School of Arts

Title	School of Arts
Alternative	ACI - Arts
Faculty	Faculty of Arts and Creative Industries

Latest research outputs

Sort by Date Title

Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy

White, L. 2014. Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy. Journalism Media and Cultural Studies (JOMEC). 5, pp. 1-17. https://doi.org/10.18573/j.2014.10277

Article

Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices

Melrose, S., Sachsenmaier, S. and Butcher, R. 2013. Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. Performance Studies International Conference (PSi 19). Stanford, CA, United States 26 - 30 Jun 2013

Conference paper

Nigeria: the edge of the abyss

Barling, K. and Akinrinade, O. 1998. Nigeria: the edge of the abyss. The World Today. 54 (7), pp. 200-202.

Article

Economic development in Africa: international efforts, issues and prospects

Akinrinade, O. and Barling, K. 2013. Economic development in Africa: international efforts, issues and prospects. UK Bloomsbury Academic.

Book

Trip hazard

Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013

Show or exhibition

Remote dancing

Sandiland, N. and Lee, R. 2004. Remote dancing.

Digital or visual media

Everything looks beautiful in slow motion.

Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006

Show or exhibition

Orbital

Sandiland, N., Parry, N. and Flexer, Y. 2010. Orbital. Stone Squid Gallery, Hastings 2010

Show or exhibition

Semioethics, voluntarism and anti-humanism

Cobley, P. 2007. Semioethics, voluntarism and anti-humanism. New Formations: a journal of culture/theory/politics.

Article

(Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images

Machon, J. 2013. (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. in: Shaughnessy, N. (ed.) Affective performance and cognitive science Bloomsbury Methuen Drama.

Book chapter

On being immersed: the pleasure of being: washing, feeding, holding

Machon, J. 2017. On being immersed: the pleasure of being: washing, feeding, holding. in: Frieze, J. (ed.) Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance Basingstoke, UK Palgrave Macmillan. pp. 29-42

Book chapter

Punchdrunk

Machon, J. 2015. Punchdrunk. in: Tomlin, E. (ed.) British theatre companies: 1995-2014 Methuen Drama.

Book chapter

(Syn)aesthetics: redefining visceral performance

Machon, J. 2011. (Syn)aesthetics: redefining visceral performance. Basingstoke, UK Palgrave Macmillan.

Book

Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy

Cobley, P. 2014. Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy. Semiotica. 2014 (198), pp. 32-45. https://doi.org/10.1515/sem-2013-0100

Article

Backbench

Cavusoglu, E. 2010. Backbench.

Artefact

Another country XV

Timberlake, J. and Imperial War Museum 2001. Another country XV.

Artefact

Ron Haselden / John Timberlake

Timberlake, J. and Haselden, R. 2012. Ron Haselden / John Timberlake. Paris, France 05 May - 23 Jun 2012

Show or exhibition

Spontaneous combustion

Sachsenmaier, S., Lammers, C. and Franglen, N. 2011. Spontaneous combustion. Theatre Academy Helsinki Jan 2011

Performance

Lichtung

Sachsenmaier, S., Lammers, C. and Imori, M. 2011. Lichtung. UniCredit Kunstraum am Viktualienmarkt, Munich Dec 2011

Performance

Lichtspur

Sachsenmaier, S. and Lammers, C. 2012. Lichtspur. St. Paulskirche Munich Apr 2012

Performance

Remote Collaboration

Sachsenmaier, S., Franglen, N. and Wragg, G. 2013. Remote Collaboration. Independent Dance, Siobhan Davies Studios, London Mar 2013

Performance

On being unique: gender subversion in two graphic novels for young adults

Kahn, A. 2014. On being unique: gender subversion in two graphic novels for young adults. Journal of Graphic Novels and Comics. 5 (3), pp. 336-343. https://doi.org/10.1080/21504857.2014.908403

Article

Felicity Sparrow: forming Circles

Deepwell, K. 2014. Felicity Sparrow: forming Circles. n.paradoxa: international feminist art journal. 34, pp. 86-95.

Article

The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019)

Kenworth, J. and Charlton, J. 2014. The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people (2014-2019). Middlesex University Research Repository.

Portfolio

Revolution Farm - The Film

Kenworth, J. and Charlton, J. 2014. Revolution Farm - The Film. Newham, London, UK

Digital or visual media

Beauty and the Beast: capital forces and cultural production

Duman, A. 2014. Beauty and the Beast: capital forces and cultural production. The Architectural Review.

Article

Feminist art manifestos: an anthology

Deepwell, K. (ed.) 2014. Feminist art manifestos: an anthology. London, UK KT Press.

Book

Punchdrunk enrichment preliminary report. November 2014.

Machon, J. and Thompson, C. 2014. Punchdrunk enrichment preliminary report. November 2014. Middlesex University.

Other

To be means to communicate

Cobley, P. 2014. To be means to communicate. The American Journal of Semiotics. 30 (3/4), pp. 229-246. https://doi.org/10.5840/ajs2014303/412

Article

Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address

Cobley, P. 2014. Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address. The American Journal of Semiotics. 30 (3/4), pp. 191-204. https://doi.org/10.5840/ajs2014303/410

Article