 09 Oct 2011Performance
Hepworth and her critics
Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111Book chapter
It's time for action (there's no option): about feminism
Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.Book
Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis
Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356Article
Half a penny & The other side of the coin
de Senna, P. and Signdance Collective International 2012. Half a penny & The other side of the coin. Croydon, UK Apr 2012Performance
ArtsCross Beijing 2012: light and water
Bannerman, C., Beijing Dance Academy (BDA), ResCen Research Centre, Middlesex University (ResCen) and School of Dance, Taipei National University of the Arts (TNUA) 2012. ArtsCross Beijing 2012: light and water. Beijing, China 2012Performance
A tragédia de Ismene, princesa de Tebas
de Senna, P. 2013. A tragédia de Ismene, princesa de Tebas. Mobile Editorial.Book
A Haydn prelude
Fribbins, P. A Haydn prelude. Guild, Music Haven.Composition
Women artists between the wars: a fair field and no favour
Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.Book
The young person's guide 2 East London
Leeson, L. and cSPACE 2012. The young person's guide 2 East London. cSPACE.Other
The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.Book chapter
On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342Article
Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany
Mac an Bhreithiun, B. 2011. Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany. Contemporary French Civilization. 35 (1), pp. 111-142. https://doi.org/10.3828/cfc.2011.35.1.7Article
Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007
Hiller, S. Kokoli, A. (ed.) 2008. Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007. JRP|Ringier.Book
Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)
Kokoli, A. 2012. Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research. 17 (5), pp. 24-30. https://doi.org/10.1080/13528165.2012.728436Article
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