School of Arts


TitleSchool of Arts
AlternativeACI - Arts
FacultyFaculty of Arts and Creative Industries

Latest research outputs

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“VRification”: applying virtual reality to digital games
Wiedemann, D., Passmore, P. and Moar, M. 2017. “VRification”: applying virtual reality to digital games. SciFi-It'2017: International Science Fiction Prototyping Conference. Bruges, Belgium 10 - 11 Apr 2017 EUROSIS. pp. 55-58

Conference paper

An experiment design: investigating VR locomotion & virtual object interaction mechanics
Wiedemann, D., Passmore, P. and Moar, M. 2017. An experiment design: investigating VR locomotion & virtual object interaction mechanics. GAME-ON'2017: 18th International Conference on Intelligent Games and Simulation. Carlow, Ireland 06 - 08 Sep 2017 EUROSIS. pp. 80-86

Conference paper

Virtual Reality 3rd person camera behavior modes
Wiedemann, D., Passmore, P. and Moar, M. 2016. Virtual Reality 3rd person camera behavior modes. GAME-ON'2016: 17th International Conference on Intelligent Games and Simulation. Lisbon, Portugal 13 - 15 Sep 2016 EUROSIS. pp. 57-64

Conference paper

Local multiplayer immersion affected by 3D stereoscopy
Wiedemann, D., Passmore, P. and Moar, M. 2017. Local multiplayer immersion affected by 3D stereoscopy. CHI PLAY 2017. Amsterdam 15 - 18 Oct 2017 Association for Computing Machinery (ACM). pp. 25-35 https://doi.org/10.1145/3130859.3131429

Conference paper

Film of a splotch of red: Keir Hardie in West Ham at community links, Canning Town
Kenworth, J. 2016. Film of a splotch of red: Keir Hardie in West Ham at community links, Canning Town.

Digital or visual media

KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.

Digital or visual media

Wrecked LP by PIG (photography and design by Stephen Lovell-Davis)
Lovell-Davis, S. 2017. Wrecked LP by PIG (photography and design by Stephen Lovell-Davis). Armalyte Records.

Other

[Photographic Prints in BYOP: Exhibition Recontres D'Arles]
Barritt, S. 2018. [Photographic Prints in BYOP: Exhibition Recontres D'Arles].

Artefact

Coincident
Barritt, S. and Missen, A. 2018. Coincident. Projektraum PremArts Oppelner Str. 34, 10997 Berlin 31 May - 07 Jun 2018

Show or exhibition

Part of work shown at Riga Photo month
Barritt, S. 2018. Part of work shown at Riga Photo month.

Digital or visual media

KnowingUnknowing and the Corporeal
Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.

Artefact

[Photographic prints in the Myth & Lore exhibition]
Barritt, S. 2017. [Photographic prints in the Myth & Lore exhibition].

Artefact

KnowingUnknowing
Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.

Digital or visual media

Mao [in Portrait of Britain Exhibition]
Barritt, S. 2018. Mao [in Portrait of Britain Exhibition].

Digital or visual media

Mao [selected Portrait]
Barritt, S., Hoxton Mini Press and British Journal of Photography 2018. Mao [selected Portrait]. in: Portrait of Britain United Kingdom Hoxton Mini Press. pp. 254-255

Book chapter

Of Swallows & Ravens [featured in Voies-Off Festival Awards, Arles]
Barritt, S. 2018. Of Swallows & Ravens [featured in Voies-Off Festival Awards, Arles].

Digital or visual media

Diversity in the discipline working group: chair’s report 2015-17
de Senna, P. 2018. Diversity in the discipline working group: chair’s report 2015-17. SCUDD.

Project report

Exposure 2 - Lecture at The Photographers' Gallery, London
Lovell-Davis, S. 2015. Exposure 2 - Lecture at The Photographers' Gallery, London. Exposure 2. Photographers' Gallery, London, United Kingdom 30 Apr 2015

Conference item

Exposure 2 Artist Talk: Photographers Gallery
Barritt, S. 2015. Exposure 2 Artist Talk: Photographers Gallery. Exposure 2. Photographers' Gallery, London, United Kingdom 30 Apr 2015

Conference item

Narrating spaces
Akinleye, A. 2016. Narrating spaces. in: Brookes, P. (ed.) Black Women in Dance: Stepping Out of the Barriers UK Serendipity Artists Movement.

Book chapter

Scratch: a choreographic conversation
Midgelow, V. and Bacon, J. 2016. Scratch: a choreographic conversation. Nottingham 01 Dec 2016

Performance

The UK news media and austerity: trends since the global financial crisis
Schifferes, S. and Knowles, S. 2018. The UK news media and austerity: trends since the global financial crisis. in: Basu, L., Schifferes, S. and Knowles, S. (ed.) The Media and Austerity: Comparative perspectives London Routledge. pp. 15-29

Book chapter

Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017

Other

Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.

Other

An Art of Change - photomontage 1977-2017
Leeson, L. 2018. An Art of Change - photomontage 1977-2017. Photomontage Then and Now. Four Corners, 121 Roman Road London E2 0QN 20 Sep 2018

Conference item

[Experimental and perfomative provocations]
Maude-Roxby, A. 2018. [Experimental and perfomative provocations]. Writing Photographs Conference. Tate Modern 13 Oct 2018

Conference item

Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold
Maude-Roxby, A. and Seibold, S. 2017. Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. MISS READ: Berlin Art Book Fair. Haus der Kulturen der Welt, Berlin 14 - 17 Jul 2017

Conference item

Illustration for The Weir
Barritt, S. 2015. Illustration for The Weir.

Digital or visual media

Notation as technology
Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016

Conference keynote

Spoken
Impett, J. 2017. Spoken. Attacca Amsterdam.

Composition

After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.

Article

Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1

Article

Words and dance
Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2

Article

Improvisation: violin, tabla, guitar
Spinks, T., Chisht, I. and Mohsin, K. 2018. Improvisation: violin, tabla, guitar. RM Naeem studio, National College of Arts,Lahore 30 Jul 2018

Performance

The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238

Book chapter

Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666

Book chapter

Feminist art manifestos/feminist politics
Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.

Article

Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017

Conference paper

Printed forms
Mumberson, S. 2018. Printed forms. Printmaking Today. 27 (3), pp. 30 -30.

Article

Feminist contributions to artworks in Slide-Tape
Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18

Book chapter