School of Arts
| Title | School of Arts |
|---|---|
| Alternative | ACI - Arts |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Dancing narratives: an analytical approach to the narrative of the ballet fantastique
Bernkopf, A. 2008. Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel. 14.Article
Site under construction: taking ‘reading performance’ literally
Bernkopf, A. 2007. Site under construction: taking ‘reading performance’ literally. 2007 Society of Dance History Scholars Conference: Re-Thinking Theory and Practice/Repenser pratique et theorie. Paris, France 21 - 24 Jun 2007 Society of Dance Historians. pp. 253-256Conference paper
Dramaturgy of desire: an analytical approach to dance narratives
Bernkopf, A. 2006. Dramaturgy of desire: an analytical approach to dance narratives. Choreologica. 2 (1), pp. 41-60.Article
Forlane for piano solo (part of ‘Le Tombeau de Rachmaninov’)
Fribbins, P. 2015. Forlane for piano solo (part of ‘Le Tombeau de Rachmaninov’).Composition
Concerto for Violin & Orchestra
Fribbins, P. 2015. Concerto for Violin & Orchestra.Composition
Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice
Sachsenmaier, S. 2014. Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice. PSi20 Avant-Garde, Tradition, Community. Shanghai, China 04 - 08 Jul 2014Conference paper
Through the window: Wing Chun as woman warrior
lok, s. and White, L. 2015. Through the window: Wing Chun as woman warrior. Martial Arts Studies. Cardiff University 10 - 12 Jun 2015Conference paper
Collaboration, democracy and the total artwork
Kolb, A. 2015. Collaboration, democracy and the total artwork. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 51-74Book chapter
Not a straight line by a spiral: charting continuity and change in textiles informed by feminism
Kokoli, A. 2014. Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text. 23, pp. 110-129.Article
Citizen innovation: DIY design and the Thames water turbine
Leeson, L. and Light, A. 2014. Citizen innovation: DIY design and the Thames water turbine. Creative Citizens. Royal College of Art, London 18 - 19 Sep 2014Conference paper
Reflections on an art and politics of social engagement
Leeson, L. 2014. Reflections on an art and politics of social engagement. The Impossible Constellation. University of Lincoln 02 - 03 Jun 2014Conference paper
Re-thinking (e)valuation
Leeson, L. 2014. Re-thinking (e)valuation. Art, Recognition and Social Science: Re-Thinking (E)valuation. Central Library, Liverpool, UK 16 May 2014Conference paper
Art as a force for change
Leeson, L. 2014. Art as a force for change. Curating Community? The Relational and Agonistic Value of Participatory Arts in Superdiverse Localities. Centre For Creative Collaboration, London, UK 01 May 2014Conference paper
Experiments in ‘real world’ education
Leeson, L. 2014. Experiments in ‘real world’ education. Just What Is It That Makes Today's Art Schools So Different, So Appealing?. ICA, London 29 Mar 2014Conference paper
Some lessons learned on the art and politics of social engagement 1978 – 2013
Leeson, L. 2014. Some lessons learned on the art and politics of social engagement 1978 – 2013. The Tetley Feast. The Tetley, Leeds, UK 08 Jan - 12 Feb 2014Conference item
Active Energy - where art and engineering meet
Leeson, L. 2014. Active Energy - where art and engineering meet. CAA 102nd Annual Conference. Chicago 12 - 15 Feb 2014Conference paper
Working with and supporting early career academics. A provocation
Hussein, N. 2014. Working with and supporting early career academics. A provocation. The Standing Conference of University Drama Departments' annual conference. Aberystwyth University.Conference item
Performance as a gesture of resistance in Laila Soliman’s No Time for Art
Hussein, N. 2015. Performance as a gesture of resistance in Laila Soliman’s No Time for Art. Theatre and Stratification. International Federation for Theatre Research’s world congress. The University of Warwick 28 Jul - 01 Aug 2014Conference paper
Here… there… and the question of belonging
Hussein, N. 2015. Here… there… and the question of belonging. Arab Women Artists Now (AWAN) Festival.. Rich Mix, London. 07 Mar 2015Conference item
Here, there, and the question of belonging in a time of revolution
Hussein, N. 2015. Here, there, and the question of belonging in a time of revolution. Contested Exchanged: Space, Place and the Performance of Democracy. Artaud Performance Centre. Brunel University, London. 28 Mar 2015Conference item
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. New Anarchist Research Group Monthly Meeting. Torriano Meeting House, London 25 Apr 2015Conference paper
My City, My Revolution
