School of Arts

Title	School of Arts
Alternative	ACI - Arts
Faculty	Faculty of Arts and Creative Industries

Latest research outputs

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Creative articulations process: a rhizomatic practice

Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Intellect.

Portfolio

7 deadly sins by Louise Gibbs & The deadly 7 [CD]

Gibbs, L., Kofi, T., Whitehead, T., Collins, Q., White, T., Leak, S., Hayhurst, O. and Gardner, S. 2014. 7 deadly sins by Louise Gibbs & The deadly 7 [CD].

Digital or visual media

[Lecture on artist's own photographic professional practice]

Bradley, M. 2014. [Lecture on artist's own photographic professional practice]. Exposure 1. An event and symposium at the Photographers’ Gallery. Photographers' Gallery, London, UK 26 Nov 2014

Conference item

Revolution Farm - The Film

Kenworth, J. and Charlton, J. 2014. Revolution Farm - The Film. Newham, London, UK

Digital or visual media

Beauty and the Beast: capital forces and cultural production

Duman, A. 2014. Beauty and the Beast: capital forces and cultural production. The Architectural Review.

Article

(Un)touched phase 1

Woodhouse, A. and Rackowe, N. 2014. (Un)touched phase 1. Lakeside Gallery, Nottingham 26 - 30 Jul 2014

Show or exhibition

Lundy, Louis, Barge and Troy

Cavusoglu, E. 2014. Lundy, Louis, Barge and Troy.

Digital or visual media

Feminist art manifestos: an anthology

Deepwell, K. (ed.) 2014. Feminist art manifestos: an anthology. London, UK KT Press.

Book

Punchdrunk enrichment preliminary report. November 2014.

Machon, J. and Thompson, C. 2014. Punchdrunk enrichment preliminary report. November 2014. Middlesex University.

Other

To be means to communicate

Cobley, P. 2014. To be means to communicate. The American Journal of Semiotics. 30 (3/4), pp. 229-246. https://doi.org/10.5840/ajs2014303/412

Article

Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address

Cobley, P. 2014. Enhancing survival by not enhancing survival: Sebeok’s semiotics and the ultimate paradox of modelling: 9th Sebeok Fellow Address. The American Journal of Semiotics. 30 (3/4), pp. 191-204. https://doi.org/10.5840/ajs2014303/410

Article

Re-viewing Vantage Point

Cobley, P. 2014. Re-viewing Vantage Point. in: Buckland, W. (ed.) Hollywood Puzzle Films New York Routledge. pp. 217-232

Book chapter

Metaphysics of wickedness

Cobley, P. 2014. Metaphysics of wickedness. in: Thellefsen, T. and Bent, S. (ed.) Charles Sanders Peirce in His Own Words: 100 Years of Semiotics, Communication and Cognition Berlin De Gruyter Mouton.

Book chapter

Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities

Leeson, L. 2014. Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory. (7).

Article

Creative Articulations Process (CAP)

Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1

Article

What the humanities are for - A semiotic perspective

Cobley, P. 2014. What the humanities are for - A semiotic perspective. The American Journal of Semiotics. 30 (3-4), pp. 205-228. https://doi.org/10.5840/ajs2014303/411

Article

The gold disc: one million pop fans can't be wrong?

Osborne, R. 2014. The gold disc: one million pop fans can't be wrong? in: Sarafian, V. and Findlay, R. (ed.) L’état de l’industrie musicale = The state of the music industry Toulouse Presses de l'Université Toulouse 1 Capitole.

Book chapter

Audio books: the literary origins of grooves, labels and sleeves

Osborne, R. 2014. Audio books: the literary origins of grooves, labels and sleeves. in: Carroll, R. and Hansen, A. (ed.) LitPop: Writing and Popular Music Farnham Ashgate. pp. 201-215

Book chapter

Ten decades: careers of ten women artists born 1897-1906

Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.

Book

New feminist art criticism: critical strategies

Deepwell, K. (ed.) 1995. New feminist art criticism: critical strategies. Manchester Manchester University Press.

Book

Beatrice Cussol: feminist not feminine

Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35

Book chapter

We don't need another heroine: Sanja Ivekovic's counter-narratives

Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113

Book chapter

Cairo: my city, my revolution

Hussein, N. 2013. Cairo: my city, my revolution. in: Solga, K. and Hopkins, D. (ed.) Performance and the global city Basingstoke, UK Palgrave Macmillan. pp. 223-243

Book chapter

Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train

Machon, J. 2013. Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. in: Jenzen, O. and Munt, S. (ed.) The Ashgate research companion to paranormal cultures Ashgate. pp. 241-254

Book chapter

Drawing - in and outside - writing

Morrens, P., Chorpening, K., Nys, A. and Fortnum, R. 2012. Drawing - in and outside - writing. RGAP (Research Group for Artists Publications) in collaboration with Sint-Lucas Visual Arts Ghent.

Book

The Art of Intervention

Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UK

Show or exhibition

12 Approaches to 12 Shooters

Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189

Book chapter

Performing memory

Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, Austria

Show or exhibition

Anti-academy

Maude-Roxby, A. 2013. Anti-academy. John Hansard Gallery, Southampton, UK

Show or exhibition

Film in space: an exhibition of film and expanded cinema selected by Guy Sherwin

Sherwin, G. 2012. Film in space: an exhibition of film and expanded cinema selected by Guy Sherwin. London, UK 15 Dec 2012 - 24 Feb 2013

Show or exhibition

Feminism meets the big exhibition: 2005 onwards

Robinson, H. 2013. Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica. 3 (6).

Article

Immersive performance, (syn)aesthetics and the phenomenology of technologies

Machon, J. 2013. Immersive performance, (syn)aesthetics and the phenomenology of technologies. in: Shaughnessy, N. (ed.) Affective performance and cognitive science: body, brain and being Bloomsbury.

Book chapter

Robert Cohan teaching: body of knowledge

Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.

Design

The invisible expert practitioner: theorising performer expertise in contemporary performance-making

Sachsenmaier, S. 2010. The invisible expert practitioner: theorising performer expertise in contemporary performance-making. PhD thesis Middlesex University Performing Arts

PhD thesis

On curation: The development of Danscross and walking with Zhuangzi

Bannerman, C. 2013. On curation: The development of Danscross and walking with Zhuangzi. ResCen Research Centre.

Other

Intuition

Sachsenmaier, S. Intuition.

Design

Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance

Sachsenmaier, S. 2012. Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance. in: Behrens, C., Burkhard, H., Fleischle-Braun, C. and Obermaier, K. (ed.) Tanzerfahrung und Weltkenntnis Leipzig Henschel Verlag. pp. 95-107

Book chapter