School of Arts
| Title | School of Arts |
|---|---|
| Alternative | ACI - Arts |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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The pedagogic significance of 20th Century modern dance training on the 21st Century dancing body, with reference to Doris Humphrey’s dance technique and movement philosophy
Main, L. 2009. The pedagogic significance of 20th Century modern dance training on the 21st Century dancing body, with reference to Doris Humphrey’s dance technique and movement philosophy. in: Randall, T. (ed.) Global perspectives on dance pedagogy: research and practice : special conference, 25-27 June 2009, The Centre for Excellence in Performance Arts, De Montfort University, Leicester, UK Congress on Research in Dance. pp. 47-53Book chapter
Defining the problem: women artists, feminism and globalization (English title of Russian text)
Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29Book chapter
When creation, translation and adaptation meet: SignDance Collective's New gold
de Senna, P. 2013. When creation, translation and adaptation meet: SignDance Collective's New gold. in: Krebs, K. (ed.) Translation and adaptation in theatre and film Routledge.Book chapter
Voice (a retracing)
Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).Digital or visual media
Points of view
Sandiland, N. 2011. Points of view. London, UK 03 - 09 Oct 2011Performance
Hepworth and her critics
Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111Book chapter
It's time for action (there's no option): about feminism
Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.Book
Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis
Diedrich, A. 2013. Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama. 56 (3), pp. 374-398. https://doi.org/10.3138/md.0356Article
Half a penny & The other side of the coin
de Senna, P. and Signdance Collective International 2012. Half a penny & The other side of the coin. Croydon, UK Apr 2012Performance
ArtsCross Beijing 2012: light and water
Bannerman, C., Beijing Dance Academy (BDA), ResCen Research Centre, Middlesex University (ResCen) and School of Dance, Taipei National University of the Arts (TNUA) 2012. ArtsCross Beijing 2012: light and water. Beijing, China 2012Performance
A tragédia de Ismene, princesa de Tebas
de Senna, P. 2013. A tragédia de Ismene, princesa de Tebas. Mobile Editorial.Book
A Haydn prelude
Fribbins, P. A Haydn prelude. Guild, Music Haven.Composition
Interaction, simulation, and invention
Impett, J. 2013. Interaction, simulation, and invention. in: Carayannis, E. (ed.) Encyclopedia of creativity, invention, innovation and entrepreneurship Springer.Book chapter
Yours truly (aka Head over heels)
Parker, O., Gouldstone, I., McKinnon, M., Hill, L. and Bisineer, M. 2006. Yours truly (aka Head over heels).Digital or visual media
Women artists between the wars: a fair field and no favour
Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.Book
The young person's guide 2 East London
Leeson, L. and cSPACE 2012. The young person's guide 2 East London. cSPACE.Other
The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.Book chapter
On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342Article
Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany
Mac an Bhreithiun, B. 2011. Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany. Contemporary French Civilization. 35 (1), pp. 111-142. https://doi.org/10.3828/cfc.2011.35.1.7Article
Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007
Hiller, S. Kokoli, A. (ed.) 2008. Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007. JRP|Ringier.Book
Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)
Kokoli, A. 2012. Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research. 17 (5), pp. 24-30. https://doi.org/10.1080/13528165.2012.728436Article
Angelica [film/video]
Cowan, J. 2013. Angelica [film/video].Digital or visual media
On not knowing: how artists think
Fortnum, R., Kettle's Yard, Visual Intelligences project at the Lancaster Institute for the Contemporary Arts, Lancaster University and How Art Thinks research project at the International Centre for Fine Art Research at the University of the Arts, London 2009. On not knowing: how artists think. Kettle's Yard.Other
The Blk Art Group research project 2012
Piper, K., Smith, M. and Johnson, C. 2012. The Blk Art Group research project 2012. Keith Piper.Other
Misfits: strung out
Parker, O. 2013. Misfits: strung out.Digital or visual media
Leon Golub [retrospective catalogue]
Bird, J. 2011. Leon Golub [retrospective catalogue]. Turner Ediciones.Book
Claims for a feminist politics in painting
Deepwell, K. 2010. Claims for a feminist politics in painting. in: Petersen, A., Bogh, M., Christensen, H. and Larsen, P. (ed.) Contemporary painting in context Museum Tusculanum Press. pp. 143-164Book chapter
Symphony no. 2
Inglis, B., Shiel, D. and Evans, F. 2009. Symphony no. 2.Composition
Tanz auf dem Vulkan (Dancing on a volcano)
Sachsenmaier, S., Lammers, C. and Spengler, S. 2010. Tanz auf dem Vulkan (Dancing on a volcano). Städtische Galerie Kunstarkaden Munich 27 Apr - 28 May 2010Performance
Spontaneous combustion
Sachsenmaier, S. 2011. Spontaneous combustion. in: Arlander, A. (ed.) Artistic Research in Action: Proceedings of CARPA2, Colloquium on Artistic Research in Performing Arts Theatre Academy Helsinki. pp. 127-133Book chapter
Curation, and direction of ArtsCross (a large scale international exchange project)
Bannerman, C. Curation, and direction of ArtsCross (a large scale international exchange project). ResCen, the Centre for Research into Creation in the Performing Arts.Other
Curation and direction of DansCross (a large international collaborative dance project)
Bannerman, C. Curation and direction of DansCross (a large international collaborative dance project). ResCen, the Centre for Research into Creation in the Performing Arts.Other
Between
Woodhouse, A. and Broadhead, C. 2011. Between. Trinity Laban Bonnie Bird stage 24 Jan 2011Show or exhibition
Burmese pictures
Inglis, B. 2010. Burmese pictures. Composers Edition.Composition
The song of Margery Kempe
Inglis, B. 2009. The song of Margery Kempe.Composition
Sighted
Woodhouse, A. and Broadhead, C. 2009. Sighted. The Place, London 2009Show or exhibition
Umbilical
Dwyer, B. 2011. Umbilical.Composition
The jingle dress
Akinleye, A. 2011. The jingle dress.Performance
Skript: a micro installation
Midgelow, V. 2013. Skript: a micro installation.Artefact
Fantasias 2 for viola & piano
Fribbins, P. 2011. Fantasias 2 for viola & piano.Composition
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