Hussein, N., Papadelli, V., Goely, M. and Picknett, M. 2015. My City, My Revolution. Rich Mix theatre, London 23 Jan 2015Performance
We don’t need another heroine: Sanja Ivekovic’s counter-narratives
Deepwell, K. 2013. We don’t need another heroine: Sanja Ivekovic’s counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - A Reader London Calvert 22 Foundation. pp. 110-133Book chapter
Feminist problematic(s) in contemporary art
Deepwell, K. 2014. Feminist problematic(s) in contemporary art. Arta: Revista de arte vizuale (Bucharest).Article
‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’
Deepwell, K. 2014. ‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’. Revista de Estudios Globales y Arte Contemporáneo: Art Global Age. 2 (1), pp. 191-212. https://doi.org/10.1344/regac2014.1.11Article
The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore
Dines, M. 2015. The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: Embodiment of Krishnacore. Musicological Annual. 50 (2), pp. 147-156. https://doi.org/10.4312/mz.50.2.147-156Article
A ‘narrow world, strewn with prohibitions’: Chang Cheh’s The Assassin and the 1967 Hong Kong riots
White, L. 2015. A ‘narrow world, strewn with prohibitions’: Chang Cheh’s The Assassin and the 1967 Hong Kong riots. Asian Cinema. 26 (1), pp. 79-98. https://doi.org/10.1386/ac.26.1.79_1Article
Abu Hamza: guilty: the fight against radical Islam
Barling, K. and Hassaïne, R. 2014. Abu Hamza: guilty: the fight against radical Islam. London Redshank Books.Book
Concerto for Violin & Orchestra - Dances, Elegies & Epitaphs
Fribbins, P. and Royal Scottish National Orchestra 2015. Concerto for Violin & Orchestra - Dances, Elegies & Epitaphs.Portfolio
The gold disc: one million pop fans can't be wrong?
Osborne, R. 2014. The gold disc: one million pop fans can't be wrong? in: Sarafian, V. and Findlay, R. (ed.) L’état de l’industrie musicale = The state of the music industry Toulouse Presses de l'Université Toulouse 1 Capitole.Book chapter
Audio books: the literary origins of grooves, labels and sleeves
Osborne, R. 2014. Audio books: the literary origins of grooves, labels and sleeves. in: Carroll, R. and Hansen, A. (ed.) LitPop: Writing and Popular Music Farnham Ashgate. pp. 201-215Book chapter
Mobilizing memory: interview with Ayse Gül Altinay and Isin Önol
Deepwell, K. 2015. Mobilizing memory: interview with Ayse Gül Altinay and Isin Önol. n.paradoxa: international feminist art journal. 35, pp. 31-39.Article
Dialogues in sound and movement: research-led teaching in contemporary choreography and sound composition
Salazar, D. and Salgado Llopis, M. 2015. Dialogues in sound and movement: research-led teaching in contemporary choreography and sound composition. Reflective Conservatoire Conference 2015: creativity and changing cultures. London, UK 26 Feb - 01 Mar 2015Conference paper
Narrative perspective
Dalton, A. 2015. Narrative perspective. in: Royle, N. (ed.) The Art of the Novel Salt Publishing. pp. 32-39Book chapter
Surrender unto me: Punk Rock, Bhakti-rasa and the devotional aesthetic of Krishnacore
Dines, M. 2015. Surrender unto me: Punk Rock, Bhakti-rasa and the devotional aesthetic of Krishnacore. Keep It Simple, Make It Fast! Crossing Borders of Underground Music Scenes (KISMIF 2015). Faculty of Arts and Humanities, University of Porto, Portugal 15 - 17 Jul 2015Conference item
Fight Back: Punk, Politics and Resistance, The Subcultures Network (ed.) (2014) 1st ed., Manchester: Manchester University Press, 320 pp., ISBN: 9780719090295, h/bk, £75.00 [Book review]
Dines, M. 2015. Fight Back: Punk, Politics and Resistance, The Subcultures Network (ed.) (2014) 1st ed., Manchester: Manchester University Press, 320 pp., ISBN: 9780719090295, h/bk, £75.00 [Book review]. International Journal of Media & Cultural Politics. 11 (2), pp. 272-274. https://doi.org/10.1386/macp.11.2.267_5Article
Understanding small music venues: a report by the Music Venue Trust
Dines, M., Campanello, K., Smith, G., Hunter, M. and Parkinson, T. 2015. Understanding small music venues: a report by the Music Venue Trust. Music Venue Trust.Project report
One good day [Shortlisted play script]
Thompson, C. 2015. One good day [Shortlisted play script]. Theatre503 Playwriting Competition.Other
Past-present -future
Maude-Roxby, A. 2015. Past-present -future. in: Vason, M. and Evans, D. (ed.) Double Exposures: Performance as Photography, Photography as Performance London Intellect. pp. 31-34Book chapter
Performance and Photography: Theatre of Photography
Maude-Roxby, A., London College of Communication and Swedenborg 2015. Performance and Photography: Theatre of Photography. Moose on the Loose. Swedenborg Society LondonConference item
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