School of Arts

Title	School of Arts
Alternative	ACI - Arts
Faculty	Faculty of Arts and Creative Industries

Latest research outputs

Sort by Date Title

Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train

Machon, J. 2013. Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. in: Jenzen, O. and Munt, S. (ed.) The Ashgate research companion to paranormal cultures Ashgate. pp. 241-254

Book chapter

The Art of Intervention

Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UK

Show or exhibition

12 Approaches to 12 Shooters

Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189

Book chapter

Performing memory

Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, Austria

Show or exhibition

Anti-academy

Maude-Roxby, A. 2013. Anti-academy. John Hansard Gallery, Southampton, UK

Show or exhibition

Immersive performance, (syn)aesthetics and the phenomenology of technologies

Machon, J. 2013. Immersive performance, (syn)aesthetics and the phenomenology of technologies. in: Shaughnessy, N. (ed.) Affective performance and cognitive science: body, brain and being Bloomsbury.

Book chapter

Robert Cohan teaching: body of knowledge

Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.

Design

The invisible expert practitioner: theorising performer expertise in contemporary performance-making

Sachsenmaier, S. 2010. The invisible expert practitioner: theorising performer expertise in contemporary performance-making. PhD thesis Middlesex University Performing Arts

PhD thesis

On curation: The development of Danscross and walking with Zhuangzi

Bannerman, C. 2013. On curation: The development of Danscross and walking with Zhuangzi. ResCen Research Centre.

Other

Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance

Sachsenmaier, S. 2012. Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance. in: Behrens, C., Burkhard, H., Fleischle-Braun, C. and Obermaier, K. (ed.) Tanzerfahrung und Weltkenntnis Leipzig Henschel Verlag. pp. 95-107

Book chapter

Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts

Sachsenmaier, S. 2013. Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts. Choreographic Practices. 4 (2), pp. 223-244. https://doi.org/10.1386/chor.4.2.223_1

Article

Beyond Allan Kaprow: an interview with Rosemary Butcher

Sachsenmaier, S. 2012. Beyond Allan Kaprow: an interview with Rosemary Butcher. Journal of Dance and Somatic Practices. 4 (2), pp. 267-281. https://doi.org/10.1386/jdsp.4.2.267_1

Article

Defining the problem: women artists, feminism and globalization (English title of Russian text)

Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29

Book chapter

When creation, translation and adaptation meet: SignDance Collective's New gold

de Senna, P. 2013. When creation, translation and adaptation meet: SignDance Collective's New gold. in: Krebs, K. (ed.) Translation and adaptation in theatre and film Routledge.

Book chapter

Points of view

Sandiland, N. 2011. Points of view. London, UK 03 - 09 Oct 2011

Performance

Hepworth and her critics

Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111

Book chapter

It's time for action (there's no option): about feminism

Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.

Book

Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis

Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356

Article

Half a penny & The other side of the coin

de Senna, P. and Signdance Collective International 2012. Half a penny & The other side of the coin. Croydon, UK Apr 2012

Performance

ArtsCross Beijing 2012: light and water

Bannerman, C., Beijing Dance Academy (BDA), ResCen Research Centre, Middlesex University (ResCen) and School of Dance, Taipei National University of the Arts (TNUA) 2012. ArtsCross Beijing 2012: light and water. Beijing, China 2012

Performance

A tragédia de Ismene, princesa de Tebas

de Senna, P. 2013. A tragédia de Ismene, princesa de Tebas. Mobile Editorial.

Book

A Haydn prelude

Fribbins, P. A Haydn prelude. Guild, Music Haven.

Composition

Women artists between the wars: a fair field and no favour

Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.

Book

The young person's guide 2 East London

Leeson, L. and cSPACE 2012. The young person's guide 2 East London. cSPACE.

Other

The woman artist as curatorial effect

Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.

Book chapter

On probation: Tracey Emin as sign

Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342

Article

Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany

Mac an Bhreithiun, B. 2011. Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany. Contemporary French Civilization. 35 (1), pp. 111-142. https://doi.org/10.3828/cfc.2011.35.1.7

Article

Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007

Hiller, S. Kokoli, A. (ed.) 2008. Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007. JRP|Ringier.

Book

Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)

Kokoli, A. 2012. Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research. 17 (5), pp. 24-30. https://doi.org/10.1080/13528165.2012.728436

Article

The Blk Art Group research project 2012

Piper, K., Smith, M. and Johnson, C. 2012. The Blk Art Group research project 2012. Keith Piper.

Other

Claims for a feminist politics in painting

Deepwell, K. 2010. Claims for a feminist politics in painting. in: Petersen, A., Bogh, M., Christensen, H. and Larsen, P. (ed.) Contemporary painting in context Museum Tusculanum Press. pp. 143-164

Book chapter

Symphony no. 2

Inglis, B., Shiel, D. and Evans, F. 2009. Symphony no. 2.

Composition

Tanz auf dem Vulkan (Dancing on a volcano)

Sachsenmaier, S., Lammers, C. and Spengler, S. 2010. Tanz auf dem Vulkan (Dancing on a volcano). Städtische Galerie Kunstarkaden Munich 27 Apr - 28 May 2010

Performance

Spontaneous combustion

Sachsenmaier, S. 2011. Spontaneous combustion. in: Arlander, A. (ed.) Artistic Research in Action: Proceedings of CARPA2, Colloquium on Artistic Research in Performing Arts Theatre Academy Helsinki. pp. 127-133

Book chapter

Curation, and direction of ArtsCross (a large scale international exchange project)

Bannerman, C. Curation, and direction of ArtsCross (a large scale international exchange project). ResCen, the Centre for Research into Creation in the Performing Arts.

Other

Curation and direction of DansCross (a large international collaborative dance project)

Bannerman, C. Curation and direction of DansCross (a large international collaborative dance project). ResCen, the Centre for Research into Creation in the Performing Arts.

Other