School of Arts
| Title | School of Arts |
|---|---|
| Alternative | ACI - Arts |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Felicity Sparrow: forming Circles
Deepwell, K. 2014. Felicity Sparrow: forming Circles. n.paradoxa: international feminist art journal. 34, pp. 86-95.Article
The Blue Shroud project and the development of an innovative free-improvisation approach on classical guitar
Dwyer, B. 2014. The Blue Shroud project and the development of an innovative free-improvisation approach on classical guitar. Karkow Radio Hall, Krakow, Poland 18 - 21 Nov 2014Performance
Active Energy (2014-2020)
Leeson, L. 2014. Active Energy (2014-2020). Middlesex University Research Repository.Other
Printed Forms - Invalid Geometry
Mumberson, S. 2014. Printed Forms - Invalid Geometry.Artefact
Presence and resonance (four compositions 2014-2019)
Impett, J. 2014. Presence and resonance (four compositions 2014-2019).Portfolio
The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)
Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.Portfolio
Creative articulations process: a rhizomatic practice
Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Intellect.Portfolio
[Lecture on artist's own photographic professional practice]
Bradley, M. 2014. [Lecture on artist's own photographic professional practice]. Exposure 1. An event and symposium at the Photographers’ Gallery. Photographers' Gallery, London, UK 26 Nov 2014Conference item
Revolution Farm - The Film
Kenworth, J. and Charlton, J. 2014. Revolution Farm - The Film. Newham, London, UKDigital or visual media
Beauty and the Beast: capital forces and cultural production
Duman, A. 2014. Beauty and the Beast: capital forces and cultural production. The Architectural Review.Article
In for the long haul – models of sustained graduate support and education
McNeill, T., Khatun, A., Giddens, C., Beaven, Z. and Shorley, J. 2014. In for the long haul – models of sustained graduate support and education. Industry and Higher Education. 28 (6), pp. 417-425. https://doi.org/10.5367/ihe.2014.0230Article
"The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays
Diedrich, A. 2014. "The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays. Journal of Literature and Trauma Studies. 3 (1), pp. 1-21. https://doi.org/10.1353/jlt.2014.0017Article
Feminist art manifestos: an anthology
Deepwell, K. (ed.) 2014. Feminist art manifestos: an anthology. London, UK KT Press.Book
Different voices: Irish music and music in Ireland
Dwyer, B. 2014. Different voices: Irish music and music in Ireland. Germany Wolke.Authored Book
Punchdrunk enrichment preliminary report. November 2014.
Machon, J. and Thompson, C. 2014. Punchdrunk enrichment preliminary report. November 2014. Middlesex University.Other
New Work / The Test Pieces
Butcher, R. 2014. New Work / The Test Pieces. Kunstbau at Lenbachhaus Munich, Germany 28 - 30 Aug 2014Performance
Some lessons learned on the art and politics of social engagement 1978 – 2013
Leeson, L. 2014. Some lessons learned on the art and politics of social engagement 1978 – 2013. The Tetley Feast. The Tetley, Leeds, UK 08 Jan - 12 Feb 2014Conference item
Active Energy - where art and engineering meet
Leeson, L. 2014. Active Energy - where art and engineering meet. CAA 102nd Annual Conference. Chicago, USA. 12 - 15 Feb 2014Conference paper
Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities
Leeson, L. 2014. Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory. (7).Article
Creative Articulations Process (CAP)
Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1Article
‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’
Deepwell, K. 2014. ‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’. Revista de Estudios Globales y Arte Contemporáneo: Art Global Age. 2 (1), pp. 191-212. https://doi.org/10.1344/regac2014.1.11Article
The gold disc: one million pop fans can't be wrong?
Osborne, R. 2014. The gold disc: one million pop fans can't be wrong? in: Sarafian, V. and Findlay, R. (ed.) L’état de l’industrie musicale = The state of the music industry Toulouse Presses de l'Université Toulouse 1 Capitole.Book chapter
Audio books: the literary origins of grooves, labels and sleeves
Osborne, R. 2014. Audio books: the literary origins of grooves, labels and sleeves. in: Carroll, R. and Hansen, A. (ed.) LitPop: Writing and Popular Music Farnham Ashgate. pp. 201-215Book chapter
Professional artefacts: embodying ideas in work-based learning
Nottingham, P. and Akinleye, A. 2014. Professional artefacts: embodying ideas in work-based learning. Higher Education, Skills and Work-based Learning. 4 (1), pp. 98-108. https://doi.org/10.1108/HESWBL-09-2012-0036Article
Ten decades: careers of ten women artists born 1897-1906
Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.Book
New feminist art criticism: critical strategies
Deepwell, K. (ed.) 1995. New feminist art criticism: critical strategies. Manchester Manchester University Press.Book
Beatrice Cussol: feminist not feminine
Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35Book chapter
We don't need another heroine: Sanja Ivekovic's counter-narratives
Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113Book chapter
Cairo: my city, my revolution
Hussein, N. 2013. Cairo: my city, my revolution. in: Solga, K. and Hopkins, D. (ed.) Performance and the global city Basingstoke, UK Palgrave Macmillan. pp. 223-243Book chapter
Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train
Machon, J. 2013. Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. in: Jenzen, O. and Munt, S. (ed.) The Ashgate research companion to paranormal cultures Ashgate. pp. 241-254Book chapter
Drawing - in and outside - writing
Morrens, P., Chorpening, K., Nys, A. and Fortnum, R. 2012. Drawing - in and outside - writing. RGAP (Research Group for Artists Publications) in collaboration with Sint-Lucas Visual Arts Ghent.Book
The Art of Intervention
Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UKShow or exhibition
12 Approaches to 12 Shooters
Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189Book chapter
Performing memory
Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, AustriaShow or exhibition
Anti-academy
Maude-Roxby, A. 2013. Anti-academy. John Hansard Gallery, Southampton, UKShow or exhibition
Film in space: an exhibition of film and expanded cinema selected by Guy Sherwin
Sherwin, G. 2012. Film in space: an exhibition of film and expanded cinema selected by Guy Sherwin. London, UK 15 Dec 2012 - 24 Feb 2013Show or exhibition
Feminism meets the big exhibition: 2005 onwards
Robinson, H. 2013. Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica. 3 (6).Article
Robert Cohan teaching: body of knowledge
Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.Design
On curation: The development of Danscross and walking with Zhuangzi
Bannerman, C. 2013. On curation: The development of Danscross and walking with Zhuangzi. ResCen Research Centre.Other
Becoming women: Irigaray, Ireland and visual representation
Robinson, H. 2003. Becoming women: Irigaray, Ireland and visual representation. in: Bhreathnach-Lynch, S. and Cusack, T. (ed.) Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures Aldershot Ashgate. pp. 113-127Book chapter
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