School of Arts
| Title | School of Arts |
|---|---|
| Alternative | ACI - Arts |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
Sort by Date Title
Artist's Impression: Mangled Metal installed at Peltz Gallery, Birkbeck, June 2015
Timberlake, J. 2015. Artist's Impression: Mangled Metal installed at Peltz Gallery, Birkbeck, June 2015. Birkbeck, University of London, 43 Gordon Square, London 04 Jul - 14 Aug 2015 https://doi.org/10.22023/mdx.6804359.v1Show or exhibition
Exotic England: the making of a curious nation
Alibhai-Brown, Y. 2015. Exotic England: the making of a curious nation. London Portobello Books.Authored Book
Just in Time: Rosemary Butcher, making memories and marks
Melrose, S., Sachsenmaier, S. and Butcher, R. 2015. Just in Time: Rosemary Butcher, making memories and marks. Performance Research. 20 (6), pp. 87-94. https://doi.org/10.1080/13528165.2015.1111060Article
The 'R' word: racism
Barling, K. 2015. The 'R' word: racism. London, UK Biteback Publishing.Book
Lambeth floating marsh
Leeson, L., Rai, N. and Iles, H. 2015. Lambeth floating marsh. cSPACE.Website
Collaborative performance-making in context
Colin, N. and Sachsenmaier, S. 2015. Collaborative performance-making in context. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 1-24Introduction
Productive misapprehensions: Artscross as a cross-cultural collaborative zone of contestation of contemporary dance practice
Sachsenmaier, S. 2015. Productive misapprehensions: Artscross as a cross-cultural collaborative zone of contestation of contemporary dance practice. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 280-302Book chapter
Collaboration in performance practice: Premises, workings and failures
Colin, N. and Sachsenmaier, S. (ed.) 2015. Collaboration in performance practice: Premises, workings and failures. London Palgrave Macmillan.Edited Book
What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain
Kokoli, A. and Winter, A. 2015. What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a journal of feminist theory. 25 (2), pp. 157-174. https://doi.org/10.1080/0740770X.2015.1057015Article
Misogyny: Witches and Wicked Bodies
Petherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster 2015. Misogyny: Witches and Wicked Bodies. Misogyny: Witches and Wicked Bodies. ICA, London, United Kingdom 18 Mar 2015Conference item
Case study: engaging older people in creative thinking: the Active Energy project
Leeson, L. 2015. Case study: engaging older people in creative thinking: the Active Energy project. in: Clift, S. and Camic, P. (ed.) Oxford Textbook of Creative Arts, Health and Wellbeing: International perspectives on practice, policy and research Oxford University Press (OUP). pp. 245-250Book chapter
Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy
White, L. 2014. Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy. Journalism Media and Cultural Studies (JOMEC). 5, pp. 1-17. https://doi.org/10.18573/j.2014.10277Article
Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices
Melrose, S., Sachsenmaier, S. and Butcher, R. 2013. Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. Performance Studies International Conference (PSi 19). Stanford, CA, United States 26 - 30 Jun 2013Conference paper
Nigeria: the edge of the abyss
Barling, K. and Akinrinade, O. 1998. Nigeria: the edge of the abyss. The World Today. 54 (7), pp. 200-202.Article
Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Show or exhibition
Remote dancing
Sandiland, N. and Lee, R. 2004. Remote dancing.Digital or visual media
Everything looks beautiful in slow motion.
Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006Show or exhibition
Orbital
Sandiland, N., Parry, N. and Flexer, Y. 2010. Orbital. Stone Squid Gallery, Hastings 2010Show or exhibition
Semioethics, voluntarism and anti-humanism
Cobley, P. 2007. Semioethics, voluntarism and anti-humanism. New Formations: a journal of culture/theory/politics.Article
(Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images
Machon, J. 2013. (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. in: Shaughnessy, N. (ed.) Affective performance and cognitive science Bloomsbury Methuen Drama.Book chapter
On being immersed: the pleasure of being: washing, feeding, holding
Machon, J. 2017. On being immersed: the pleasure of being: washing, feeding, holding. in: Frieze, J. (ed.) Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance Basingstoke, UK Palgrave Macmillan. pp. 29-42Book chapter
Punchdrunk
Machon, J. 2015. Punchdrunk. in: Tomlin, E. (ed.) British theatre companies: 1995-2014 Methuen Drama.Book chapter
(Syn)aesthetics: redefining visceral performance
Machon, J. 2011. (Syn)aesthetics: redefining visceral performance. Basingstoke, UK Palgrave Macmillan.Book
Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy
Cobley, P. 2014. Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy. Semiotica. 2014 (198), pp. 32-45. https://doi.org/10.1515/sem-2013-0100Article
Backbench
Cavusoglu, E. 2010. Backbench.Artefact
Another country XV
Timberlake, J. and Imperial War Museum 2001. Another country XV.Artefact
Ron Haselden / John Timberlake
Timberlake, J. and Haselden, R. 2012. Ron Haselden / John Timberlake. Paris, France 05 May - 23 Jun 2012Show or exhibition
Spontaneous combustion
Sachsenmaier, S., Lammers, C. and Franglen, N. 2011. Spontaneous combustion. Theatre Academy Helsinki Jan 2011Performance
Lichtung
Sachsenmaier, S., Lammers, C. and Imori, M. 2011. Lichtung. UniCredit Kunstraum am Viktualienmarkt, Munich Dec 2011Performance
Lichtspur
Sachsenmaier, S. and Lammers, C. 2012. Lichtspur. St. Paulskirche Munich Apr 2012Performance
Remote Collaboration
Sachsenmaier, S., Franglen, N. and Wragg, G. 2013. Remote Collaboration. Independent Dance, Siobhan Davies Studios, London Mar 2013Performance
On being unique: gender subversion in two graphic novels for young adults
Kahn, A. 2014. On being unique: gender subversion in two graphic novels for young adults. Journal of Graphic Novels and Comics. 5 (3), pp. 336-343. https://doi.org/10.1080/21504857.2014.908403Article
Felicity Sparrow: forming Circles
Deepwell, K. 2014. Felicity Sparrow: forming Circles. n.paradoxa: international feminist art journal. 34, pp. 86-95.Article
The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)
Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.Portfolio
Revolution Farm - The Film
Kenworth, J. and Charlton, J. 2014. Revolution Farm - The Film. Newham, London, UKDigital or visual media
Beauty and the Beast: capital forces and cultural production
Duman, A. 2014. Beauty and the Beast: capital forces and cultural production. The Architectural Review.Article
Feminist art manifestos: an anthology
Deepwell, K. (ed.) 2014. Feminist art manifestos: an anthology. London, UK KT Press.Book
Punchdrunk enrichment preliminary report. November 2014.
Machon, J. and Thompson, C. 2014. Punchdrunk enrichment preliminary report. November 2014. Middlesex University.Other
To be means to communicate
Cobley, P. 2014. To be means to communicate. The American Journal of Semiotics. 30 (3/4), pp. 229-246. https://doi.org/10.5840/ajs2014303/412Article
Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address
Cobley, P. 2014. Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address. The American Journal of Semiotics. 30 (3/4), pp. 191-204. https://doi.org/10.5840/ajs2014303/410Article
59177
total views10679
total downloads1947
views this month817
downloads this month