School of Arts
| Title | School of Arts |
|---|---|
| Alternative | ACI - Arts |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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“VRification”: applying virtual reality to digital games
Wiedemann, D., Passmore, P. and Moar, M. 2017. “VRification”: applying virtual reality to digital games. SciFi-It'2017: International Science Fiction Prototyping Conference. Bruges, Belgium 10 - 11 Apr 2017 EUROSIS. pp. 55-58Conference paper
An experiment design: investigating VR locomotion & virtual object interaction mechanics
Wiedemann, D., Passmore, P. and Moar, M. 2017. An experiment design: investigating VR locomotion & virtual object interaction mechanics. GAME-ON'2017: 18th International Conference on Intelligent Games and Simulation. Carlow, Ireland 06 - 08 Sep 2017 EUROSIS. pp. 80-86Conference paper
Virtual Reality 3rd person camera behavior modes
Wiedemann, D., Passmore, P. and Moar, M. 2016. Virtual Reality 3rd person camera behavior modes. GAME-ON'2016: 17th International Conference on Intelligent Games and Simulation. Lisbon, Portugal 13 - 15 Sep 2016 EUROSIS. pp. 57-64Conference paper
Local multiplayer immersion affected by 3D stereoscopy
Wiedemann, D., Passmore, P. and Moar, M. 2017. Local multiplayer immersion affected by 3D stereoscopy. CHI PLAY 2017. Amsterdam 15 - 18 Oct 2017 Association for Computing Machinery (ACM). pp. 25-35 https://doi.org/10.1145/3130859.3131429Conference paper
Film of a splotch of red: Keir Hardie in West Ham at community links, Canning Town
Kenworth, J. 2016. Film of a splotch of red: Keir Hardie in West Ham at community links, Canning Town.Digital or visual media
KnowingUnknowing
Gomes, P., Dwyer, B. and Kindred, H. 2018. KnowingUnknowing.Digital or visual media
Wrecked LP by PIG (photography and design by Stephen Lovell-Davis)
Lovell-Davis, S. 2017. Wrecked LP by PIG (photography and design by Stephen Lovell-Davis). Armalyte Records.Other
[Photographic Prints in BYOP: Exhibition Recontres D'Arles]
Barritt, S. 2018. [Photographic Prints in BYOP: Exhibition Recontres D'Arles].Artefact
Coincident
Barritt, S. and Missen, A. 2018. Coincident. Projektraum PremArts Oppelner Str. 34, 10997 Berlin 31 May - 07 Jun 2018Show or exhibition
Part of work shown at Riga Photo month
Barritt, S. 2018. Part of work shown at Riga Photo month.Digital or visual media
KnowingUnknowing and the Corporeal
Kindred, H., Dwyer, B. and Gomes, P. 2018. KnowingUnknowing and the Corporeal.Artefact
[Photographic prints in the Myth & Lore exhibition]
Barritt, S. 2017. [Photographic prints in the Myth & Lore exhibition].Artefact
KnowingUnknowing
Dwyer, B. and Kindred, H. 2019. KnowingUnknowing.Digital or visual media
Mao [in Portrait of Britain Exhibition]
Barritt, S. 2018. Mao [in Portrait of Britain Exhibition].Digital or visual media
Mao [selected Portrait]
Barritt, S., Hoxton Mini Press and British Journal of Photography 2018. Mao [selected Portrait]. in: Portrait of Britain United Kingdom Hoxton Mini Press. pp. 254-255Book chapter
Of Swallows & Ravens [featured in Voies-Off Festival Awards, Arles]
Barritt, S. 2018. Of Swallows & Ravens [featured in Voies-Off Festival Awards, Arles].Digital or visual media
Diversity in the discipline working group: chair’s report 2015-17
de Senna, P. 2018. Diversity in the discipline working group: chair’s report 2015-17. SCUDD.Project report
Exposure 2 - Lecture at The Photographers' Gallery, London
Lovell-Davis, S. 2015. Exposure 2 - Lecture at The Photographers' Gallery, London. Exposure 2. Photographers' Gallery, London, United Kingdom 30 Apr 2015Conference item
Exposure 2 Artist Talk: Photographers Gallery
Barritt, S. 2015. Exposure 2 Artist Talk: Photographers Gallery. Exposure 2. Photographers' Gallery, London, United Kingdom 30 Apr 2015Conference item
Narrating spaces
Akinleye, A. 2016. Narrating spaces. in: Brookes, P. (ed.) Black Women in Dance: Stepping Out of the Barriers UK Serendipity Artists Movement.Book chapter
Scratch: a choreographic conversation
Midgelow, V. and Bacon, J. 2016. Scratch: a choreographic conversation. Nottingham 01 Dec 2016Performance
The UK news media and austerity: trends since the global financial crisis
Schifferes, S. and Knowles, S. 2018. The UK news media and austerity: trends since the global financial crisis. in: Basu, L., Schifferes, S. and Knowles, S. (ed.) The Media and Austerity: Comparative perspectives London Routledge. pp. 15-29Book chapter
Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, B. 2014. Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. https://doi.org/DIAC017Other
Umbilical—the story of Oedipus, the story of Jocasta…
Dwyer, B. 2017. Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.Other
An Art of Change - photomontage 1977-2017
Leeson, L. 2018. An Art of Change - photomontage 1977-2017. Photomontage Then and Now. Four Corners, 121 Roman Road London E2 0QN 20 Sep 2018Conference item
[Experimental and perfomative provocations]
Maude-Roxby, A. 2018. [Experimental and perfomative provocations]. Writing Photographs Conference. Tate Modern 13 Oct 2018Conference item
Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold
Maude-Roxby, A. and Seibold, S. 2017. Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. MISS READ: Berlin Art Book Fair. Haus der Kulturen der Welt, Berlin 14 - 17 Jul 2017Conference item
Illustration for The Weir
Barritt, S. 2015. Illustration for The Weir.Digital or visual media
Notation as technology
Impett, J. 2016. Notation as technology. Symposium on Notation for New Instruments and Musical Expression. IRCAM, Paris 22 Sep 2016Conference keynote
Spoken
Impett, J. 2017. Spoken. Attacca Amsterdam.Composition
After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]
Impett, J. 2018. After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies.Article
Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1Article
Words and dance
Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2Article
Improvisation: violin, tabla, guitar
Spinks, T., Chisht, I. and Mohsin, K. 2018. Improvisation: violin, tabla, guitar. RM Naeem studio, National College of Arts,Lahore 30 Jul 2018Performance
The contemporary musician and the production of knowledge: practice, research, and responsibility
Impett, J. 2017. The contemporary musician and the production of knowledge: practice, research, and responsibility. in: Impett, J. (ed.) Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute Leuven, BE Leuven University Press. pp. 221-238Book chapter
Making a mark: the psychology of composition
Impett, J. 2016. Making a mark: the psychology of composition. in: Hallam, S., Cross, I. and Thaut, M. (ed.) The Oxford Handbook of Music Psychology, Second Edition Oxford Oxford University Press (OUP). pp. 651-666Book chapter
Feminist art manifestos/feminist politics
Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.Article
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017Conference paper
Printed forms
Mumberson, S. 2018. Printed forms. Printmaking Today. 27 (3), pp. 30 -30.Article
Feminist contributions to artworks in Slide-Tape
Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18Book chapter
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